Book
The Scandal of Self-Contradiction
Pasolini’s Multistable Subjectivities, Geographies, Traditions
Ed. by
Luca Di Blasi
Manuele Gragnolati
Christoph F. E. Holzhey
Manuele Gragnolati
Christoph F. E. Holzhey
Vienna: Turia + Kant, 2012
ISBN (Paperback): 978-3-85132-681-9 | 32 EUR | 327 pp. | 24 cm x 16 cm
Pier Paolo Pasolini (1922-1975) was both a writer and filmmaker deeply rooted in European culture, as well as an intellectual who moved between different traditions, identities and positions. Early on he looked to Africa and Asia for possible alternatives to the hegemony of Western Neocapitalism and Consumerism, and in his hands the Greek and Judeo-Christian Classics morphed into unsettling multistable figures constantly shifting between West and East, North and South, the present and the past, rationality and myth, identity and otherness. The contributions in this volume, which belong to different intellectual and disciplinary fields, are bound together by a fascination for Pasolini’s ability to recognize contradictions, to intensify and multiply them, as well as to make them aesthetically and politically productive. What emerges is a ‘euro-eccentric’ and multifaceted Pasolini of great interest for the present.
ICI Berlin Press print publications are available world-wide through various online sellers and at some Berlin booksellers.
You can use our webshop to purchase them directly from us. The green buttons below will transfer you to PayPal, placing the selected item in a shopping cart. Use one of the checkout options to pay via PayPal or credit card and enter a shipping address.
We can usually ship items within a week of your order. You will receive an email confirming the shipment and providing a bill for your records. If you have any concerns or questions, you can contact us at publishing@ici-berlin.org.
If you have published with ICI Berlin Press, you are eligible for a 50% author’s discount. Please use the buttons below.Title |
The Scandal of Self-Contradiction
|
Subtitle |
Pasolini’s Multistable Subjectivities, Geographies, Traditions
|
Editor(s) |
Luca Di Blasi
Manuele Gragnolati
Christoph F. E. Holzhey
|
Identifier | |
Description |
Pier Paolo Pasolini (1922-1975) was both a writer and filmmaker deeply rooted in European culture, as well as an intellectual who moved between different traditions, identities and positions. Early on he looked to Africa and Asia for possible alternatives to the hegemony of Western Neocapitalism and Consumerism, and in his hands the Greek and Judeo-Christian Classics morphed into unsettling multistable figures constantly shifting between West and East, North and South, the present and the past, rationality and myth, identity and otherness. The contributions in this volume, which belong to different intellectual and disciplinary fields, are bound together by a fascination for Pasolini’s ability to recognize contradictions, to intensify and multiply them, as well as to make them aesthetically and politically productive. What emerges is a ‘euro-eccentric’ and multifaceted Pasolini of great interest for the present.
|
Is Part Of | |
Place |
Vienna
|
Publisher |
Turia + Kant
|
Date |
2012
|
Number in Series |
6
|
Subject |
Pasolini, Pier Paolo
Beyond Europe: Pasolini and the Western Heritage (Conference, German-Italian Centre for European Excellence, 2011)
classical antiquity
Greek myths
afterlife (literary)
reception
critique of capitalism
Eurocentrism, critique of
Europe, founding myth
contradictory thinking
multistable figures
|
Rights |
© by the author(s)
This version is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
|
Buy Link | |
Bibliographic Citation |
The Scandal of Self-Contradiction: Pasolini’s Multistable Subjectivities, Geographies, Traditions, ed. by Luca Di Blasi, Manuele Gragnolati, and Christoph F. E. Holzhey, Cultural Inquiry, 6 (Vienna: Turia + Kant, 2012) <https://doi.org/10.37050/ci-06>
