Book Section
Openness and Intensity
Petrarch’s Becoming Laurel in Rvf 23 and Rvf 228
Manuele Gragnolati
Francesca Southerden
Is Part Of
ICI Berlin Press
17 November 2020
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
page start
page end
Manuele Gragnolati and Francesca Southerden, Possibilities of Lyric: Reading Petrarch in Dialogue. With an Epilogue by Antonella Anedda Angioy, Cultural Inquiry, 18 (Berlin: ICI Berlin Press, 2020), pp. 45–63
  • Petrarch, Francesco, Canzoniere, ed. by Marco Santagata, rev. ed. (Milan: Mondadori, 2010)
  • Petrarch, Francesco, Trionfi, Rime estravaganti, Codice degli abbozzi, ed. by Vinicio Pacca and Laura Paolino (Milan: Mondadori, 1996)
  • Enterline, Lynn, ‘Embodied Voices: Petrarch Reading Himself Reading Ovid’, in Desire in the Renaissance: Psychoanalysis and Literature, ed. by Valeria Finucci and Regina Schwartz (Princeton, NJ: Princeton University Press, 1994), pp. 120–45 <>
  • Laplanche, Jean, and Jean-Bertrand Pontalis, The Language of Psycho-Analysis, trans. by Donald Nicholson-Smith (London: Hogarth Press and Institute of Psycho-Analysis, 1973)
  • Braidotti, Rosi, ‘Intensive Genre and the Demise of Gender’, Angelaki, 13.2 (2008), pp. 45–57 <>
  • Deleuze, Gilles, and Félix Guattari, A Thousand Plateaus: Capitalism and Schizophrenia, trans. by Brian Massumi (Minneapolis: University of Minnesota Press, 1987)
  • Coccia, Emanuele, La Vie des plantes (Paris: Éditions Payot & Rivages, 2016), in English as The Life of Plants: A Metaphysics of Mixture, trans. by Dylan J. Montanari (Cambridge: Polity, 2019)
  • Cixous, Hélène, La (Paris: Gallimard, 1976)
  • Cixous, Hélène, Illa (Paris: Des Femmes, 1980)
  • Crevier Goulet, Sarah-Anaïs, ‘Du jardin d’essai / esse à l’hortus conclusus: Figures de la naissance et du végétal dans l’oeuvre de Hélène Cixous’, in Des jardins autres, ed. by Paolo Alexandre Néné and Sarah Carmo (Paris: Archives Karéline, 2015), pp. 257–80
  • Meeker, Natania, and Antónia Szabari, ‘Libertine Botany: Vegetal Sexuality and Vegetal Forms’, Postmedieval: A Journal of Medieval Cultural Studies, 9.4 (2018), pp. 478–89 <>
  • Morton, Timothy, ‘Guest Column: Queer Ecology’, PMLA, 125.2 (2010), pp. 273–82 <>
  • Stark, Hannah, ‘Deleuze and Critical Plant Studies’, in Deleuze and the Non/Human, ed. by Jon Roffe and Hannah Stark (London: Palgrave Macmillan, 2015), pp. 180–96 <>
  • Irigaray, Luce, and Michael Marder, Through Vegetal Being: Two Philosophical Perspectives (New York: Columbia University Press, 2016) <>
  • Marder, Michael, Plant-thinking: A Philosophy of Vegetal Life (New York: Columbia University Press, 2013)
  • Marder, Michael, The Philosopher’s Plant: An Intellectual Herbarium, with illustrations by Mathilde Roussel (New York: Columbia University Press, 2014)
  • Braidotti, Rosi, ‘Writing as a Nomadic Subject’, Comparative Critical Studies, 11.2–3 (2014), pp. 163–84 <>
  • Petrarch, Francesco, Canzoniere, Trionfi: l'incunabolo veneziano di Vindelino da Spira del 1470 nell'esemplare della Biblioteca civica Queriniana di Brescia con figure dipinte da Antonio Grifo, INC. G V 15, ed. by Giuseppe Frasso, Giordana Mariani, and Ennio Sandal (Rome: Salerno, 2016)
  • Bonaventure, Bonaventurae Opera omnia, ed. by PP. Collegii S. Bonaventurae, 11 vols (Quaracchi: Collegium S. Bonaventurae, 1882–1902)
  • Freccero, Carla, ‘Ovidian Subjectivities in Early Modern Lyric: Identification and Desire in Petrarch and Louise Labé’, in Ovid and the Renaissance Body, ed. by Goran Stanivukovic (Toronto: University of Toronto Press, 2001), pp. 21–37 <>
  • Waller, Marguerite, Petrarch’s Poetics and Literary History (Amherst: University of Massachusetts Press, 1980)
  • Mann, Nicholas, ‘Petrarca giardiniere (a proposito del sonetto CCXXVIII)’, Letture Petrarce, 12 (1992), pp. 235–56
  • Tronzo, William, Petrarch’s Two Gardens: Landscape and the Image of Movement (New York: Italica Press, 2014) <>
  • Petrarch, Francesco, Canzoniere. Rerum vulgarium fragmenta, ed. by Rosanna Bettarini, 2 vols (Turin: Einaudi, 2005)
  • Carruthers, Mary, The Experience of Beauty in the Middle Ages (Oxford: Oxford University Press, 2013) <>
  • Petrarch, Francesco, ‘Petrarch’s Coronation Oration’, trans. by Ernest Hatch Wilkins, PMLA, 68.5 (Dec. 1953), pp. 1241–50 <>
  • Petrarch, Francesco, Opere latine di Francesco Petrarca, ed. by Antonietta Bufano, 2 vols (Turin: UTET, 1975)
  • Boccignone, Manuela, ‘Un albero piantato nel cuore (Petrarca e Iacopone)’, Lettere italiane, 52.2 (April–June 2000), pp. 225–64
  • Bolzoni, Lina, La rete delle immagini: predicazione in volgare dalle origini a Bernardino da Siena (Turin: Einaudi, 2002)
  • Peterson, Thomas E., ‘“Amor co la man dextra il lato manco” ( Rvf 228) as Allegory of Religious Veneration’, MLN, 135.1 (January 2020), Italian Issue, pp. 17–33 <>
  • Cavalcanti, Guido, Rime. Con le rime di Iacopo Cavalcanti, ed. by Domenico De Robertis (Turin: Einaudi, 1986)
  • Giunta, Claudio, ‘Guido Cavalcanti, “Perch’i’ no spero di tornar giammai”’, in Codici. Saggi sulla poesia del Medioevo (Bologna: il Mulino, 2005), pp. 45–61
  • Nasti, Paola, ‘Nozze e vedovanza: dinamiche dell’appropriazione biblica in Cavalcanti e Dante’, Tenzone, 7 (2006), pp. 71–110
  • Augustine, Opera omnia. PL 32–45 <> [accessed 15 September 2020]
  • Lombardi, Elena, The Syntax of Desire: Language and Love in Augustine, the Modistae, Dante (Toronto: University of Toronto Press, 2007)
  • Freccero, John, ‘The Fig Tree and the Laurel: Petrarch’s Poetics’, Diacritics, 5.1 (Spring 1975), pp. 34–40 <>
  • Barolini, Teodolinda, ‘The Making of a Lyric Sequence: Time and Narrative in Petrarch’s Rerum vulgarium fragmenta’, MLN, 104.1, Italian issue (Jan. 1989), pp. 1–38 <>
  • von Simpson, Otto G., ‘ Compassio and Co-redemptio in Roger van der Weyden’s Descent from the Cross’, The Art Bulletin, 25 (1953), pp. 9–16 <>