Book Section
Part of Queer Post-Cinema Containing:
Introduction
Autoimmunity and Sexual Difference in Todd Haynes’s Films Superstar: The Karen Carpenter Story, Poison, and Safe
Affective-Political Work with Documents: Sharon Hayes and Yael Bartana
Intense Play with Light and Sound: Reading Su Friedrich’s Seeing Red (2005) together with Walter Benjamin’s and Gilles Deleuze’s Philosophies of Technology
The iPhone as a Medium of Queer Aesthetics and Fluid Subjectivity: Charlie Prodger’s Bridgit
She Is Inseminating: Thanatopolitics and Reproduction in Claire Denis’s Science Fiction Film High Life (2018)
Coda
Title
Coda
Author(s)
Astrid Deuber-Mankowsky
Identifier
https://doi.org/10.37050/ci-32_6
Is Part Of
Queer Post-Cinema
Place
Berlin
Publisher
ICI Berlin Press
Date
6 May 2025
Rights
© by the author(s)
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
http://creativecommons.org/licenses/by-sa/4.0/
Language
en-GB
page start
181
page end
185
Source
Astrid Deuber-Mankowsky, Queer Post-Cinema: Reinventing Resistance, Cultural Inquiry, 32 (Berlin: ICI Berlin Press, 2025), pp. 181–85
  • Campolo, Alexander, and Katia Schwerzmann, ‘From Rules to Examples: Machine Learning’s Type of Authority’, Big Data & Society, 10.2 (2023), pp. 1–13 <https://doi.org/10.1177/20539517231188725>
  • Coleman, Beth, ‘Ten Statements of Technics’, in Technics: Media in the Digital Age, ed. by Nicholas Baer and Annie van den Oever (Amsterdam University Press, 2024), pp. 28–30 <https://doi.org/10.1515/9789048564569-004>
  • Deleuze, Gilles, ‘Letter to Serge Daney: Optimism, Pessimism, and Travel’, in Deleuze, Negotiations, 1972–1990, trans. by Martin Joughin (New York: Columbia University Press, 1990), pp. 68–81
  • Hagener, Malte, Vinzenz Hediger, and Alena Strohmeier, eds, The State of Post-Cinema: Tracing the Moving Image in the Age of Digital Dissemination (London: Palgrave Macmillan, 2016)