Book
Re-
An Errant Glossary
Ed. by
Christoph F. E. Holzhey
Arnd Wedemeyer
Arnd Wedemeyer
Cultural Inquiry, 15
Berlin: ICI Berlin Press, 2019
ISBN 978-3-96558-000-8 | Paperback | 12.5 EUR | xv, 198 pp. | 20.3 cm x 12.7 cm
ISBN 978-3-96558-001-5 | PDF | Open Access | 1.4 MB
ISBN 978-3-96558-002-2 | EPUB | Open Access | 0.9 MB
ISBN 978-3-96558-001-5 | PDF | Open Access | 1.4 MB
ISBN 978-3-96558-002-2 | EPUB | Open Access | 0.9 MB
What’s in a prefix? How to read a prefix as short as ‘re-’? Does ‘re-’ really signify? Can it point into a specific direction? Can it reverse? Can it become the shibboleth of a ‘postcritical’ reboot? At first glance transparent and directional, ‘re-’ complicates the linear and teleological models commonly accepted as structuring the relations between past, present, and future, opening onto errant temporalities.
Part of Cultural Inquiry |
---|
ICI Berlin Press print publications are available world-wide through various online sellers and at some Berlin booksellers.
You can use our webshop to purchase them directly from us. The green buttons below will transfer you to PayPal, placing the selected item in a shopping cart. Use one of the checkout options to pay via PayPal or credit card and enter a shipping address.
We can usually ship items within a week of your order. You will receive an email confirming the shipment and providing a bill for your records. If you have any concerns or questions, you can contact us at publishing@ici-berlin.org.
If you have published with ICI Berlin Press, you are eligible for a 50% author’s discount. Please use the buttons below.Title |
Re-
|
Subtitle |
An Errant Glossary
|
Editor(s) |
Christoph F. E. Holzhey
Arnd Wedemeyer
|
Identifier | |
Description |
What’s in a prefix? How to read a prefix as short as ‘re-’? Does ‘re-’ really signify? Can it point into a specific direction? Can it reverse? Can it become the shibboleth of a ‘postcritical’ reboot? At first glance transparent and directional, ‘re-’ complicates the linear and teleological models commonly accepted as structuring the relations between past, present, and future, opening onto errant temporalities.
|
Is Part Of | |
Place |
Berlin
|
Publisher |
ICI Berlin Press
|
Date |
22 January 2019
|
Number in Series |
15
|
Subject |
cultural inquiry, critical theory, temporality, prefix
|
Rights |
© by the author(s)
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
|
Language |
en-GB
|
number of pages |
xv, 198
|
Table Of Contents |
Preface
Recherche I | JULIE GAILLARD | 1-10
Recherche II: Anamnesis | JULIE GAILLARD | 11-23
Recirculation: The Wandering of Digital Images in Post-Internet Art | CRISTINA BALDACCI | 25-33
Recitation: Lyric Time(s) I | FRANCESCO GIUSTI | 35-47
Recovery | CLIO NICASTRO | 49-56
Reenactment: Errant Images in Contemporary Art | CRISTINA BALDACCI | 57-67
Rehabilitation I | BIRKAN TAŞ | 69-78
Rehabilitation II | BIRKAN TAŞ | 77-82
Renewal | CLIO NICASTRO | 83-90
Repetition | DANIEL REEVE | 91-97
Repetition: Differential Monotony, Affects, Creation | ARIANNA SFORZINI | 99-105
Repetition | TOM VANDEPUTTE | 107-111
Resistance I | HANNAH PROCTOR | 113-120
Resistance II | HANNAH PROCTOR | 121-128
Resistance | TOM VANDEPUTTE | 127-132
Resolution | DANIEL REEVE | 133-139
Restrain | CHRISTIANE FREY | 141-149
Reversion: Lyric Time(s) II | FRANCESCO GIUSTI | 151-161
Revolution: Making a Break in History | ARIANNA SFORZINI | 163-169
References
Notes on the Contributors
Index
|
has manifestation |
ISBN 978-3-96558-000-8 | Paperback | 12.5 EUR | xv, 198 pp. | 20.3 cm x 12.7 cm
ISBN 978-3-96558-001-5 | PDF | Open Access | 1.4 MB
ISBN 978-3-96558-002-2 | EPUB | Open Access | 0.9 MB
|
- Afary, Janet, and Kevin B. Anderson, Foucault and the Iranian Revolution: Gender and the Seductions of Islamism (Chicago: University of Chicago Press, 2005)
- Agacinski, Sylviane, ‘Anachronisms of Art: Style and Medium’, in Time Passing: Modernity and Nostalgia, trans. by Jody Gladding (New York: Columbia University Press, 2003), pp. 105–36
- Agamben, Giorgio, The Church and the Kingdom, trans. by Leland de la Durantaye (Chicago: The University of Chicago Press, 2012)
- Agamben, Giorgio, ‘The End of the Poem’, in The End of the Poem: Studies in Poetics, trans. by Daniel Heller-Roazen (Stanford: Stanford University Press, 1999)
- Agamben, Giorgio, The Kingdom and the Glory: For a Theological Genealogy of Economy and Government. Homo Sacer II, 4, trans. by Lorenzo Chiesa (Stanford: Stanford University Press, 2007)
- Agamben, Giorgio, ‘Leviathan’s Riddle’, in Leviathans Rätsel, trans. by Paul Silas Peterson (Tübingen: Mohr Siebeck, 2013)
- Agamben, Giorgio, The Mystery of Evil: Benedict XVI and the End of Days, trans. by Adam Kotsko (Stanford: Stanford University Press, 2017)
- Agamben, Giorgio, ‘Notes on Gesture’, in Infancy and History: The Destruction of Experience, trans. by Liz Heron (London: Verso, 1993), pp. 133–40
- Agamben, Giorgio, Stasis: Civil War as a Political Paradigm. Homo Sacer II, 2, trans. by Nicholas Heron (Stanford: Stanford University Press, 2015)
- Agamben, Giorgio, The Time That Remains: A Commentary on the Letter to the Romans, trans. by Patricia Dailey (Stanford: Stanford University Press, 2005)