|
Language |
en-GB
|
number of pages |
327
|
has manifestation |
ISBN (Paperback): 978-3-85132-681-9 | 32 EUR | 327 pp. | 24 cm x 16 cm
|
Format |
application/pdf
|
- Agamben, Giorgio, Il tempo che resta: Un commento alla Lettera ai Romani (Turin: Bollati Boringhieri, 2000)
- Andall, Jacqueline, and Derek Duncan, eds., Italian Colonialism: Legacy and Memory (London: Peter Lang, 2005)
- Arecco, Sergio, Pier Paolo Pasolini (Rome: Partisan, 1972)
- d’Ascia, Luca, ‘Die Genealogie der Macht bei Pier Paolo Pasolini’, in Kunst – Macht – Gewalt: Der ästhetische Ort der Aggressivität, ed. by Rolf Grimminger (Munich: Fink, 2000), pp. 193–207
- Auerbach, Erich, Mimesis. Dargestellte Wirklichkeit in der abendländischen Literatur (Tübingen: A. Francke Verlag, 2001 [1946]). In Italian as Mimesis. Il realismo nella letteratura occidentale, trans. by Alberto Romagnoli and Hans Hinterhäuser, 2 vols (Turin: Einaudi, 2000 [1956])
- Auerbach, Erich, ‘Zur Dante-Feier’, in Erich Auerbach: Geschichte und Aktualität eines europäischen Philologen, ed. by Karlheinz Barck and Martin Treml (Berlin: Kulturverlag, Kadmos, 2007), pp. 407–08
- Badiou, Alain, Being and Event (London: Continuum, 2006)
- Badiou, Alain, Logics of Worlds: Being and Event 2 (London: Continuum, 2009)
- Badiou, Alain, ‘On a Finally Objectless Subject’, trans. by Bruce Fink, in Who Comes after the Subject?, ed. by Eduardo Cadava, Peter Connor, and Jean-Luc Nancy (London: Routledge, 1991), pp. 24–32
- Badiou, Alain, Saint Paul: The Foundation of Universalism, trans. by Ray Brassier (Stanford: Stanford University Press, 2003)
- Badiou, Alain, and François Balmès, De l’idéologie (Paris: Maspéro, 1976)
- Bazin, André, What is Cinema?, ed. by Hugh Gray (Berkeley: University of California Press, 1971)
- Bazzocchi, Marco A., L’immaginazione mitologica: Leopardi e Calvino, Pascoli e Pasolini (Bologna: Pendragon, 1996)
- Belpoliti, Marco, Pasolini in salsa piccante: Con otto fotografie di Ugo Mulas (Parma: Guanda, 2010)
- Ben-Ghiat, Ruth, Fascist Modernities: Italy, 1922–1945 (Berkeley: University of California Press, 2001) <https://doi.org/10.1007/978-1-4039-8158-5>
- Ben-Ghiat, Ruth, and Mia Fuller, eds, Italian Colonialism (New York: Palgrave Macmillan, 2005) <https://doi.org/10.1007/978-1-4039-8158-5>
- Benedetti, Carla, Pasolini contro Calvino: Per una letteratura impura (Turin: Bollati Boringhieri, 1998)
- Benjamin, Walter, Gesammelte Schriften, ed. by Rolf Tiedemann and Hermann Schweppenhauser, 7 vols (Frankfurt am Main: Suhrkamp, 1974-89)
- Benjamin, Walter, Selected Writings, ed. by Marcus Bullock and Michael W. Jennings, 4 vols (Cambridge, MA: Belknap Press, 1996–2003)
- Benvenuti, Giuliana, Il viaggiatore come autore: L’India nella letteratura italiana del Novecento (Bologna: Il Mulino, 2008)
- Bergala, Alain, ‘Montage obligatoire’, in Le montage dans tous ses états, Conférences du Collège d’Histoire de l’Art Cinématographique, v (Paris: Cinémathèque Française, 1993), pp. 1–16
- Bernal, Martin, Black Athena: The Afroasiatic Roots of Classical Civilization (New Brusnwick: Rutgers University Press, 1987)
- Bernal, Martin, Black Athena: The Afroasiatic Roots of Classical Civilization, 2 vols (New Brunswick, NJ: Rutgers University Press, 1987–2006)
- Besana, Bruno, ‘Subject’, in Alain Badiou: Key Concepts, ed. by A. J. Bartlett and Justin Clemens (Durham, NC: Acumen, 2010), pp. 38–47
- Bevilacqua, Piero, Critica dell’ideologia meridionalistica. Salvemini, Dorso, Gramsci (Padua: Marsilio, 1972)
- Birkenhauer, Theresia, Theater/Theorie: Zwischen Szene und Sprache, ed. by Barbara Hahn and Barbara Wahlster (Berlin: Verlag Vorwerk 8, 2008)
- Birkenhauer, Theresia, ‘Tragödie: Arbeit an der Demokratie. Auslotung eines Abstandes’, Theater der Zeit, 11 (2004), pp. 27–28.
