Rethinking Lyric Communities

Ed. by Irene Fantappiè
Francesco Giusti
Laura Scuriatti
Berlin: ICI Berlin Press, 2024
ISBN 978-3-96558-076-3 | Hardcover | 33.5 EUR | vi, 307 pp. | 10 b&w images | 22.9 cm x 15.2 cm
ISBN 978-3-96558-077-0 | Paperback | 17 EUR | vi, 307 pp. | 10 b&w images | 22.9 cm x 15.2 cm
ISBN 978-3-96558-078-7 | PDF | Open Access | 10 colour images | 9 MB
ISBN 978-3-96558-079-4 | EPUB | Open Access | 10 colour images | 8 MB
In contemporary Western societies, lyric poetry is often considered an elitist or solipsistic literary genre. Yet a closer look at its history reveals that lyric has always been intertwined with the politics of community formation, from the imagining of national and transnational discursive communities, to the use of poetry in episodes of collective action, protest, and social resistance. Poetic forms have circulated between languages and traditions from around the world and across time. But how does lyric poetry address or even create communities — and of what kinds? This volume takes a global perspective to investigate poetic communities in dialogue with recent developments in lyric theory and concepts of community. In doing so, it explores both the political potentialities and the perils of lyric poetry.
Irene Fantappiè is Assistant Professor (Tenure-Track) of Comparative Literature at the University of Cassino. After completing her PhD at the University of Bologna, she was Humboldt Fellow and researcher at Humboldt Universität zu Berlin, and later directed a three-year DFG research project at Freie Universität Berlin.
Francesco Giusti is Career Development Fellow and Tutor in Italian at Christ Church, University of Oxford. Previously he held fellowships at the University of York, the Goethe-Universität Frankfurt am Main, and the ICI Berlin Institute for Cultural Inquiry. He has published two books devoted respectively to the ethics of mourning and to creative desire in lyric poetry.
Laura Scuriatti is Associate Professor of English and Comparative Literature at Bard College Berlin. Her research focuses on modernist literature, with special interest in life-writing, aesthetics and gender.
Rethinking Lyric Communities is an exciting contribution to work on lyric poetry. Exploring modern and contemporary literatures in various languages, it recasts the lyric not as the overheard inner thoughts of an isolated individual but a calling into being of potential collectivities. And community is reconceptualized not as a pregiven, closed, organic unit but the shifting, open-ended social worlds that lyric identifications and iterations, anthems and apostrophes, performances and gestures, creoles and translations help us imagine. Rich with insight and provocation, this is a volume to be reckoned with for years to come. — Jahan Ramazani, author of Poetry in a Global Age.
In premodern times lyric poetry was understood to build or strengthen several kinds of communities: ones of poetic filiation, social positioning, political grouping, religious bonding, affective engagement, and spiritual connection. In Rethinking Lyric Communities, Francesco Giusti, Irene Fantappiè, and Laura Scuriatti draw together contributions from diverse languages, epochs, and traditions, to investigate how poetry can form communities in the modern age. Under four headings — Indexicality, Identification, Individuation, Translation — the contributions cumulatively build up a fascinating picture of how often resistant communities can be born out of the most unlikely practices. Perspectives range from the conviviality of the early twentieth century salon to illegal gatherings in the Soviet Union; from Queer communities to football chants or translation as repair; from colonialism to cruising. This brilliantly poised examination is full of surprises and balances attention to theory with illuminating close reading to demonstrate that poetry can make things happen. The whole concludes with a fine conversation with the poet Vahni Anthony Capildeo who brings a practitioner’s perspective to bear on how fragile communities can be shaped out of the quintessential loneliness of the writer and how poems can crystallize values about which readers in turn can coalesce. In times in which poetry is often thought isolated and ineffectual, this is vital reading of the very best kind. — Karen Leeder, Schwarz-Taylor Chair of German Language and Literature, University of Oxford, Einstein Visiting Fellow, Freie Universität Berlin and editor of Flaschenpost: German Poetry and the Long Twentieth Century.