- Agnew, Vanessa, ‘History’s Affective Turn: Historical Reenactment and Its Work in the Present’, Rethinking History, 11.3 (2007), pp. 299–312 <https://doi.org/10.1080/13642520701353108>
- American Psychiatric Association, ed., Diagnostic and Statistical Manual of Mental Disorders, Fifth Edition, DSM-5 (Washington, DC: American Psychiatric Publishing, 2013)
- Anker, Elizabeth S., and Rita Felski, ‘Introduction’, in Critique and Postcritique, ed. by Anker and Felski (Durham, NC: Duke University Press, 2017), pp. 1–28
- Attridge, Derek, The Work of Literature (Oxford: Oxford University Press, 2015)
- Augustine, Confessions, ed. and trans. by Carolyn J.-B. Hammond, 2 vols (Cambridge, MA: Harvard University Press, 2014–16)
- Austin, John L., How to Do Things with Words (Cambridge, MA: Harvard University Press, 1975)
- Bach, Johann Sebastian, Staatsbibliothek zu Berlin, MS Mus. ms. autogr. Bach P200/1, fascicle 3, p. 39, <https://www.bach-digital.de/rsc/viewer/BachDigitalSource_derivate_00062812/db_bachp0200-1_page039.jpg> [accessed 8 December 2018]
- Bakhtin, Mikhail, ‘Discourse in the Novel’, in The Dialogic Imagination: Four Essays, ed. by Michael Holquist, trans. by Michael Holquist and Caryl Emerson (Austin: University of Texas Press, 1981), pp. 259–422
- Baldacci, Cristina, ‘Re-enactment e altre storie. Dall’archivio alla contro-narrazione per immagini nell’arte contemporanea’, La rivista di Engramma, 150 (2017), pp. 41–48 <http://www.engramma.it/eOS/index.php?id_articolo=3215> [accessed 18 December 2018]
- Baldacci, Cristina, and Clio Nicastro, ‘Il Bilderatlas Mnemosyne ri-visitato: una mostra e un convegno a Karlsruhe’, La rivista di Engramma, 142 (2017) <http://www.engramma.it/eOS/index.php?id_articolo=3086> [accessed 18 December 2018]
- Barański, Zygmunt G., ‘Dante Alighieri: Experimentation and (Self-)Exegesis’, in The Cambridge History of Literary Criticism, ed. by H. B. Nisbet and Claude Rawson, 9 vols (Cambridge: Cambridge University Press, 1989–), II: The Middle Ages, ed. by Alastair Minnis and Ian Johnson (2005), pp. 561–82
- Barolini, Teodolinda, ‘“Cominciandomi dal principio infino a la fine” ( V.N., XXIII, 15): Forging Anti-Narrative in the “Vita Nuova”’, in La gloriosa donna de la mente: A Commentary on the Vita Nuova, ed. by Vincent Moleta (Florence: Olschki, 1994)
- Belting, Hans, An Anthropology of Images: Picture, Medium, Body, trans. by Thomas Dunlap (Princeton: Princeton University Press, 2011)
- Bénichou, Anne, ed., Recréer/Scripter. Mémoires et transmissions des œuvres performatives et chorégraphiques contemporaines (Dijon: Presses du réel, 2015)
- Benjamin, Walter, ‘Einbahnstraße’, in GS IV: Kleine Prosa, Baudelaire-Übertragungen (1972), pp. 83–148
- Benjamin, Walter, ‘Karl Kraus’, in GS II: Aufsätze, Essays, Vorträge (1977), pp. 335–67
- Benjamin, Walter, ‘“El mayor monstruo, los celos” von Calderón und “Herodes und Mariamne” von Hebbel. Bemerkungen zum Problem des historischen Dramas’, in GS II: Aufsätze, Essays, Vorträge (1977), pp. 246–76
- Benjamin, Walter, Das Passagen-Werk, in GS V: Das Passagen-Werk (1982)
- Benjamin, Walter, ‘Schemata zu “Karl Kraus” <1>’, in GS II: Aufsätze, Essays, Vorträge (1977), pp. 1091–94
- Benjamin, Walter, ‘Zentralpark’, in GS I: Abhandlungen (1974), pp. 655–90
- Benjamin, Walter, Gesammelte Schriften, ed. by Rolf Tiedemann and Hermann Schweppenhäuser, 7 vols (Frankfurt a.M.: Suhrkamp, 1972–91)
- Berlant, Lauren, ‘Slow Death (Obesity, Sovereignty, Lateral Agency)’, in Cruel Optimism, (Durham, NC: Duke University Press, 2011), pp. 95–119
- Bernstein, Jay M., ‘Confession and Forgiveness: Hegel’s Poetics of Action’, in Beyond Representation: Philosophy and Poetic Imagination, ed. by Richard Eldridge (Cambridge: Cambridge University Press, 1996), pp. 34–65
- Bloom, Harold, The Anxiety of Influence: A Theory of Poetry (Oxford: Oxford University Press, 1973)
- Bolter, Jay D., and Richard A. Grusin, Remediation: Understanding New Media (Cambridge, MA: MIT Press, 1999)
- Bray, Abigail, ‘The Anorexic Body: Reading Disorders’, Cultural Studies, 10.3 (1996) <https://doi.org/10.1080/09502389600490251>
- Budick, Sanford, and Wolfgang Iser, eds, Languages of the Unsayable: The Play of Negativity in Literature and Literary Theory (New York: Columbia University Press, 1989)
- Butler, Judith, Frames of War: When is Life Grievable? (London: Verso, 2009)
- Butler, Judith, Precarious Life: The Powers of Mourning and Violence (London: Verso, 2004)
- Cacciari, Massimo, The Withholding Power: An Essay on Political Theology, trans. by Edi Pucci (London: Bloomsbury, 2018)
- Carlson, Marvin, ‘Living History, Re-enactment’, in Performance Studies: Key Words, Concepts and Theories, ed. by Bryan Reynolds (London: Palgrave, 2014), pp. 84–90
- Casetti, Francesco, and Antonio Somaini, ‘The Conflict Between High Definition and Low Definition in Contemporary Cinema’, Convergence, 19.4 (2013), pp. 415–22 <https://doi.org/10.1177/1354856513494174>
- Celant, Germano, ed., When Attitudes Become Form: Bern 1969/Venice 2013 (Milan: Fondazione Prada, 2013)
- Centanni, Monica, ‘Editoriale: Engramma da 0 a 100’ , Engramma, 100 (2012) <http://www.engramma.it/eOS/index.php?id_articolo=1161> [accessed 18 December 2018]
- Chabert, Garance, and Aurélien Mole, eds, Les Artistes iconographes/Artists as Iconographers (Paris: Empire Books, 2018)