- Bloch, Ernst, Tendenz Latenz Utopie (Frankfurt am Main: Suhrkamp, 1978)
- Bongie, Chris, Exotic Memories: Literature, Colonialism and the Fin de Siècle (Stanford: Stanford University Press, 1991)
- Borgerson, Janet L., ‘Managing Desire: Heretical Transformation in Pasolini’s Medea’, Consumption, Markets and Culture, 5 (2002), pp. 55–62 <https://doi.org/10.1080/1025386029003109>
- Borghello, Giampaolo, Il simbolo e la passione: Aspetti della linea Pascoli–Pasolini (Milan: Mursia, 1986)
- Boym, Svetlana, The Future of Nostalgia (New York: Basic Books, 2001)
- Brecht, Bertolt, ‘The Modern Theatre is the Epic Theatre’, in Brecht on Theatre, ed. and trans. by John Willett (New York: Hill and Wang, 1964), pp. 33–42
- Butler, Judith, ‘Who Owns Kafka?’, London Review of Books, 5.33 (3 March 2011), pp. 3–8
- Cadel, Francesca, ‘Aspetti della linea Pascoli–Pasolini: Un’analisi delle traduzioni di Pasolini da Myricae’, Rivista Pascoliana, 7 (1995), pp. 37–58
- Cadel, Francesca, La lingua dei desideri: Il dialetto secondo Pier Paolo Pasolini (Lecce: Manni, 2002)
- Caminati, Luca, Orientalismo eretico: Pier Paolo Pasolini e il cinema del Terzo Mondo (Milan: Bruno Mondadori, 2007)
- Caserio, Robert L., and others, ‘The Antisocial Thesis in Queer Theory’, PMLA, 121.3 (2006), pp. 819-28 <https://doi.org/10.1632/pmla.2006.121.3.819>
- Casi, Stefano, I teatri di Pasolini (Milan: Ubolibri, 2005)
- Cassin, Barbara, Vocabulaire européen des philosophes: dictionnaire des intraduisibles (Paris: Editions Robert & Seuil, 2004)
- Cavaglion, Alberto, ‘Il grande viaggio verso la nuova Israele: Pasolini e gli altri alla scoperta del sogno’, Pagine ebraiche, 2 (December 2009), pp. 32–33
- Cavarero, Adriana, Horrorism: Naming Contemporary Violence (New York: Columbia University Press, 2009)
- Centanni, Monica, and Margherita Rubino, ‘Gassmann, Pasolini e i filologi’, essay-documentary, Italy 2005 <http://www.engramma.it/engramma_revolution/49/049_saggi_centanni_rubino.html> [accessed 20 May 2012]
- Cirese, Alberto Mario, ‘Il Canzoniere italiano: Pasolini studioso di poesia popolare’, in Lezioni su Pasolini, ed. by Tullio De Mauro and Francesco Ferri (Ripatrasone: Edizioni Sestante, 1997), pp. 133–66
- Clifford, James, Routes: Travel and Translation in the Late Twentieth Century (Cambridge, MA: Harvard University Press, 1997)
- Congedo, Mimma, ‘Indian Traces: Aracoeli, Pasolini’s L’odore dell’India, Moravia’s Un’idea dell’India’, in The Power of Disturbance: Elsa Morante’s ‘Aracoeli’, ed. by Manuele Gragnolati and Sara Fortuna (Oxford: Legenda, 2009), pp. 161–76 <https://doi.org/10.4324/9781315085531-14>
- de Carolis, Luciano, Pasolini e il cinema: Il progetto di una teoria semiotica in ‘Empirismo eretico’ (Firenze: Atheneum, 2008)
- De Ceccatty, René, Sur Pier Paolo Pasolini (Monaco: Editions du Rocher, 2005)
- Deleuze, Gilles, Cinema 1: The Movement Image, trans. by Hugh Tomlinson (London: Athlone Press, 1986)
- Deleuze, Gilles, Cinema 2: L’image-temps (Paris: Minuit, 1985)
- Deleuze, Gilles, Cinema 2: The Time-Image (London: Continuum, 2005)
- Dell’Arco, Mario, and Pier Paolo Pasolini, eds., Poesia dialettale del Novecento (Parma: Guanda, 1952)
- Derrida, Jacques, De la grammatologie (Paris: Minuit, 1967)
- Deutscher, Isaac, The Non-Jewish Jew and Other Essays (Oxford: Oxford University Press, 1968)
