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32 items

Forthcoming

Sarah Horn trans* Werden: Queere Zeitlichkeiten und Transitionen in Videoblogs

Das Buch trans* Werden. Queere Zeitlichkeiten und Transitionen in Videoblogs widmet sich in einer medienwissenschaftlichen Analyse ausgewählten Videos von trans* Videobloggern, die ihre geschlechtlichen Transitionen in den 2010er Jahren auf YouTube dokumentieren. In selbstdokumentarischen Praktiken verbunden mit den Wirkungen des Testosterons auf die Körper offenbart sich trans* Sein als ein komplexes und ungewisses Werden, das in medialer Umgebung als queere Zeitlichkeit erfahrbar wird. Hierbei stehen die Effekte der Mediatisierung im Fokus der Analyse.
2025 | Cultural Inquiry, 38 | 37.5 € (hc) | 20.5 € (pb)

Just Published

A World of Possibilities: The Legacy of The Undivine Comedy Ed. by Kristina M. Olson

Published in 1992, Teodolinda Barolini’s The Undivine Comedy: Detheologizing Dante was a clarion call for a paradigmatic shift in reading Dante’s Commedia. Bringing together an international cadre of scholars, A World of Possibilities: The Legacy of ‘The Undivine Comedy’ illustrates the generative influence that Barolini’s approach has exerted across continents, disciplines, and generations. It testifies to the variety of interpretations that originate in her method, and opens new perspectives on Dante’s oeuvre and the significance of literature.
2025 | Cultural Inquiry, 37 | 39 € (hc) | 21.5 € (pb)

Just Published

Thinking Collectives / Collective Thinking Ed. by Eva Bentcheva, Annie Jael Kwan, and Ming Tiampo

Thinking Collectives/Collective Thinking delves into the dynamics of collective artistic practices, and looks in particular at histories, personal experiences, and theories in the context of global Asias. Featuring contributions from artists, curators, and activists, it focuses on the diverse contexts that shape both making and researching art. This ‘Companion’ book aims to bridge historical and theoretical knowledge with first-hand experiences and serves as a resource for a ‘worlded’ art history and contemporary practice.
2025 | Worlding Public Cultures | 14.5 € (pb)

Just Published

Pasolini: Dialogues avec la France / Dialoghi con la Francia Ed. by Marco Antonio Bazzocchi, Paolo Desogus, Manuele Gragnolati, Anne-Violaine Houcke, Hervé Joubert-Laurencin, and Davide Luglio

Tout au long de son œuvre, Pasolini n’aura cessé de s’adresser à la France, de l’interpeller, et la France lui a répondu. De quelle France a-t-il parlé ou a-t-il rêvé ? Quels écrivains et cinéastes, quelle poésie, quelle langue et quelle théorie entrèrent dans sa vie, dans ses vers et dans ses images ? D’autre part, de quel Pasolini la France a-t-elle parlé et parle-t-elle encore ? De quoi est fait son rêve de Pasolini ? En interrogeant les formes de ce dialogue entre Pasolini et la France, qui fut et qui est encore aujourd’hui à la fois intellectuel, sensuel et résolument intranquil, ce volume montre l’étrange et inextinguible actualité de Pasolini.
2025 | Cultural Inquiry, 36 | 36 € (hc) | 18.5 € (pb)

Just Published

Stella do Patrocínio Falatório/Chatter Ed. by Iracema Dulley and Marlon Miguel

Falatório/Chatter delves into the life and work of Stella do Patrocínio (1941–1992), who was confined in Rio de Janeiro’s Colônia Juliano Moreira psychiatric asylum from the age of twenty-one until her death. The unique form of relentless speech that Do Patrocínio produced while institutionalized was dismissed by doctors as mere ‘logorrhoea’. Yet her falatório is far more: a defiant and poetic act that resists erasure by psychiatry, racism, and patriarchy. Drawing on a wide range of archival material, this book presents transcriptions of Do Patrocínio’s chatter in Portuguese and English, amplifying her voice as a testament to survival, power, and resistance.
2025 | Cultural Inquiry, 35 | 45 € (hc) | 17.5 € (pb)

