Book Section
This essay interprets Dante’s Commedia as an ‘open work’ (Eco). It grounds its open-endedness in its representations of interruption: from fictional obstacles in the protagonist’s path in the Inferno to the narrator’s anxiety over unfinishedness in the Paradiso. Taking its cue from Boccaccio’s creative rewriting of Dante’s life, the essay resists the pressure of ‘total coherence’ embedded in (and often projected onto) the Commedia, in order to reclaim the material vulnerability of the text and of its author.
Title
Interrupted and Unfinished
Subtitle
The Open-Ended Dante of the Commedia
Author(s)
Nicolò Crisafi
Identifier
Description
This essay interprets Dante’s Commedia as an ‘open work’ (Eco). It grounds its open-endedness in its representations of interruption: from fictional obstacles in the protagonist’s path in the Inferno to the narrator’s anxiety over unfinishedness in the Paradiso. Taking its cue from Boccaccio’s creative rewriting of Dante’s life, the essay resists the pressure of ‘total coherence’ embedded in (and often projected onto) the Commedia, in order to reclaim the material vulnerability of the text and of its author.
Is Part Of
Place
Berlin
Publisher
ICI Berlin Press
Date
April 19, 2022
Subject
Umberto Eco
open work
open-ended
interruption
unfinished
vulnerability
textuality
Rights
© by the author(s)
Except for images or otherwise noted, this publication is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Language
en-GB
page start
85
page end
102
Source
Openness in Medieval Europe, ed. by Manuele Gragnolati and Almut Suerbaum, Cultural Inquiry, 23 (Berlin: ICI Berlin Press, 2022), pp. 85–102
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