Book Section
Marta Aleksandrowicz

Aesthetic Modelling at the Limit of the Human Montage

Vignettes of Homes and Homing
This essay explores the psychoanalytic work of Willy Apollon, and the creative work of Lygia Clark and Clarice Lispector, to rethink the human through an aesthetic lens. While Apollon locates the human outside the cultural montage that controls creativity and desire, Clark’s sculpture Bichos and Lispector’s novel The Passion According to G.H. model the human as a different, transindividual kind of montage through the aesthetic practice of breaking prevailing models of language, subjectivity, and sculpture.
Title
Aesthetic Modelling at the Limit of the Human Montage
Subtitle
Vignettes of Homes and Homing
Author(s)
Marta Aleksandrowicz
Identifier
Description
This essay explores the psychoanalytic work of Willy Apollon, and the creative work of Lygia Clark and Clarice Lispector, to rethink the human through an aesthetic lens. While Apollon locates the human outside the cultural montage that controls creativity and desire, Clark’s sculpture Bichos and Lispector’s novel The Passion According to G.H. model the human as a different, transindividual kind of montage through the aesthetic practice of breaking prevailing models of language, subjectivity, and sculpture.
Is Part Of
Place
Berlin
Publisher
ICI Berlin Press
Date
20 May 2025
Subject
montage
aesthetic
psychoanalysis
Willy Apollon
Lygia Clark
Clarice Lispector
Rights
© by the author(s)
Except for images or otherwise noted, this publication is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Language
en-GB
page start
263
page end
285
Source
Breaking and Making Models, ed. by Christoph F. E. Holzhey, Marietta Kesting, and Claudia Peppel, Cultural Inquiry, 33 (Berlin: ICI Berlin Press, 2025), pp. 263–85
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Publication scheduled for 20 May 2025