- Collingwood, Robin G., The Idea of History (Oxford: Clarendon Press, 1946)
- Comay, Rebecca, ‘Benjamin’s Endgame’, in Walter Benjamin’s Philosophy, ed. by Andrew Benjamin and Peter Osborne (London: Routledge, 1993)
- Coyle, Robert, ‘RE’: God’s Favorite Prefix (Montgomery, AL: E-BookTime, 2013)
- Culler, Jonathan, Theory of the Lyric (Cambridge, MA: Harvard University Press, 2015)
- Dante, Rime giovanili e della Vita nuova, ed. by Teodolinda Barolini, notes by Manuele Gragnolati (Milano: Rizzoli Bur, 2009)
- Dante, Vita nova, ed. by Guglielmo Gorni (Turin: Einaudi, 1996); in English as Dante’s Vita Nuova . New Edition: A Translation and an Essay, ed. and trans. by Mark Musa (Bloomington: Indiana University Press, 1973)
- Deleuze, Gilles, Difference and Repetition [1968], trans. by Paul R. Patton (New York: Columbia University Press, 1994)
- Deleuze, Gilles, The Logic of Sense [1969], trans. by Mark Lester and Charles Stivale (New York: Columbia University Press, 1990)
- Deleuze, Gilles, Proust et les Signes (Paris: PUF, 1964), in English as Proust and Signs, trans. by Richard Howard (London: Continuum, 2008)
- Derrida, Jacques, ‘Letter to a Japanese Friend’, trans. by David Wood and Andrew Benjamin, in Derrida, Psyché: Inventions of the Other II, ed. by Peggy Kamuf and Elizabeth Rottenberg (Stanford: Stanford University Press, 2008), pp. 1–6
- Doubrovsky, Serge, La Place de la madeleine. Ecriture et fantasme chez Proust (Grenoble: ELLUG, 2000)
- Dray, William H., History as Re-enactment: R. G. Collingwood’s Idea of History (Oxford: Oxford University Press, 1995)
- Eliot, T. S., ‘The Three Voices of Poetry’, in On Poetry and Poets (London: Faber and Faber, 1957), pp. 89–102
- Elman, Julie Passanante, Chronic Youth: Disability, Sexuality, and U.S. Media Cultures of Rehabilitation (New York: New York University Press, 2014)
- Ernst, Wolfgang, The Delayed Present: Media-Induced Tempor(e)alities & Techno-Traumatic Irritations of ‘the Contemporary’ (Berlin: Sternberg Press, 2017)
- Esposito, Roberto, Immunitas: The Protection and Negation of Life, trans. by Zakiya Hanafi (Cambridge: Polity, 2011)
- Esposito, Roberto, Two: The Machine of Political Theology and the Place of Thought, trans. by Zakiya Hanafi (New York: Fordham University Press, 2015)
- Federici, Silvia, The Caliban and the Witch: Woman, the Body and Primitive Accumulation (New York: Autonomedia, 2004)
- Felski, Rita, The Limits of Critique (Chicago: University of Chicago Press, 2015)
- Felski, Rita, ‘Response’, in ‘On Rita Felski’s The Limits of Critique’, PMLA, 132.2 (March 2017), pp. 384–91
- Fink, Robert, Repeating Ourselves: American Minimal Music as Cultural Practice (Berkeley: University of California Press, 2005)
- Foucault, Michel, ‘À quoi rêvent les Iraniens?’, in Dits et écrits, II: 1976–1988, text no. 245, pp. 688–94 (first publ. in Nouvel Observateur, 727 [16 October 1978], pp. 48–49)
- Foucault, Michel, ‘Ariane s’est pendue’, in Dits et écrits, I: 1954–1975, text no. 64, pp. 795–799 (first publ. in Nouvel Observateur, 229 [31 March 1969], pp. 36–37)
- Foucault, Michel, Boîte 53, Archives Foucault, Bibliothèque nationale de France (NAF 28730)
- Foucault, Michel, Boîtes 50–50bis, Archives Foucault, Bibliothèque nationale de France (NAF 28730)
- Foucault, Michel, ‘Ceci n’est pas une pipe’, in Dits et écrits, I: 1954–1975, text no. 53, pp. 663–78 (first publ. in Les Cahiers du chemin, 2 [15 January 1968], pp. 79–105), in English as This Is Not a Pipe, trans. by James Harkness (Berkeley: University of California Press, 1983)
- Foucault, Michel, The Government of Self and Others. Lectures at the Collège de France, 1982–1983, trans. by Graham Burchell (London: Palgrave Macmillan, 2010)
- Foucault, Michel, ‘Il mitico capo della rivolta dell’Iran (Le chef mythique de la révolte de l’Iran)’, in Dits et écrits, II: 1976–1988, text no. 253, pp. 713–16 (first publ. in Corriere della sera, 103.279 [26 November 1978], pp. 1–2), in English as ‘The Mythical Leader of the Iranian Revolt’, trans. by Karen de Bruin and Kevin B. Anderson, in Afary and Anderson, Foucault and the Iranian Revolution, pp. 220–23
- Foucault, Michel, ‘Una polveriera chiamata islam (Une poudriere appelée islam)’, in Dits et écrits, II: 1976–1988, text no. 261, pp. 759–61 (first publ. in Corriere della sera, 104.36 [13 February 1979], p. 1), in English as ‘A Powder Keg Called Islam’, trans. by Karen de Bruin and Kevin B. Anderson, in Afary and Anderson, Foucault and the Iranian Revolution, pp. 239–41
- Foucault, Michel, ‘Réponse de Michel Foucault à une lectrice iranienne’, in Dits et écrits, II: 1976–1988, text no. 251, p. 708 (first publ. in Nouvel Observateur, 731 [13 November 1978], p. 26), in English as ‘Foucault’s Response to Atoussa H.’, trans. by Karen de Bruin and Kevin B. Anderson, in Afary and Anderson, Foucault and the Iranian Revolution, p. 210
- Foucault, Michel, ‘Theatrum philosophicum’, in Dits et écrits, I: 1954–1975, text no. 80 (first publ. in Critique, 282 [November 1970], pp. 885–908), in English as ‘Theatrum philosophicum’, trans. by Donald F. Brouchard and Sherry Simon, in Essential Works of Foucault, 1954–1984, ed. by Paul Rabinow, 3 vols (New York: New Press, 1998–2001), II: Aesthetics, Method, and Epistemology, ed. by James D. Faubion (1998), pp. 343–68