- de Voragine, Jacques, ‘lxxvi: La nativité de Saint Jean-Baptiste (24 juin)’, in La legende dorée, trans. by Teodor de Wyezewa (Paris: Seuil, 1998)
- Di Blasi, Luca, ‘Grammatheologie: Eine kultur- und medientheoretische Lektüre’, Deutsche Zeitschrift für Philosophie, 55 (2007), pp. 717–33 <https://doi.org/10.1524/dzph.2007.55.5.717>
- Edelman, Lee, No Future: Queer Theory and the Death Drive (Durham, NC: Duke University Press, 2004) <https://doi.org/10.1215/9780822385981>
- Faucon, Teresa, Penser et expérimenter le montage (Paris: Presses de la Sorbonne Nouvelle, 2009)
- Fortini, Franco, Attraverso Pasolini (Turin: Einaudi, 1993)
- Fortuna, Sara, A un secondo sguardo: Il mobile confine tra percezione e linguaggio (Rome: manifestolibri, 2003)
- Fortuna, Sara, Wittgensteins Philosophie des Kippbildes: Aspektwechsel, Ethik, Sprache (Vienna: Turia + Kant, 2012)
- Fortuna, Sara, Manuele Gragnolati, and Jürgen Trabant, eds, Dante’s Plurilingualism: Authority, Knowledge, Subjectivity (Oxford: Legenda, 2010)
- Foucault, Michel, The History of Sexuality, trans. by Robert Hurley, 3 vols (London: Penguin, 1990–98)
- Freud, Sigmund, The Standard Edition of the Completed Psychological Works of Sigmund Freud, ed. and trans. by James Strachey, 24 vols (London: Hogarth Press and the Institute of Psycho-Analysis, 1953-74)
- Fusillo, Massimo, La Grecia secondo Pasolini: Mito e cinema (Florence: Le Lettere, 1996)
- Fusillo, Massimo, La Grecia secondo Pasolini: Mito e cinema (Roma: Carocci, 2007)
- Fusillo, Massimo, La Grecia Secondo Pasolini: Mito e cinema (Rome: Carocci, 2007 [1996])
- Fusillo, Massimo, La Grecia secondo Pasolini: Mito e cinema (Rome: Carocci, 2007)
- Gentile, Emilio, La grande Italia: Il mito della nazione nel XX secolo (Rome: Laterza, 2006)
- Gilroy , Paul, The Black Atlantic. Modernity and Double Consciousness (London: Verso, 1993)
- Girshausen, Theo, Ursprungszeiten des Theaters: Das Theater der Antike (Berlin: Verlag Vorwerk 8, 1999)
- Gordon, Robert S. C., ‘“Fare testo in materia”: Ugo Varnai, Comunità, and the Holocaust in 1950s Italian Culture’, in Meneghello: Fiction, Scholarship, Passione Civile, ed. by Daniela La Penna, special issue of The Italianist (Supplement 2012), pp. 177–92 <https://doi.org/10.1080/02614340.2012.11917506>
- Gordon, Robert S. C., Pasolini: Forms of Subjectivity (Oxford: Oxford University Press, 1996)
- Gordon, Robert S. C., ‘ Pura luce: A Vision of History’, in Pasolini: Forms of Subjectivity (Oxford: Oxford University Press, 1996), pp. 114–38
- Gragnolati, Manuele, ‘Pier Paolo Pasolini’s Queer Performance: La Divina Mimesis between Dante and Petrolio’, in Corpus xxx: Pasolini, Petrolio, Salò, ed. by Davide Messina (Bologna: CLUEB, 2012), pp. 134–64
- Groß, Bernhard, Pier Paolo Pasolini: Figurationen des Sprechens (Berlin: Verlag Vorwerk 8, 2008)
- Groß, Bernhard, Pier Paolo Pasolini: Figurationen des Sprechens (Berlin: Vorwerk 8, 2008)
- Hardt, Michael, and Antonio Negri, Multitude: War and Democracy in the Age of Empire (New York: Penguin, 2004)
- Hardt, Michael, and Antonio Negri, Multitude: War and Democracy in The Age of Empire (New York: Penguin Press, 2004)
- Hay, James, Popular Film Culture in Fascist Italy: The Passing of the Rex (Bloomington: Indiana University Press, 1987)
- Holzhey, Christoph F. E., ed., Multistable Figures: On the Critical Potentials of Ir/Reversible Aspect-Seeing (Vienna: Turia + Kant, 2012)
