Book Section
Pablo Gonçalo
Speculative Writing
Unfilmed Scripts and Premediation Events
This article investigates and proposes the concept of speculative writing, which is a disruptive sort of dramaturgy mediated by artificial intelligence. What are the kinds of events created by speculative writing? What might its history and genealogy be? What might the duration of an alphanumeric reenactment be? Guided by these questions, the article details its search for speculative writing in unfilmed script history as well as in premediation events. According to these concepts, this essay concludes that speculative writing will enact potential, abstract, and premediated events, which have never become material media.
Title |
Speculative Writing
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Subtitle |
Unfilmed Scripts and Premediation Events
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Author(s) |
Pablo Gonçalo
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Identifier | |
Description |
This article investigates and proposes the concept of speculative writing, which is a disruptive sort of dramaturgy mediated by artificial intelligence. What are the kinds of events created by speculative writing? What might its history and genealogy be? What might the duration of an alphanumeric reenactment be? Guided by these questions, the article details its search for speculative writing in unfilmed script history as well as in premediation events. According to these concepts, this essay concludes that speculative writing will enact potential, abstract, and premediated events, which have never become material media.
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Is Part Of | |
Place |
Berlin
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Publisher |
ICI Berlin Press
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Date |
January 4, 2022
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Subject |
Writing
Speculative Realism
Screenwriting Studies
Media Archaeology
Archive
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Rights |
© by the author(s)
Except for images or otherwise noted, this publication is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
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Harvested |
yes
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Language |
en-GB
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short title |
Speculative Writing
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page start |
121
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page end |
129
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Source |
Over and Over and Over Again: Reenactment Strategies in Contemporary Arts and Theory, ed. by Cristina Baldacci, Clio Nicastro, and Arianna Sforzini, Cultural Inquiry, 21 (Berlin: ICI Berlin Press, 2022), pp. 121–29
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