- Foucault, Michel, ‘Vivre autrement le temps’, in Dits et écrits, II: 1976–1988, text no. 267, pp. 788–90 (first publ. in Nouvel Observateur, 755 [30 April 1979], p. 88)
- Foucault, Michel, Dits et écrits, ed. by Daniel Defert, François Ewald, and Jacques Lagrange, 2 vols (Paris: Gallimard, 2001)
- Franke, William, A Philosophy of the Unsayable (Notre Dame, IN: University of Notre Dame Press, 2014)
- Franke, William, Poetry and Apocalypse: Theological Disclosures of Poetic Language (Stanford: Stanford University Press, 2009)
- Freeman, Elizabeth, Time Binds: Queer Temporalities, Queer Histories (Durham, NC: Duke University Press, 2010)
- Freeman, Hadley, ‘To the Bone Confirms There Are (Almost) No Good Movies about Anorexia’ , Guardian, 12 July 2017 <https://www.theguardian.com/film/2017/jul/12/to-the-bone-confirms-there-are-almost-no-good-movies-about-anorexia> [accessed 21 September 2018]
- Freud, Sigmund, Beyond the Pleasure Principle, in The Standard Edition, XVIII: Beyond the Pleasure Principle, Group Psychology and Other Works (1920–22) (1955), pp. 1–64
- Freud, Sigmund, ‘Erinnern, Wiederholen und Durcharbeiten’, in Gesammelte Werke, X: Werke aus den Jahren 1913–1917 (1946), pp. 125–36; in English as ‘Remembering, Repeating and Working-Through (Further Recommendations on the Technique of Psycho-Analysis II) (1914)’, in The Standard Edition, XII: The Case of Schreber, Papers on Technique and Other Works (1958), pp. 145–56
- Freud, Sigmund, The Interpretation of Dreams, in The Standard Edition, IV–V (1953)
- Freud, Sigmund, Gesammelte Werke, 17 vols (London: Imago, 1940–52)
- Freud, Sigmund, The Standard Edition of the Complete Psychological Works of Sigmund Freud, ed. and trans. by James Strachey, 24 vols (London: Hogarth, 1953–74)
- Frye, Northrop, The Anatomy of Criticism: Four Essays (Princeton: Princeton University Press, 1957)
- Gaillard, Julie, ‘The Task of Thinking (in) The Postmodern Space of “The Zone”’, in Traversals of Affect, ed. by J. Gaillard, C. Nouvet, and M. Stoholski, pp. 229–46
- Gaillard, Julie, Claire Nouvet, and Mark Stoholski, eds, Traversals of Affect: On Jean-François Lyotard (London: Bloomsbury, 2016)
- Gay, Roxane, Hunger (New York: HarperCollins, 2017)
- Genette, Gérard, The Architext: An Introduction, trans. by Jane E. Lewin (Berkeley: University of California Press, 1992)
- Gioni, Massimiliano, and Andrea Pinotti, ‘Images of Images: The Survival and Repetition of Forms. A Conversation between Massimiliano Gioni and Andrea Pinotti’, in To Write an Image, ed. by Vincenzo de Bellis (Milan: Mousse Publishing, 2015), pp. 17–27
- Giusti, Francesco, Il desiderio della lirica. Poesia, creazione, conoscenza (Rome: Carocci Editore, 2016)
- Giusti, Francesco, ‘The Lyric in Theory. A Conversation with Jonathan Culler’, Los Angeles Review of Books, 27 May 2017
- Gombrich, Ernst H., Aby Warburg: An Intellectual Biography (London: Warburg Institute, 1970)
- Gragnolati, Manuele, and Francesca Southerden, ‘Dalla perdita al possesso. Forme di temporalità non lineare nelle epifanie liriche di Cavalcanti, Dante e Petrarca’, Chroniques italiennes, séries web 32 (1/2017), pp. 136–54 <http://www.univ-paris3.fr/medias/fichier/gragnolati-southerden_1501152291404.pdf> [accessed 20 December 2018]
- Gragnolati, Manuele, and Christoph F. E. Holzhey, eds, De/Constituting Wholes: Towards Partiality Without Parts (Vienna: Turia + Kant, 2017)
- Green, Dennis H., The Beginnings of Medieval Romance: Fact and Fiction, 1150–1220 (Cambridge: Cambridge University Press, 2002)
- Grossheutschi, Felix, Carl Schmitt und die Lehre vom Katechon (Berlin: Duncker & Humblot, 1996)
- Groys, Boris, ‘Art in the Age of Biopolitics: From Artwork to Art Documentation’, in Art Power (Cambridge, MA: MIT Press, 2008), pp. 53–65
- Groys, Boris, ‘Art Topology: The Reproduction of Aura’, in When Attitudes Become Form, ed. by G. Celant, pp. 451–56
- Hamann, Johann Georg, Schriften, ed. Friedrich Roth, 7 vols (Berlin: Riemer, 1821–25)
- Hansen, Gitte Marianne, Femininity, Self-Harm and Eating Disorders in Japan. Navigating Contradiction in Narrative and Visual Culture (London: Routledge, 2016)
- Harrison, Robert Pogue, The Body of Beatrice (Baltimore: Johns Hopkins University Press, 1988)
- Hartman, Saidiya, ‘The Terrible Beauty of the Slum’ (2017) <https://brickmag.com/the-terrible-beauty-of-the-slum/> [accessed 20 December 2018]
- Holmes, Su, ‘(Un)twisted: Talking Back to Media Representations of Eating Disorders’, Journal of Gender Studies, 27.3 (May 2016), pp. 1–16 <https://doi.org/10.1080/09589236.2016.1181539>
- Holy Bible: New International Version (Colorado Springs: Biblica, 1984)
- Holzhey, Christoph F. E., ed., Multistable Figures: On the Critical Potentials of Ir/Reversible Aspect-Seeing (Vienna: Turia + Kant, 2014)
- Holzhey, Christoph F. E., ed., Tension/Spannung (Vienna: Turia + Kant, 2010) <https://doi.org/10.25620/ci-01>
- Holzhey, Helmut, ‘Neukantianismus’, in Historisches Wörterbuch der Philosophie, ed. by Joachim Ritter, Karlfried Gründer, and Gottfried Gabriel, 13 vols (Basel: Schwabe, 1971–2007), VI (1984), pp. 747–54