- Žižek, Slavoj, ‘Dialectical Clarity versus the Misty Conceit of Paradox’, in Žižek and John Milbank, The Monstrosity of Christ: Paradox or Dialectic? ed. by Creston Davis (Cambridge, MA: MIT Press, 2009), pp. 234–305 <https://doi.org/10.7551/mitpress/8208.001.0001>
- Žižek, Slavoj, Lacrimae rerum (Paris: Editions Amsterdam, 2005)
- Žižek, Slavoj, Psychoanalyse und die Philosophie des deutschen Idealismus. I: Der erhabenste aller Hysteriker. II: Verweilen beim Negativen (Vienna: Turia + Kant, 2008)
- Israel, Giorgio, Il fascismo e la razza. La scienza italiana e le politiche razziali del fascismo (Bologna: Il Mulino, 2010)
- Joubert-Laurencin, Hervé, ‘Pasolini-Barthes: engagement et suspension de sens’, Studi Pasoliniani, 1 (2007), pp. 55–67
- Joubert-Laurencin, Hervé, Pasolini: Portrait du poète en cinéaste (Paris: Cahiers du Cinéma, 1995)
- Joubert-Laurencin, Hervé, Pasolini: Portrait du poète en cinéaste (Paris: Éditions des Cahiers du Cinéma, 1995)
- Kappelhoff, Hermann, ‘Narrative Space – Plot Space – Image Space’ available at <http://www.hermann-kappelhoff.de/01/images/stories/narrative_space_onlineversion.pdf> [accessed 26 September 2011]
- Kluge, Alexander, Das fünfte Buch: Neue Lebensläufe (Berlin: Suhrkamp, 2012)
- Kracauer, Siegfried, Theory of Film: The Redemption of Physical Reality (Oxford: Oxford University Press, 1965)
- Labanca, Nicola, Oltremare: Storia dell'espansione coloniale italiana (Bologna: Il Mulino, 2002)
- Leiris, Michel, L’Afrique fantôme (Paris: Gallimard, 1934)
- Liccioli, Edi, La scena della parola: Teatro e poesia in Pier Paolo Pasolini (Firenze: Le Lettere, 1997)
- Linder, Jutta, Pasolini als Dramatiker (Frankfurt am Main: Lang, 1981)
- Lombardi-Diop, Cristina and Caterina Romeo, eds., Postcolonial Italy: The Colonial Past in Contemporary Italy (New York: Palgrave Macmillan, forthcoming)
- Loraux, Nicole, Mothers in Mourning, trans. by Corinne Pache (Ithaca: Cornell University Press, 1998)
- Maggi, Armando, The Resurrection of the Body: Pier Paolo Pasolini from Saint Paul to Sade (Chicago: University of Chicago Press, 2009) <https://doi.org/10.7208/chicago/9780226501369.001.0001>
- Mariniello, Silvestra, ‘Temporality and the Culture of Intervention’, boundary 2, 22.3 (1995), pp. 111–39 <https://doi.org/10.2307/303725>
- Marramao, Giacomo, ‘A partire da Salò: corpo e potere nell’opera di Pasolini’, aut aut, 345 (Jan.–Mar. 2010), pp. 116–23
- Merton, Thomas, Opening the Bible (Collegeville: The Liturgical Press, 1986)
- Moe, Nelson, The View from Vesuvius: Italian Culture and the Southern Question (Berkeley: University of California Press, 2002) <https://doi.org/10.1525/9780520939820>
- Moravia, Alberto, Un’idea dell’India (Milan: Bompiani, 1962)
- Mouffe, Chantal, and Showstack Sassoon, ‘Gramsci in France and Italy: A Review of the Literature’, in Antonio Gramsci: Critical Assessments of Leading Political Philosophers, ed. by James Martin, 4 vols. (London: Routledge, 2002), iv, pp. 81–115
- Murri, Serafino, Pier Paolo Pasolini: Salò o le 120 giornate di Sodoma (Turin: Lindau, 2001)
- Nichols, Bill, ed., Movies and Methods, 2 vols (Berkeley: University of California Press, 1976)
- Nietzsche, Friedrich, Untimely Meditations, ed. by Daniel Breazeale, trans. by R.J. Hollingdale (Cambridge: Cambridge University Press, 1997) <https://doi.org/10.1017/CBO9780511812101>
