Book Section
Vera Sofia Mota
Fransien van der Putt
Fransien van der Putt
Unfold Nan Hoover
On the Importance of Actively Encouraging a Variable Understanding of Artworks for the Sake of their Preservation and Mediation
To support the practice of preservation and mediation of video works in the LIMA Collection (Amsterdam), the authors explore the possibilities of reinterpretation as a rather common practice in the performing arts. As a choreographer and a dramaturge, they establish a correlation between reinterpretation and dramaturgy — as a way to deal with non-objective or transitory aspects of the works — and describe their method in relation to the video and performance artist Nan Hoover.
| Title |
Unfold Nan Hoover
|
| Subtitle |
On the Importance of Actively Encouraging a Variable Understanding of Artworks for the Sake of their Preservation and Mediation
|
| Author(s) |
Vera Sofia Mota
Fransien van der Putt
|
| Identifier | |
| Description |
To support the practice of preservation and mediation of video works in the LIMA Collection (Amsterdam), the authors explore the possibilities of reinterpretation as a rather common practice in the performing arts. As a choreographer and a dramaturge, they establish a correlation between reinterpretation and dramaturgy — as a way to deal with non-objective or transitory aspects of the works — and describe their method in relation to the video and performance artist Nan Hoover.
|
| Is Part Of | |
| Place |
Berlin
|
| Publisher |
ICI Berlin Press
|
| Date |
4 January 2022
|
| Subject |
dramaturgy
preservation
reinterpretation
reenactment
mediation
choreography
non-objective
Nan Hoover
LIMA
video art
performance art
archive
|
| Rights |
© by the author(s)
Except for images or otherwise noted, this publication is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
|
| Language |
en-GB
|
| page start |
205
|
| page end |
218
|
| Source |
Over and Over and Over Again: Reenactment Strategies in Contemporary Arts and Theory, ed. by Cristina Baldacci, Clio Nicastro, and Arianna Sforzini, Cultural Inquiry, 21 (Berlin: ICI Berlin Press, 2022), pp. 205–18
|
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