- Jackson, Virginia, and Yopie Prins, eds, The Lyric Theory Reader. A Critical Anthology (Baltimore: Johns Hopkins University Press, 2014)
- Jameson, Fredric, ‘Foreword: A Monument to Radical Instants’, in Weiss, The Aesthetics of Resistance, pp. vii–xlix
- Jarrety, Michel, ‘The Poetics of Practice and Theory’, in Reading Paul Valéry: Universe in Mind, ed. by Paul Gifford and Brian Stimpson (Cambridge: Cambridge University Press, 1998)
- Jean Starobinski, Action and Reaction: The Life and Adventures of a Couple, trans. by Sophie Hawkes (New York: Zone Books, 2003)
- Johnson, Merri Lisa, and Robert McRuer, ‘Cripistemologies: Introduction’, Journal of Literary & Cultural Disability Studies, 8.2 (2014), pp. 127–47 <https://doi.org/10.3828/jlcds.2014.21>
- Johnson, W. R., The Idea of Lyric: Lyric Modes in Ancient and Modern Poetry (Berkeley: University of California Press, 1982)
- Johnson, W. Ralph, The Idea of Lyric: Lyric Modes in Ancient and Modern Poetry (Berkeley: University of California Press, 1982)
- Jones, Amelia, ‘“The Artist Is Present”: Artistic Re-enactments and the Impossibility of Presence’, TDR: The Drama Review, 55.1 (2011), pp. 16–45 <https://doi.org/10.1162/DRAM_a_00046>
- Jones, Amelia, ‘The Now and the Has Been: Paradoxes of Live Art in History’, in Perform, Repeat, Record: Live Art in History , ed. by Amelia Jones and Adrian Heathfield (Bristol: Intellect, 2012)
- Kant, Immanuel, An Answer to the Question: What Is Enlightenment, ed. and trans. by Mary J. Gregor (Cambridge: Cambridge University Press, 1996), pp. 11–22
- Kant, Immanuel, The Conflict of the Faculties, trans. by Mary J. Gregor and Robert Anchor, in Religion and Rational Theology, ed. by Allen W. Wood and George di Giovanni (Cambridge: Cambridge University Press, 1996), pp. 233–327
- Kierkegaard, Søren, Søren Kierkegaards Skrifter elektronisk version 1.8.1, ed. by Karsten Kynde (Copenhagen: Søren Kierkegaard Forskningscenteret, 2014), ‘Journaler og papirer’, DD:28 <http://www.sks.dk/DD/txt.xml> [accessed 16 December 2018]
- King, Elisabeth, ‘Are Movies about Eating Disorders Fundamentally Uncinematic?’, Pacific Standard, 14 July 2017 <https://psmag.com/social-justice/how-to-make-a-movie-about-a-lonely-terrible-experience> [accessed 21 September 2018]
- Köbler, Gerhard, Lateinisches Abkunfts- und Wirkungswörterbuch, 2nd edn (2009) <http://www.koeblergerhard.de/Latein/LateinischesWB.pdf> [accessed 20 December 2018]
- Konstantinovsky, Michelle, ‘Eating Disorders Do Not Discriminate: Puncturing the Dangerous Myth That Only White Women Get Eating Disorders’, Slate, 20 March 2014 <http://www.slate.com/articles/double_x/doublex/2014/03/eating_disorders_and_women_of_color_anorexia_and_bulimia_are_not_just_white.html> [accessed 21 September 2018]
- Kristeva, Julia, ‘Entretien: La Transsubstanciation de Proust: une suspension du refoulement’, in Marcel Proust, visiteur des psychanalystes, ed. by Andrée Bauduin and Françoise Coblenc (Paris: PUF, 2003), pp. 63–95
- Kristeva, Julia, Le Temps sensible. Proust et l’expérience littéraire (Paris: Gallimard, 2000)
- Kristeva, Julia, ‘Word, Dialogue, and Novel’, in Desire in Language: A Semiotic Approach to Literature and Art, ed. by Leon S. Roudiez, trans. by Thomas Gora, Alice Jardine, and Leon S. Roudiez (New York: Columbia University Press, 1980), pp. 64–91
- Law, Vivien, ‘The Middle Ages’, in Morphologie / Morphology: Ein internationales Handbuch zur Flexion und Wortbildung / An International Handbook on Inflection and Word-Formation, ed. by Geert Booij, Christian Lehmann, and Joachim Mugdan (Berlin: DeGruyter, 2000), pp. 76–90
- Lepecki, André, ‘The Body as Archive: Will to Re-enact and the Afterlives of Dances’, Dance Research Journal, 42.2 (2010), pp. 28–48 <https://doi.org/10.1017/S0149767700001029>
- Levine, Emily J., Hamburg, Dreamland of Humanists: Warburg, Cassirer, Panofsky, and the Hamburg School (Chicago: University of Chicago Press, 2013)
- Lindner, Burkhardt, and Christian Rogowski, ‘Between Pergamon and Plötzensee: Another Way of Depicting the Course of Events an Interview with Peter Weiss’, New German Critique, 30 (Autumn 1983), pp. 107–26
- Linebaugh, Peter, and Marcus Rediker, The Many-Headed Hydra: Sailors, Slaves, Commoners, and the Hidden History of the Revolutionary Atlantic (Boston: Beacon, 2013)
- Lissoni, Andrea, ed., Philippe Parreno: H{n)ypn(y}osis/Hypothesis (Milan: Mousse Publishing, 2017)
- Love, Heather, Feeling Backward: Loss and the Politics of Queer History (Cambridge, MA: Harvard University Press, 2007)
- Love, Heather, ‘Truth and Consequences: On Paranoid Reading and Reparative Reading’, Criticism, 52.2 (Spring 2010), pp. 235-41
- Lütticken, Sven, History in Motion: Time in the Age of the Moving Image (Berlin: Sternberg Press, 2013)
- Lyotard, Jean-François, ‘ Domus et la mégapole’, in L’Inhumain, pp. 181–92, in English as ‘ Domus and the Megalopolis’, in The Inhuman, pp. 191–204
- Lyotard, Jean-François, ‘La Peinture, anamnèse du visible’, in Misère de la philosophie (Paris: Galilée, 2000), pp. 97–115
- Lyotard, Jean-François, Heidegger and ‘the jews’, transl. by Andreas Michel and Mark S. Robert (Minneapolis: University of Minnesota Press, 1990)
- Lyotard, Jean-François, L’Inhumain. Causeries sur le temps (Paris: Klincksiesck, 2014), in English as The Inhuman: Reflections on Time, transl. by Geoffrey Bennington and Rachel Bowlby (Cambridge: Polity, 1991)