- Palumbo, Patrizia, ed., A Place in the Sun: Africa in Italian Colonial Culture from Post-Unification to the Present (Berkeley: University of California Press, 2003)
- Parmeggiani, Francesca, Lo spessore della letteratura: Presenze neotestamentarie nella narrativa italiana degli anni Sessanta e Settanta (Ravenna: Longo, 2007)
- Parussa, Sergio, L’eros onnipotente: erotismo, letteratura e impegno nell’opera di Pier Paolo Pasolini e Jean Genet (Turin: Tirrenia Stampatori, 2003)
- Pasolini, Pier Paolo, Alì dagli occhi azzurri (Milan: Garzanti, 1965)
- Pasolini, Pier Paolo, ‘Andy Warhol’s Ladies and Gentlemen’, in Andy Warhol, Ladies and Gentlemen (New York: Starstedt Gallery, 2009), p. 6
- Pasolini, Pier Paolo, Antologia della lirica pascoliana: Introduzione e commenti, ed. by Marco A. Bazzocchi and Ezio Raimondi (Turin: Einaudi, 1993), pp. v–xvii
- Pasolini, Pier Paolo, Appunti per un film sull’India, in Per il cinema, ed. by Walter Siti and Franco Zabagli, 2 vols (Milan: Mondadori, 2001)
- Pasolini, Pier Paolo, Calderòn (Milan: Garzanti, 1973)
- Pasolini, Pier Paolo, Il caos, ed. by Gian Carlo Ferretti (Rome: Editori Riuniti, 1979)
- Pasolini, Pier Paolo, Corpi e luoghi, ed. by Michele Mancini and Giuseppe Perrella (Rome: Theorema, 1981)
- Pasolini, Pier Paolo, Heretical Empiricism, trans. by Ben Lawton and Louise K. Barnett (Washington, DC: New Academia Publishing, 2005)
- Pasolini, Pier Paolo, ‘Nell’Africa nera resta un vuoto di millenni’, in Il Giorno, 20 March 1970, rpt. in Appunti per un’Orestiade Africana (Bologna: Cineteca di Bologna, 2009)
- Pasolini, Pier Paolo, L’odore dell’India (Parma: Guanda, 1992)
- Pasolini, Pier Paolo, L’odore dell’India (Parma: Guanda, 2005)
- Pasolini, Pier Paolo, Il padre selvaggio (Turin: Einaudi, 1975)
- Pasolini, Pier Paolo, Pasolini on Pasolini, ed. by Oswald Stack (Bloomington: Indiana University Press, 1969)
- Pasolini, Pier Paolo, Per il cinema, ed. by Walter Siti and Franco Zabagli, 2 vols (Milan: Mondadori, 2001)
- Pasolini, Pier Paolo, Petrolio, ed. by Graziella Chiarcossi and Maria Careri (Turin: Einaudi, 1992)
- Pasolini, Pier Paolo, Petrolio, trans. by Ann Goldstein (New York: Pantheon, 1997)
- Pasolini, Pier Paolo, La Rabbia, ed. by Roberto Chiesi (Bologna: Cineteca di Bologna, 2009)
- Pasolini, Pier Paolo, La religione del mio tempo (Milan: Garzanti, 1961)
- Pasolini, Pier Paolo, ‘La Resistenza negra’, in Letteratura negra, ed. by Mario De Andrade and Léonard Sainville, 2 vols (Rome: Editori Riuniti, 1961), i, pp. XV–XXIV
- Pasolini, Pier Paolo, Romanzi e racconti, ed. by Walter Siti and Silvia De Laude, 2 vols (Milan: Mondadori, 1998)
- Pasolini, Pier Paolo, Romanzi e racconti, ed. by Walter Siti and Silvia De Laude, 2 vols (Milan: Mondadori, 1999)
- Pasolini, Pier Paolo, Saggi sulla letteratura e sull’arte, ed. by Walter Siti and Silvia De Laude, 2 vols (Milan: Mondadori, 1999)
- Pasolini, Pier Paolo, Saggi sulla letteratura e sull’arte, ed. by Walter Siti and Silvia De Laude, 2 vols (Milan: Mondadori, 1999)
- Pasolini, Pier Paolo, Saggi sulla politica e sulla società, ed. by Walter Siti and Silvia De Laude (Milan: Mondadori, 1999)
- Pasolini, Pier Paolo, Saggi sulla politica e sulla società, ed. by Walter Siti and Silvia De Laude, 2 vols (Milan: Mondadori, 1999)
- Pasolini, Pier Paolo, Saggi sulla politica e sulla società, ed. by Walter Siti and Silvia de Laude, 2 vols (Milan: Mondadori, 1999)
- Pasolini, Pier Paolo, San Paolo (Turin: Einaudi, 1977)