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Title
Rethinking Lyric Communities
Editor(s)
Irene Fantappiè
Francesco Giusti
Laura Scuriatti
Bio(s)
Irene Fantappiè is Assistant Professor (Tenure-Track) of Comparative Literature at the University of Cassino. After completing her PhD at the University of Bologna, she was Humboldt Fellow and researcher at Humboldt Universität zu Berlin, and later directed a three-year DFG research project at Freie Universität Berlin.
Francesco Giusti is Career Development Fellow and Tutor in Italian at Christ Church, University of Oxford. Previously he held fellowships at the University of York, the Goethe-Universität Frankfurt am Main, and the ICI Berlin Institute for Cultural Inquiry. He has published two books devoted respectively to the ethics of mourning and to creative desire in lyric poetry.
Laura Scuriatti is Associate Professor of English and Comparative Literature at Bard College Berlin. Her research focuses on modernist literature, with special interest in life-writing, aesthetics and gender.
Identifier
Description
In contemporary Western societies, lyric poetry is often considered an elitist or solipsistic literary genre. Yet a closer look at its history reveals that lyric has always been intertwined with the politics of community formation, from the imagining of national and transnational discursive communities, to the use of poetry in episodes of collective action, protest, and social resistance. Poetic forms have circulated between languages and traditions from around the world and across time. But how does lyric poetry address or even create communities — and of what kinds? This volume takes a global perspective to investigate poetic communities in dialogue with recent developments in lyric theory and concepts of community. In doing so, it explores both the political potentialities and the perils of lyric poetry.
Is Part Of
Place
Berlin
Publisher
ICI Berlin Press
Date
28 October 2024
Number in Series
30
Subject
lyric poetry
communities
community formation
collectivity
colonialism
decolonialism
indexicality
lyric theory
translation
exclusion
Rights
© by the author(s)
Except for images or otherwise noted, this publication is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Language
en-GB
number of pages
vi, 307
Table Of Contents
Rethinking Lyric Communities: Introduction | IRENE FANTAPPIÈ, FRANCESCO GIUSTI AND LAURA SCURIATTI | 1-13
Lyric Address and the Problem of Community | JONATHAN CULLER | 15-29
Millay Repairs Baudelaire | SABINE I. GÖLZ | 31-70
Gestural Communities: Lyric and the Suspension of Action | FRANCESCO GIUSTI | 71-96
Rabindranath Tagore’s সমাজ/Samaj/Communities of Song | PETER D. MCDONALD | 97-112
The Transnational Lyric Community of Soviet Unofficial Music under Late Socialism | PHILIP ROSS BULLOCK | 113-133
Mina Loy’s Interrupted Communities | LAURA SCURIATTI | 135-158
Lyric Poetry and Community Good: Kaaps and the Cape Flats | DEREK ATTRIDGE | 159-181
Casting Dispersions: Revising Lyric Privacy in Simone White’s Of Being Dispersed | WENDY LOTTERMAN | 183-207
‘So Clear That One Can See the Breaks’: Colonialism, Materiality, and the Lyric in Jen Bervin’s The Desert | TOBY ALTMAN | 209-233
Lyric, Detachment, and Collectivity: On Carl Phillips’s ‘Hymn’ | HAL COASE | 235-257
Being a Perpetual Guest: Lyric, Community, Translation | A CONVERSATION WITH VAHNI ANTHONY EZEKIEL CAPILDEO | 259-274
References
Notes on the Contributors
Index
has manifestation
ISBN 978-3-96558-076-3 | Hardcover | 33.5 EUR | vi, 307 pp. | 10 b&w images | 22.9 cm x 15.2 cm
ISBN 978-3-96558-077-0 | Paperback | 17 EUR | vi, 307 pp. | 10 b&w images | 22.9 cm x 15.2 cm
ISBN 978-3-96558-078-7 | PDF | Open Access | 10 colour images | 9 MB
ISBN 978-3-96558-079-4 | EPUB | Open Access | 10 colour images | 8 MB
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