- Malson, Helen, and Maree Burns, Critical Feminist Approaches to Eating Dis/Orders (London: Routledge, 2009)
- Mandel, Ernest, ‘Trotsky in Exile’ [programme notes from the 1971 London production] <https://www.marxists.org/archive/mandel/1971/xx/exile.htm> [accessed 15 December 2018]
- McEwan, Dorothea, ‘A Tale of One Institute and Two Cities: The Warburg Institute’, Yearbook of the Research Centre for German and Austrian Exile Studies, 1 (1999): German-Speaking Exiles in Great Britain, ed. by Ian Wallace, pp. 25–42
- McGee, Micki, Self Help, Inc.: Makeover Culture in American Life (Oxford: Oxford University Press, 2005)
- McRuer, Robert, Crip Theory: Cultural Signs of Queerness and Disability (New York: New York University Press, 2006)
- Mecchia, Giuseppina, ‘Proustiens, encore un effort…! La déconstruction de l’inceste maternel dans À la recherche du temps perdu’, French Forum, 31.3 (Fall 2006), pp. 77–96 <https://doi.org/10.1353/frf.2007.0027>
- Meinhardt, Helmut, ‘Neuplatonismus’, in Historisches Wörterbuch der Philosophie, VI (1984), pp. 754–56
- Menge, Hermann, Langenscheidts Großwörterbuch Latein, 2 vols (Berlin: Langenscheidt, 2001), II: Lateinisch-deutsch, unter Berücksichtigung der Etymologie
- Merriam-Webster Online Dictionary, ‘Reenact’ <https://www.merriam-webster.com/dictionary/reenact> [accessed 18 December 2018]
- Mertens, Wim, American Minimal Music, trans. by J. Hautekiet (New York: Broude, 1983)
- Metzger, Paul, Katechon: II Thess 2, 1–12 im Horizont apokalyptischen Denkens (Berlin: De Gruyter, 2005)
- Meyer, Robert, Conrad Schetter, and Janosh Prinz, ‘Spatial Contestation? The Theological Foundations of Carl Schmitt’s Spatial Thought’, Geoforum, 43 (2012), pp. 687–96 <https://doi.org/10.1016/j.geoforum.2011.06.004>
- Mill, John Stuart, ‘What is Poetry?’, The Monthly Repository, n.s., 7 (1833), pp. 60–70
- Miller, Paul Allen, Lyric Texts and Lyric Consciousness: The Birth of a Genre from Archaic Greece to Augustan Rome (London: Routledge, 1994)
- Morin, Edgar, ‘RE: From Prefix to Paradigm’, World Futures, 61 (2005), pp. 254–67
- Morris, Daniel, Lyric Encounters: Essays on American Poetry from Lazarus and Frost to Ortiz Cofer and Alexie (London: Bloomsbury, 2013)
- Nagel, Alexander, and Christopher S. Wood, Anachronic Renaissance (New York: Zone Books, 2010)
- Nouvet, Claire, ‘For “Emma”’, in Traversals of Affect, ed. by J. Gaillard, C. Nouvet, and M. Stoholski, pp. 37–54
- Nouvet, Claire, ‘The Inarticulate Affect: Lyotard and Psychoanalytic Testimony’, in Minima Memoria: In the Wake of Jean-François Lyotard, ed. by Claire Nouvet, Kent Still, and Zrinka Stahuljak (Stanford: Stanford University Press, 2007), pp. 106–22
- Novum Testamentum Graece, ed. by Eberhard Nestle, Barbara Aland, and Kurt Aland (Stuttgart: Deutsche Bibelgesellschaft, 2012)
- OED Online (Oxford: Oxford University Press, 2000– ) <http://www.oed.com> [accessed 3 January 2018]
- Olson, Greta, Reading Eating Disorders: Writings on Bulimia and Anorexia as Confessions of American Culture (Frankfurt a.M.: Peter Lang, 2003)
- Olson, Marisa, ‘Lost Not Found: The Circulation of Images in Digital Visual Culture’, in Words Without Pictures, ed. by Alex Klein (Los Angeles: LACMA, 2009), pp. 274–84
- Olson, Marisa, ‘Postinternet: Art After the Internet’, Foam Magazine, 29 (2011), pp. 59–63
- Osborne, Peter, ‘Archive as Afterlife and Life of Art’, in WERE IT AS IF: Beyond an Institution that Is, ed. by Bik van der Pol and Defne Ayas (Rotterdam: Witte de With Center for Contemporary Art, 2017), pp. 49–53
- Paglen, Trevor, ‘Invisible Images (Your Pictures Are Looking at You)’, The New Inquiry, 8 December 2016 <https://thenewinquiry.com/invisible-images-your-pictures-are-looking-at-you/> [accessed 18 December 2018]
- Paglen, Trevor, ‘Operational Images’, e-flux journal, 59 (2014) <https://www.e-flux.com/journal/59/61130/operational-images/> [accessed 18 December 2018]
- Parr, Adrian, ‘Deterritorialization/Reterritorialization’ and ‘Repetition’, in The Deleuze Dictionary, revised edn, ed. by Parr (Edinburgh: Edinburgh University Press, 2010), pp. 69–72 and 225–26
- Pinotti, Andrea, Memorie del neutro. Morfologia dell’immagine in Aby Warburg (Milan: Mimesis, 2001)
- Pinotti, Andrea, ‘Optic Distance, Haptic Immersion’, in The Encyclopedic Palace, ed. by Massimiliano Gioni and Natalie Bell (Venice: La Biennale di Venezia–Marsilio, 2013), pp. 193–94
- Preciado, Paul B., ‘Lives and Works of Lorenza Böttner’, South as a State of Mind, 9 [documenta 14 #4] ([2017]) <https://www.documenta14.de/en/south/25298_lives_and_works_of_lorenza_boettner> [accessed 10 December 2018]
- Proust, Marcel, À la recherche du temps perdu, 7 vols, ed. by Jean-Yves Tadié and others (Paris: Gallimard, 1988–90), in English as In Search of Lost Time, 6 vols, trans. by C. K. Scott Moncrieff and Terence Kilmartin, rev. by D. J. Enright (New York: Modern Library, 1992)
- Prozorov, Sergei, ‘The Katechon in the Age of Biopolitical Nihilism’, Continental Philosophy Review, 45.4 (2012), pp. 483–505 <https://doi.org/10.1007/s11007-012-9232-y>
- Puar, Jasbir, ‘Prognosis Time: Towards a Geopolitics of Affect, Debility and Capacity’, Women & Performance: A Journal of Feminist Theory, 19.2 (2009), pp. 161–72 <https://doi.org/10.1080/07407700903034147>