- Pasolini, Pier Paolo, Teatro (Milan: Garzanti, 1995)
- Pasolini, Pier Paolo, Teatro, ed. by Walter Siti and Silvia De Laude (Milan: Mondadori, 2001)
- Pasolini, Pier Paolo, Tutte le poesie, ed. by Walter Siti (Milan: Mondadori, 2003)
- Pasolini, Pier Paolo, Tutte le poesie, ed. by Walter Siti, 2 vols (Milan: Mondadori, 2003)
- Pasolini, Pier Paolo, ‘Una visione del mondo epico-religiosa’, Bianco e nero, 6 (June 1964)
- Pasolini, Pier Paolo, ‘Vittoria’, in Tutte le Poesie, ed. by Walter Siti, 2 vols (Milan: Mondadori, 2003), i, pp. 1265-66
- Pasolini, Pier Paolo, ed., Canzoniere italiano. Antologia della poesia popolare (Parma: Guanda, 1955)
- Passerone, Giorgio, ‘Eretica commedia (Pasolini ab-gioia)’, in Passages pasoliniens, ed. by Giorgio Passerone and René Schérer (Villeneuve d’Asq: Presses du Septentrion, 2006), pp. 193–306
- Pearse, Holly A., ‘Charlie Chaplin: Jewish or Goyish?’, Jewish Quarterly (26 November 2010), available online at <http://jewishquarterly.org/2010/11/charlie-chaplin-jewish-or-goyish/> [accessed 16 September 2011]
- Pound, Ezra, The Pisan Cantos, Canto LXXIV, in I Cantos, ed. by Mary de Rachewiltz and Maria Luisa Ardizzone (Milan: Mondadori, 1985)
- Rancière, Jacques, ‘Aesthetics and Politics: Rethinking the Link’, talk at the University of California at Berkeley, September 2002. Available at <http://www.16beavergroup.org/monday/archives/001881.php> [accessed 11 September 2011]
- Rancière, Jacques, The Politics of Aesthetics: The Distribution of the Sensible (London: Continuum, 2009)
- Rascaroli, Laura, The Personal Camera: Subjective Cinema and the Essay Film (London: Wallflower, 2009)
- Rimini, Stefania, La ferita e l’assenza: Performance del sacrificio nella drammaturgia di Pasolini (Acireale: Bonnano Editore, 2006)
- Rossi, Piero, ed., Gramsci e la cultura contemporanea (Rome: Editori Riuniti and Istituto Gramsci, 1975)
- Ryan-Scheutz, Colleen, Sex, the Self, and the Sacred: Women in the Cinema of Pier Paolo Pasolini (Toronto: University of Toronto Press, 2007) <https://doi.org/10.3138/9781442684775>
- Sacchetti, Arcangelo, ‘Pasolini e il Sacro IV. Paolo di Tarso, fondatore e santo: La sceneggiatura per un film non fatto’, Il sangue della redenzione: Rivista semestrale dei missionary del prez[iosissi]mo sangue, 4.2 (July–December 2006), pp. 145–210 <http://www.csscro.it/riviste/sangue0602.pdf> [accessed 4 April 2012]
- Said, Edward, Freud and the Non-European (London: Verso, 2003)
- Santato, Guido, ‘Pasolini, Pier Paolo (1922–1975)’, in Dizionario critico della letteratura italiana, ed. by Vittore Branca, 4 vols (Turin: UTET, 1986), iii, pp. 378–86
- Sapelli, Giulio, Modernizzazione senza sviluppo: Il capitalismo secondo Pasolini (Milan: Bruno Mondadori, 2005)
- Schneider, Jane, ed., Italy’s “Southern Question”: Orientalism in One Country (Oxford: Berg, 1998)
- Schroeder, Severin, ‘A Tale of Two Problems: Wittgenstein’s Discussion of Aspect Perception’, in Mind, Method, and Morality: Essays in Honour of Anthony Kenny, ed. by J. Cottingham and P.M.S. Hacker (Oxford: Oxford University Press, 2010), pp. 352–72
- Schwartz, Barth David, Pasolini Requiem (New York: Pantheon, 1992)
- Siciliano, Enzo, Pasolini: A Biography, trans. by John Shepley (New York: Random House, 1982)
- Siciliano, Enzo, Vita di Pasolini (Milan: Mondadori, 2005)