Rosa Barotsi Time and the Everyday in Slow Cinema

Time and the Everyday in Slow Cinema examines the phenomenon of Slow cinema, a style defined by its lingering focus on quotidian activities and extended durations. Rosa Barotsi argues that while the style emerges from a tradition of durational filmmaking and resonates with movements advocating for deceleration, it is also deeply entangled in the structures of late capitalism, creating a dynamic tension between radicalism and conservatism. This book situates the trend between artistic innovation and institutional commodification, ultimately raising critical questions about spectatorship, cinematic time, and the politics of cultural value.
2025 | Cultural Inquiry, 34 | 48.5 € (hc) | 19 € (pb)

Breaking and Making Models Ed. by Christoph F. E. Holzhey, Marietta Kesting, and Claudia Peppel

Practically anything can be a model of or for something else. What characterizes models is rather their specific reductive relationality, which often promotes understanding but is always generative rather than merely representational. The essays in Breaking and Making Models engage with the normative and performative qualities of models, their aesthetic and political dimensions, and their world-making potentials. Bringing such perspectives into a broad interdisciplinary dialogue, this book explores ways to work creatively with models.
2025 | Cultural Inquiry, 33 | 38.5 € (hc) | 21 € (pb)

Miriam Oesterreich Branching Out: Botanical Metaphors and Worlding Art History from the ‘Tropics’

This chapbook examines the aestheticization of plants in colonial discourses and charts visualizations of art histories that use the tree as a metaphor. In doing so, Miriam Oesterreich considers how ‘tropicalized’ tree forms have been reappropriated to portray a more ‘worlded’ art history. In the mid-twentieth century, prominent visual artists including Miguel Covarrubias, Alfred Barr, and Ad Reinhardt featured trees of art as canonizing illustrations of Western art history. Using Pablo León de la Barra’s poster Diagrama Tropical/Nova Cartografia Tropical (2010) as a starting point Branching Out discusses works by contemporary artists from Latin America and the Caribbean to look at the subversive potential in reimagining plant images and metaphors.
2025 | Worlding Public Cultures | 12 € (pb)

Astrid Deuber-Mankowsky Queer Post-Cinema: Reinventing Resistance

The pioneers of what has been labelled New Queer Cinema laid the foundation for a Queer Post-Cinema — a movement in which artists experiment with technology in innovative ways. Through original readings of Todd Haynes’s early films, Sharon Hayes and Yael Bartana’s videos and installations, Su Friedrich’s digital video Seeing Red, Charlie Prodgers’s iPhone film Bridgit, and Claire Denis’s science-fiction film Highlife, this monograph shows how artists are creating a new form of resistance in the time of the digital image and generative AI.
2025 | Cultural Inquiry, 32 | 39 € (hc) | 21.5 € (pb)

Psychotherapy and Materialism: Essays by François Tosquelles and Jean Oury Ed. by Marlon Miguel and Elena Vogman

Institutional psychotherapy emerged in France during World War II as a resistance movement against the fascist extermination of patients with mental and physical disabilities. The movement was initiated at the Saint-Alban psychiatric hospital and established a horizontal collective of patients and healthcare workers to dismantle confinement systems reminiscent of colonial and totalitarian practices. Embracing group therapies and patient-run cooperatives, these methods intertwined the ‘treatment of the institution’ and mental ‘disalienation’. The book Psychotherapy and Materialism offers the first English translation of two seminal texts by institutional psychotherapy co-inventors François Tosquelles, a Catalan psychiatrist and anarcho-syndicalist, and Jean Oury, founder of the La Borde clinic. Inspiring figures like Anne Querrien, Ginette Michaud, and Fernand Deligny, as well as being crucial to Frantz Fanon’s decolonial psychiatry and Félix Guattari’s schizoanalysis, Tosquelles and Oury’s materialist and ‘disalienationist’ approach has led to a radical rethinking of psychoanalysis, education, and social work.
2024 | Cultural Inquiry, 31 | 27 € (hc) | 10.5 € (pb)