Book

Metamorphosing Dante

Appropriations, Manipulations, and Rewritings in the Twentieth and Twenty-First Centuries
Ed. by Manuele Gragnolati
Fabio Camilletti
Fabian Lampart
Vienna: Turia + Kant, 2011
ISBN 978-3-85132-617-8 | Paperback | 40 EUR | 414 pp. | 24 cm x 16 cm
After almost seven centuries, Dante endures and even seems to haunt the present. Metamorphosing Dante explores what so many authors, artists and thinkers from varied backgrounds have found in Dante’s oeuvre, and the ways in which they have engaged with it through rewritings, dialogues, and transpositions. By establishing trans-disciplinary routes, the volume shows that, along with a corpus of multiple linguistic and narrative structures, characters, and stories, Dante has provided a field of tensions in which to mirror and investigate one’s own time. Authors explored include S. Beckett, W. Benjamin, A. Gide, D. Jarman, L. Jones/A. Baraka, J. Joyce, W. Koeppen, J. Lacan, Th. Mann, J. Merrill, E. Montale, P.P. Pasolini, G. Pressburger, R. Rauschenberg, Ch. Wright, V. Woolf.Manuele Gragnolati teaches Dante Studies at the University of Oxford, where he is Fellow of Somerville College. Fabio Camilletti is Assistant Professor of Italian Literature at the University of Warwick. Fabian Lampart is Privatdozent in German Literature at the University of Freiburg.

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Title
Metamorphosing Dante
Subtitle
Appropriations, Manipulations, and Rewritings in the Twentieth and Twenty-First Centuries
Editor(s)
Manuele Gragnolati
Fabio Camilletti
Fabian Lampart
Identifier
Description
After almost seven centuries, Dante endures and even seems to haunt the present. Metamorphosing Dante explores what so many authors, artists and thinkers from varied backgrounds have found in Dante’s oeuvre, and the ways in which they have engaged with it through rewritings, dialogues, and transpositions. By establishing trans-disciplinary routes, the volume shows that, along with a corpus of multiple linguistic and narrative structures, characters, and stories, Dante has provided a field of tensions in which to mirror and investigate one’s own time. Authors explored include S. Beckett, W. Benjamin, A. Gide, D. Jarman, L. Jones/A. Baraka, J. Joyce, W. Koeppen, J. Lacan, Th. Mann, J. Merrill, E. Montale, P.P. Pasolini, G. Pressburger, R. Rauschenberg, Ch. Wright, V. Woolf.Manuele Gragnolati teaches Dante Studies at the University of Oxford, where he is Fellow of Somerville College. Fabio Camilletti is Assistant Professor of Italian Literature at the University of Warwick. Fabian Lampart is Privatdozent in German Literature at the University of Freiburg.
Is Part Of
Place
Vienna
Publisher
Turia + Kant
Date
2011
Number in Series
2
Subject
Alighieri, Dante – Divina Commedia
Alighieri, Dante – Vita nuova
productive reception
influence
Rights
© by the author(s)
This version is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Buy Link
Bibliographic Citation
Metamorphosing Dante: Appropriations, Manipulations, and Rewritings in the Twentieth and Twenty-First Centuries, ed. by Manuele Gragnolati, Fabio Camilletti, and Fabian Lampart, Cultural Inquiry, 2 (Vienna: Turia + Kant, 2011) <https://doi.org/10.25620/ci-02>
Language
en-GB
number of pages
414
has manifestation
ISBN 978-3-85132-617-8 | Paperback | 40 EUR | 414 pp. | 24 cm x 16 cm
Format
application/pdf
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Contents

Frontmatter / Manuele Gragnolati, Fabio Camilletti, Fabian Lampart
Metamorphosing Dante / Fabio Camilletti, Manuele Gragnolati, Fabian Lampart
Dante’s ‘Strangeness’: The Commedia and the late Twentieth-Century Debate on the Literary Canon / Federica Pich
Irish Dante: Yeats, Joyce, Beckett / Piero Boitani
Dante as a Gay Poet / Nicola Gardini
Dante’s Inferno and Walter Benjamin’s Cities: Considerations of Place, Experience, and Media / Angela Merte-Rankin
‘Il mal seme d’Adamo’: Dante’s Inferno and the Problem of the Literary Representation of Evil in Thomas Mann’s Doktor Faustus and Wolfgang Koeppen’s Der Tod in Rom / Florian Trabert
‘Una modesta Divina Commedià’: Dante as Anti-Model in Cesare Pavese’s La luna e i falò / Tristan Kay
Reclaiming Paradiso: Dante in the Poetry of James Merrill and Charles Wright / Rachel Jacoff
‘Perché mi vinse il lume d’esta stella’: Giovanni Giudici’s Rewriting of Dante’s Paradiso for the Theatre / Erminia Ardissino
Per-tras-versionidantesche: Post-Paradisiacal Constellations in the Poetry of Vittorio Sereni and Andrea Zanzotto / Francesca Southerden
Human Desire, Deadly Love: The Vita Nova in Gide, Delay, Lacan / Fabio Camilletti
Wives and Lovers in Dante and Eugenio Montale / Rebecca West
Man with Snake: Dante in Derek Jarman’s Edward II / James Miller
Rewriting Dante after Freud and the Shoah: Giorgio Pressburger’s Nel regno oscuro / Manuele Gragnolati
‘Misi me per l’alto mare aperto’: Personality and Impersonality in Virginia Woolf’s Reading of Dante’s Allegorical Language / Teresa Prudente
‘Hell on a Paying Basis’: Morality, the Market, and the Movies in Harry Lachman’s Dante’s Inferno (1935) / Nick Havely
From Giorgio Agamben’s Italian Category of ‘Comedy’ to ‘Profanation’ as the Political Task of Modernity: Ingravallo’s Soaring Descent, or Dante according to Carlo Emilio Gadda / Manuela Marchesini
Literary Heresy: The Dantesque Metamorphosis of LeRoi Jones into Amiri Baraka / Dennis Looney
Transferring Dante: Robert Rauschenberg’s Thirty-Four Illustrations for the Inferno / Antonella Francini
‘Anzichè allargare, dilaterai!’: Allegory and Mimesis from Dante’s Comedy to Pier Paolo Pasolini’s La Divina Mimesis / Davide Luglio
A Cardboard Dante: Hell’s Metropolis Revisited / Ronald de Rooy
Backmatter / Manuele Gragnolati, Fabio Camilletti, Fabian Lampart