- Putter, Ad, ‘Finding Time for Romance: Mediaeval Arthurian Literary History’, Medium Aevum 63 (1994), pp. 1–16 <http://doi.org/10.2307/43629612>
- Quine, Willard Van Orman, ‘Prefixes’, in Quine, Quiddities: An Intermittently Philosophical Dictionary (Cambridge: Harvard University Press, 1987), pp. 162–65
- Rabaté, Dominique, ‘Énonciation poétique, énonciation lyrique’, in Figures du sujet lyrique, ed. by Dominique Rabaté (Paris: PUF, 1996), pp. 65–79
- Rabaté, Dominique, Gestes lyriques (Paris: José Corti, 2013)
- Rabaté, Dominique, ‘A World of Gestures’, Journal of Literary Theory, 11.1 (2017), special issue Theories of Lyric, ed. by Claudia Hillebrandt, Sonja Klimek, Ralph Müller, William Waters, and Rüdiger Zymner, pp. 89–96 <https://doi.org/10.1515/jlt-2017-0010>
- Rajchman, John, ‘ Les Immatériaux or How to Construct the History of Exhibitions’, Tate Papers, 12 (2009) <https://www.tate.org.uk/research/publications/tate-papers/12/les-immateriaux-or-how-to-construct-the-history-of-exhibitions> [accessed 18 December 2018]
- Rasch, William, ‘Messias oder Katechon? Carl Schmitts Stellung zur politischen Theologie’, in Politische Theologie, ed. by Jürgen Brokoff and Jürgen Fohrmann (Paderborn: Schöningh, 2003), pp. 39–54
- Reeve, Daniel, ‘Queer Arts of Failure in Hue of Rotelande and Alan of Lille’, in Medieval Thought Experiments: Poetry, Hypothesis, and Experience in the European Middle Ages, ed. by Philip Knox, Jonathan Morton, and Daniel Reeve (Turnhout: Brepols, 2018), pp. 273–96
- Riffaterre, Michael, Semiotics of Poetry (Bloomington: Indiana University Press, 1978)
- Rilke, Rainer Maria, Werke, ed. by Manfred Engel, Ulrich Fülleborn, Horst Nalewski, and August Stahl, 4 vols. (Frankfurt a.M.: Insel, 1996), II: Gedichte 1910 bis 1926, ed. by Manfred Engel and Ulrich Fülleborn
- Rose, Gillian, Visual Methodologies: An Introduction to Researching with Visual Materials (London: Sage, 2016)
- Rotelande, Hue de, Ipomedon, poème de Hue de Rotelande, ed. by A. J. Holden (Paris: Klincksieck, 1979)
- Rütinger, Ines, and Eva Schmidt, eds, Dear Aby Warburg, What Can Be Done with Images? (Heidelberg: Kehrer, 2012)
- Scalise, Sergio, and Emiliano Guevara, ‘The Lexicalist Approach to Word-Formation and the Notion of the Lexicon’, in Handbook of Word-Formation, ed. by Pavol Štekauer and Rochelle Lieber (Dordrecht: Springer, 2005), pp. 147–87
- Scherpe, Klaus R., and James Gussen, ‘Reading the Aesthetics of Resistance: Ten Working Theses’, New German Critique, 30 (Autumn 1983), pp. 97–105
- Schmitt, Carl, The Nomos of the Earth in the International Law of Jus Publicum Europaeum, trans. by G. L. Ulmen (New York: Telos Press, 2006)
- Schmitt, Carl, Politische Theologie II: Die Legende von der Erledigung jeder Politischen Theologie (Berlin: Duncker & Humblot, 1970), in English as Political Theology II: The Myth of the Closure of Any Political Theology, trans. and introduced by Michael Hoelzl and Graham Ward (Cambridge: Polity, 2008)
- Schwartz, Jaime, ‘Is a Photograph Still an Index If It’s on the Internet?’, Dis Magazine <http://dismagazine.com/discussion/41736/a-discursive-mask/> [accessed 18 December 2018]
- Sebald, W. G., ‘The Remorse of the Heart: On Memory and Cruelty in the Work of Peter Weiss’, On the Natural History of Destruction, trans. by Anthea Bell (New York: Random House, 2003), pp. 169–91
- Sedgwick, Eve Kosofsky, ‘Paranoid Reading and Reparative Reading, or, You’re So Paranoid, You Probably Think This Essay Is About You’, in Sedgwick, Touching Feeling: Affect, Pedagogy, Performativity (Durham, NC: Duke University Press, 2003), pp. 123–51
- Sekula, Allan, ‘Between the Net and the Deep Blue Sea (Rethinking the Traffic in Photographs)’, October, 102 (2002), pp. 3–34 <https://doi.org/10.1162/016228702320826434>
- Sekula, Allan, ‘Reading an Archive: Photography Between Labour and Capital’, in The Photography Reader, ed. by Liz Wells (London: Routledge, 2003), pp. 443–52
- Semon, Richard, Die Mneme als erhaltendes Princip im Wechsel des organischen Geschehens (Leipzig: Engelmann, 1904)
- Settis, Salvatore, ed., Serial/Portable Classic: The Greek Canon and its Mutations (Milan: Fondazione Prada, 2015)
- Shildrick, Margrit, ‘Border Crossings: The Technology of Disability and Desire’, in Culture, Theory, Disability: Encounters Between Disability Studies and Cultural Studies, ed. by Anne Waldschmidt, Hanjo Berressem, and Moritz Ingwersen (Bielefeld: Transcript, 2017), pp. 137–51
- Siebers, Tobin, Disability Aesthetics (Ann Arbor: University of Michigan Press, 2010)
- Somaini, Antonio, and Andrea Pinotti, Cultura visuale. Immagini, sguardi, media, dispositivi (Turin: Einaudi, 2016)
- Stählin, Wilhelm, ‘Die Gestalt des Antichristen und das “katechon”’, in Festgabe Joseph Lortz, ed. by Erwin Iserloh and Peter Manns, 2 vols (Baden-Baden: Grimm, 1958), II: Glaube und Geschichte, pp. 1–12
- Stewart, Susan, ‘Preface to a Lyric History’, in The Uses of Literary History, ed. by Marshall Brown (Durham, NC: Duke University Press, 1996)
- Steyerl, Hito, ‘Digital Debris: Spam and Scam’, October, 138 (2011), pp. 70–80 <https://doi.org/10.1162/OCTO_a_00067>
