Book Section
Interruptions and discontinuity are the very essence of Aby Warburg’s conception of the temporality that affects art objects. Beneath the seemingly immobilized expressive gesture, the Hamburg scholar recognizes the vitality of the Pathosformeln that convey the intricacy of human multi-layered temporality, made of interruptions, resumptions, inversions, regressions, stops, accelerations, and survivals ( Nachleben). In this sense, Warburg’s idea of ‘renewal’, which he developed from his well-known investigation of the Italian Renaissance, does not quite overlap with the notion of rebirth: an expressive gesture can re-emerge and be renewed in a different time without dying and being born a second time with a different form.
| Title |
Renewal
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| Author(s) |
Clio Nicastro
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| Identifier | |
| Description |
Interruptions and discontinuity are the very essence of Aby Warburg’s conception of the temporality that affects art objects. Beneath the seemingly immobilized expressive gesture, the Hamburg scholar recognizes the vitality of the Pathosformeln that convey the intricacy of human multi-layered temporality, made of interruptions, resumptions, inversions, regressions, stops, accelerations, and survivals ( Nachleben). In this sense, Warburg’s idea of ‘renewal’, which he developed from his well-known investigation of the Italian Renaissance, does not quite overlap with the notion of rebirth: an expressive gesture can re-emerge and be renewed in a different time without dying and being born a second time with a different form.
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| Is Part Of | |
| Place |
Berlin
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| Publisher |
ICI Berlin Press
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| Date |
2019
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| Subject |
Aby Warburg
Pathosformel
Nachleben
Kreuzlingen
regression
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| Rights |
© by the author(s)
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
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| Harvested |
yes
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| Language |
en-GB
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| short title |
Renewal
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| page start |
83
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| page end |
90
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| Source |
Re-: An Errant Glossary, ed. by Christoph F. E. Holzhey and Arnd Wedemeyer, Cultural Inquiry, 15 (Berlin: ICI Berlin Press, 2019), pp. 83–90
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