- Siti, Walter, ‘Tracce scritte di un’opera vivente’, preface to Pier Paolo Pasolini, Romanzi e racconti, ed. by Walter Siti and Silvia De Laude, 2 vols (Milan: Mondadori, 1998), i, p. lxxxi
- Siti, Walter, and Silvia De Laude, eds, Per il cinema, 2 vols (Milan: Mondadori, 2001)
- Siti, Walter, and Silvia De Laude, eds, Romanzi e racconti, 2 vols (Milan: Mondadori, 1998)
- Siti, Walter, and Silvia De Laude, eds, Saggi sulla politica e sulla società, 2 vols (Milan: Mondadori, 1999)
- Siti, Walter, and Silvia De Laude, eds, Scritti corsari (Milan: Mondadori, 1999)
- Skorecki, Louis, Les violons ont toujours raison (Paris: Presses Universitaires de France, 2000)
- Spitzer, Leo, Études de style, pref. by Jean Starobinski, trans. by Éliane Kaufholz, Alain Coulon, and Michel Foucault (Paris: Gallimard, 1970)
- Stack, Oswald, ed., Pasolini on Pasolini: Interviews with Oswald Stack (Bloomington, Indiana University Press, 1969–70)
- Taubes, Jacob, Die politische Theologie des Paulus: Vorträge, gehalten an der Forschungsstätte der evangelischen Studiengemeinschaft in Heidelberg, 23.–27. Februar 1987 (Munich: Wilhelm Fink, 1993)
- Thompson, Edward P., The Making of the English Working Class (New York: Vintage Books, 1963)
- Trento, Giovanna, ‘From Marinetti to Pasolini: Massawa, the Red Sea and the Construction of “Mediterranean Africa” in Italian Literature and Cinema’, Northeast African Studies, 12.1 (2012), pp. 269–303 <https://doi.org/10.1353/nas.2012.0019>
- Trento, Giovanna, Pasolini e l’Africa (Milan: Mimesis, 2009)
- Trento, Giovanna, Pasolini e l’Africa, l’Africa di Pasolini: Panmeridionalismo e rappresentazioni dell’Africa postcoloniale (Milan: Mimesis, 2010)
- Trento, Giovanna, ‘Pier Paolo Pasolini in Eritrea: Subalternity, Grace, Nostalgia and the “Rediscovery” of Italian Colonialism in the Horn of Africa’, in Postcolonial Italy: The Colonial Past in Contemporary Italy, ed. by Cristina Lombardi-Diop and Caterina Romeo (New York: Palgrave Macmillan, forthcoming)
- Tricomi, Antonio, Sull’opera mancata di Pasolini: Un autore irrisolto e il suo laboratorio (Rome: Carocci, 2005)
- Vattimo, Gianni, ‘Predicare il nichilismo?’, aut aut, 226–27 (1988), pp. 111–16
- Viano, Maurizio, A Certain Realism: Making Use of Pasolini’s Film Theory and Practice (Berkeley: University of California Press, 1993)
- Ward, David, ‘Pier Paolo Pasolini and the Events of May 1968: The “Manifesto per un nuovo teatro”’, in Pasolini Old and New. Surveys and Studies, ed. by Zygmunt G. Barański (Dublin: Four Courts Press, 1999), pp. 321–44
- Ward, David, A Poetics of Resistance: Narrative and the Writings of Pier Paolo Pasolini (Madison, NJ: Fairleigh Dickinson University Press, 1995)
- Witte, Karsten, ‘Das Erfinden einer neuen Schönheit: Pasolini – Körper/Orte’, in Die Körper des Ketzers: Pier Paolo Pasolini (Berlin: Verlag Vorwerk 8, 1998), pp. 54–75
- Wittgenstein, Ludwig, Philosophische Untersuchungen/Philosophical Investigations, trans. by G.E.M. Anscombe (Oxford: Blackwell, 1953)
- Zigaina, Giuseppe, ‘Pasolini and Death: A Purely Intellectual Thriller’, in Pier Paolo Pasolini, Pier Paolo Pasolini and Death (Ostfildern: Hatje Cantz, 2005), p. 35
- Zoletto, Davide, ‘Pasolini, l’Africa e due scene di insegnamento’, aut aut, 345 (Jan.–Mar. 2010), pp. 20–27
- Zwick, Reinhold, ‘Nachwort’, in Pier Paolo Pasolini, Der heilige Paulus, ed. and trans. by Reinhold Zwick and Dagmar Reichardt (Marburg: Schüren, 2007), pp. 157–85