- Steyerl, Hito, ‘In Defense of the Poor Image’, in The Wretched of the Screen (Berlin: Sternberg Press, 2012), pp. 31–45
- Steyerl, Hito, ‘Politics of the Archive: Translations in Film’, transversal (Vienna: eipcp, 2008) <http://eipcp.net/transversal/0608/steyerl/en> [accessed 18 December 2018]; repr. in Steyerl, Beyond Representation: Essays 1999–2009, ed. by Marius Babias (Berlin: n.b.k., 2016), pp. 160–66
- Steyerl, Hito, ‘Too Much World: Is the Internet Dead?’, in The Internet Does Not Exist, ed. by Julieta Aranda, Brian Kuan Wood, and Anton Vidokle (Berlin: Sternberg Press, 2015), pp. 10–26
- Stiker, Henri-Jacques, The History of Disability (Ann Arbor: University of Michigan Press, 1999)
- Tadié, Jean-Yves, Le Lac inconnu. Entre Proust et Freud (Paris: Gallimard, 2012)
- Tadié, Jean-Yves, Marcel Proust. Biographie, 2 vols (Paris: Gallimard, 1996)
- Taylor, Diana, The Archive and the Repertoire: Performing Cultural Memory in the Americas (Durham, NC: Duke University Press, 2003)
- von Thurn und Taxis-Hohenlohe, Marie, Erinnerungen an Rainer Maria Rilke (Frankfurt a.M.: Insel, 1994)
- Todorović, Jelena, Dante and the Dynamics of Textual Exchange (New York: Fordham University Press, 2016)
- Tomiche, Anne, ‘Anamnesis’, in Traversals of Affect, ed. by J. Gaillard, C. Nouvet, and M. Stoholski, pp. 73–88
- Trentin, Filippo, ‘Warburg’s Ghost: On Literary Atlases and the ‘Anatopic’ Shift of a Cartographic Object’, in De/Constituting Wholes: Towards Partiality Without Parts, ed. by Manuele Gragnolati and Christoph F. E. Holzhey (Vienna: Turia + Kant, 2017), pp. 101–29
- Vendler, Helen, Poems, Poets, Poetry: An Introduction and Anthology (Boston: Bedford/St. Martin’s, 1997)
- Wace, Roman de Brut: A History of the British, ed. and trans. by Judith Weiss, rev. edn, Exeter Medieval Texts and Studies (Liverpool: Liverpool University Press, 2002)
- Walsch, Raoul, ‘daß wir nicht sehr verläßlich zu Haus sind in der gedeuteten Welt’: Untersuchung zur Thematik der gedeuteten Welt in Rilkes ‘Die Aufzeichnungen des Malte Laurids Brigge’, ‘Duineser Elegien’ und spätester Lyrik (Würzburg: Königshausen & Neumann, 2012)
- Warburg, Aby, Der Bilderatlas MNEMOSYNE, in Gesammelte Schriften, II.1, ed. by Martin Warnke and Claudia Brink (2000), in Italian as Mnemosyne. L’Atlante delle immagini, ed. by Maurizio Ghelardi (Turin: Nino Aragno Editore, 2002)
- Warburg, Aby, Fragmente zur Ausdruckskunde, in Gesammelte Schriften, IV, ed. by Ulrich Pfisterer and Hans Christian Hönes (2015)
- Warburg, Aby, Grundlegende Bruchstücke zu einer pragmatischen Ausdruckskunde. Frammenti sull’espressione, ed. by Susanne Müller (Pisa: Edizioni della Normale, 2011)
- Warburg, Aby, ‘A Lecture on Serpent Ritual’, Journal of the Warburg Institute, 2 (1938–39), pp. 222–92
- Warburg, Aby, ‘Pagan-Antique Prophecy in Words and Images in the Age of Luther’, in The Renewal of Pagan Antiquity (1999), pp. 597–697
- Warburg, Aby, The Renewal of Pagan Antiquity: Contributions to the Cultural History of the European Renaissance (Los Angeles: Getty Center for the History of Art and the Humanities, 1999), in Italian as La rinascita del paganesimo antico. Contributi alla storia della cultura (Florence: La Nuova Italia, 1996); in English as
- Warburg, Aby, Gesammelte Schriften, ed. by Ulrich Pfisterer, Horst Bredekamp, Michael Diers, Uwe Fleckner, Michael Thimann, and Claudia Wedepohl (Berlin: Akademie Verlag, 1998– )
- Weiss, Peter, The Aesthetics of Resistance, Volume 1: A Novel, trans. by Joachim Neugroschel (Durham, NC: Duke University Press, 2005)
- Weiss, Peter, Marat/Sade, trans. by Geoffrey Skelton and Adrian Mitchell (New York; Atheneum, 1983)
- White, John J., ‘History and Cruelty in Peter Weiss’s “Marat/Sade”’, Modern Language Review, 63.2 (1968), pp. 437–48
- Wind, Edgar, ‘On a Recent Biography of Warburg’, in The Eloquence of Symbols. Studies in Humanistic Art, ed. by Jaynie Anderson (Oxford: Oxford University Press, 1983), pp. 106–13
- Bojack Horseman, created by Raphael Bob-Waksberg (Netflix, 2014– )
- Eye/Machine I, dir. by Harun Farocki (2000)
- Full House, created by Jeff Franklin (ABC, 1987–1995)
- Lorenza: Portrait of an Artist, dir. by Michael Stahlberg (Hochschule für Fernsehen und Film München, 1991) <https://vimeo.com/29793957> [accessed 10 December 2018]
- Seinfeld, created by Larry David and Jerry Seinfeld (NBC, 1989–1998)
- The Simpsons, created by Matt Groening (Fox Broadcasting, 1989– )
- The Simpsons, ‘Bart Gets an Elephant’, season 5, episode 17, dir. by Jim Reardon (aired 16 January 1994)
- The Simpsons, ‘Bart vs. Australia’, season 6, episode 16, dir. by Wes Archer (original air date: 19 February 1995)
- The Simpsons, ‘Holidays of Future Passed’, season 23, episode 9, dir. by Rob Oliver (aired 11 December 2011)
- The Simpsons, ‘Mr. Lisa Goes to Washington’, season 3, episode 2, dir. by Wes Archer (aired 26 September 1991)
- The Simpsons, ‘The Two Mrs. Nahasapeemapetilons’, season 9, episode 7, dir. by Steven Dean Moore (aired 16 November 1997)
- The Simpsons, ‘Who Shot Mr. Burns?’, season 6, episode 25, dir. by Jeffrey Lynch (aired 21 May 1995), and season 7, episode 1, dir. by Wes Archer (aired 17 September 1995)
- The Simpsons, ‘You Only Move Twice’, season 8, episode 2, dir. by Mike Anderson (aired 3 November 1996)