Book Section
UNFOLD: Mediation by Reinterpretation is a research project and interdisciplinary network initiated by LIMA, Platform for Media Art in Amsterdam, that examines reinterpretation as an emerging practice for artistic production, presentation, and preservation of media works. New elements stretch the boundaries of traditional preservation methods and require insights from both the artist and the curator to decide how pieces can be restaged. This essay investigates how to deal with the changes of digital/media artworks over time, and how to preserve and mediate their performative aspects.
Part of Over and Over and Over Again Containing:
The Reactivation of Time / Cristina Baldacci, Clio Nicastro, Arianna Sforzini
From Re- to Pre- and Back Again / Sven Lütticken
The Reenacted Double / Arianna Sforzini
‘The Reconstruction of the Past is the Task of Historians and not Agents’ / Kata Krasznahorkai
The Collection of Jane Ryan & William Saunders / Pio Abad
Insistence / Özge Serin
‘Interrupting the Present’ / Katja Gentric
Resounding Difficult Histories / Juliana Hodkinson
Archival Diffractions / Giulia Damiani
Archival Reenactement and the Role of Fiction / Roberta Agnese
Unintentional Reenactments / Clio Nicastro
Everyday Aesthetics and the Practice of Historical Reenactment / Ulrike Wagner
Speculative Writing / Pablo Gonçalo
Reenactment in Theatre / Daniela Sacco
Re-search, Re-enactment, Re-design, Re-programmed Art / Serena Cangiano, Davide Fornari, Azalea Seratoni
In the Beginning There Is an End / Malin Arnell
Performance Art in the 1990s and the Generation Gap / Pierre Saurisse
Re-Presenting Art History / Cristina Baldacci
Reconciling Authenticity and Reenactment / Amy Brost
UNFOLD
Unfold Nan Hoover / Vera Sofia Mota, Fransien van der Putt
Living Simulacrum / Joanna Kiliszek
‘Repetition: Summer Display 1983’ at Van Abbemuseum / Michela Alessandrini
‘Political-Timing-Specific’ Performance Art in the Realm of the Museum / Hélia Marçal, Daniela Salazar
‘We Are Gathering Experience’ / Alethea Rockwell
Title
UNFOLD
Subtitle
The Strategic Importance of Reinterpretation for Media Art Mediation and Conservation
Author(s)
Gaby Wijers
Identifier
https://doi.org/10.37050/ci-21_20
DOI Target
https://press.ici-berlin.org/doi/10.37050/ci-21/wijers_unfold.html
HTML Page
https://press.ici-berlin.org/doi/10.37050/ci-21/wijers_unfold.html
Description
UNFOLD: Mediation by Reinterpretation is a research project and interdisciplinary network initiated by LIMA, Platform for Media Art in Amsterdam, that examines reinterpretation as an emerging practice for artistic production, presentation, and preservation of media works. New elements stretch the boundaries of traditional preservation methods and require insights from both the artist and the curator to decide how pieces can be restaged. This essay investigates how to deal with the changes of digital/media artworks over time, and how to preserve and mediate their performative aspects.
Is Part Of
Over and Over and Over Again
Place
Berlin
Publisher
ICI Berlin Press
Date
January 4, 2022
Subject
reinterpretation
media art
conservation
digital art
preservation
Rights
© by the author(s)
Except for images or otherwise noted, this publication is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
http://creativecommons.org/licenses/by-sa/4.0/
Harvested
yes
Language
en-GB
short title
UNFOLD
page start
193
page end
203
Source
Over and Over and Over Again: Reenactment Strategies in Contemporary Arts and Theory, ed. by Cristina Baldacci, Clio Nicastro, and Arianna Sforzini, Cultural Inquiry, 21 (Berlin: ICI Berlin Press, 2022), pp. 193–203