Book
Manuele Gragnolati
Francesca Southerden

Possibilities of Lyric

Reading Petrarch in Dialogue
With an Epilogue by Antonella Anedda Angioy
Berlin: ICI Berlin Press, 2020
ISBN 978-3-96558-014-5 | Paperback | 12 EUR | v, 216 pp. | 20.3 cm x 12.7 cm
ISBN 978-3-96558-015-2 | Hardcover | 30 EUR | v, 216 pp. | 20.3 cm x 12.7 cm
ISBN 978-3-96558-016-9 | PDF | Open Access | 1.7 MB
ISBN 978-3-96558-017-6 | EPUB | Open Access | 1.1 MB
Opening to passion as an unsettling, transformative force; extending desire to the text, expanding the self, and dissolving its boundaries; imagining pleasures outside the norm and intensifying them; overcoming loss and reaching beyond death; being loyal to oneself and defying productivity, resolution, and cohesion while embracing paradox, non-linearity, incompletion. These are some of the possibilities of lyric that this book explores by reading Petrarch’s vernacular poetry in dialogue with that of other poets, including Guido Cavalcanti, Dante, and Shakespeare. In the Epilogue, the poet Antonella Anedda Angioy engages with Ossip Mandel’štam and Paul Celan’s dialogue with Petrarch and extends it into the present.

ICI Berlin Press print publications are available world-wide through various online sellers and at some Berlin booksellers.

You can use our webshop to purchase them directly from us. The green buttons below will transfer you to PayPal, placing the selected item in a shopping cart. Use one of the checkout options to pay via PayPal or credit card and enter a shipping address.

We can usually ship items within a week of your order. You will receive an email confirming the shipment and providing a bill for your records. If you have any concerns or questions, you can contact us at publishing@ici-berlin.org.

For ICI Berlin Press Authors

If you have published with ICI Berlin Press, you are eligible for a 50% author’s discount. Please use the buttons below.
Title
Possibilities of Lyric
Subtitle
Reading Petrarch in Dialogue
With an Epilogue by Antonella Anedda Angioy
Author(s)
Manuele Gragnolati
Francesca Southerden
Identifier
Description
Opening to passion as an unsettling, transformative force; extending desire to the text, expanding the self, and dissolving its boundaries; imagining pleasures outside the norm and intensifying them; overcoming loss and reaching beyond death; being loyal to oneself and defying productivity, resolution, and cohesion while embracing paradox, non-linearity, incompletion. These are some of the possibilities of lyric that this book explores by reading Petrarch’s vernacular poetry in dialogue with that of other poets, including Guido Cavalcanti, Dante, and Shakespeare. In the Epilogue, the poet Antonella Anedda Angioy engages with Ossip Mandel’štam and Paul Celan’s dialogue with Petrarch and extends it into the present.
Is Part Of
Place
Berlin
Publisher
ICI Berlin Press
Date
17 November 2020
Number in Series
18
Subject
lyric poetry
desire
pleasure
affect
Petrarch, Francesco
Dante Alighieri
Shakespeare, William
Mandelstam, Osip
Rights
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Language
en-GB
number of pages
v, 216
Table Of Contents
A ‘Miscellaneous Enterprise’ | 1-15
1. The Shape of Desire: Metamorphosis and Hybridity in Rvf 23 and Rvf 70 | 17-44
2. Openness and Intensity: Petrarch’s Becoming Laurel in Rvf 23 and Rvf 228 | 45-63
3. ‘Lust in Action’: Control and Abandon in Dante, Petrarch, and Shakespeare | 65-84
4. Declensions of ‘Now’: Lyric Epiphanies in Cavalcanti, Dante, and Petrarch | 85-108
5. Extension: Reaching the Beloved in Cavalcanti, Dante, and Petrarch | 111-133
6. Body: Dante’s and Petrarch’s Lyric Eschatologies | 135-162
Radure / Clearings | ANTONELLA ANEDDA ANGIOY | 163-184
References
Notes on the Authors and Translator
Index of Works
Index of Names
has manifestation
ISBN 978-3-96558-014-5 | Paperback | 12 EUR | v, 216 pp. | 20.3 cm x 12.7 cm
ISBN 978-3-96558-015-2 | Hardcover | 30 EUR | v, 216 pp. | 20.3 cm x 12.7 cm
ISBN 978-3-96558-016-9 | PDF | Open Access | 1.7 MB
ISBN 978-3-96558-017-6 | EPUB | Open Access | 1.1 MB
  • Agamben, Giorgio, Stanzas: Word and Phantasm in Western Culture, trans. by Ronald L. Martinez (Minneapolis: University of Minnesota Press, 1992)
  • Akbari, Suzanne Conklin, Seeing Through the Veil: Optical Theory and Medieval Allegory (Toronto: Toronto University Press, 2004)
  • Alighieri, Dante, La Commedia secondo l’antica vulgata, ed. by Giorgio Petrocchi, 4 vols (Milan: Mondadori, 1966–67)
  • Alighieri, Dante, Dante Alagherii epistolae = The letters of Dante, trans. by Paget Toynbee, 2nd edn (Oxford: Clarendon Press, 1966)
  • Alighieri, Dante, Dante’s Lyric Poetry, ed. by Kenelm Foster and Patrick Boyde, 2 vols (Oxford: Oxford University Press, 1967)
  • Alighieri, Dante, The Divine Comedy, trans. by Robert Hollander and Jean Hollander. 3 vols (New York: Doubleday 2000–2007)
  • Alighieri, Dante, Monarchia, ed. and trans. by Prue Shaw (Cambridge: Cambridge University Press, 1995)
  • Alighieri, Dante, Rime, ed. by Claudio Giunta (Milan: Mondadori, 2018)
  • Alighieri, Dante, Rime, ed. by Domenico de Robertis (Tavarnuzze [Florence]: SISMEL · Edizioni del Galluzzo, 2005)
  • Alighieri, Dante, Rime giovanili e della ‘Vita Nuova’, ed. by Teodolinda Barolini, with notes by Manuele Gragnolati (Milan: Rizzoli, 2009)
  • Alighieri, Dante, Vita Nova, ed. by Guglielmo Gorni (Turin: Einaudi, 1996)
  • Alighieri, Dante, Vita Nuova, ed. by Domenico De Robertis, (Milan–Naples: Ricciardi, 1980)
  • Alighieri, Dante, Vita Nuova, ed. by Michele Barbi (Florence: Bemporad, 1932)
  • Anichini, Federica, Voices of the Body: Liminal Grammar in Guido Cavalcanti’s Rime / Voci del corpo: grammatica liminale nelle Rime di Guido Cavalcanti (Munich: Meidenbauer, 2009)
  • Ardizzone, Maria Luisa, Guido Cavalcanti: The Other Middle Ages (Toronto: University of Toronto Press, 2002) <https://doi.org/10.3138/9781442675568>
  • Ariani, Marco, Petrarca (Rome: Salerno, 1999)
  • Auerbach, Erich, ‘ Passio as Passion’, in Time, History, and Literature: Selected Essays of Erich Auerbach, ed. by James I. Porter, trans. by Jane O. Newman (Princeton, NJ: Princeton University Press, 2013), pp. 165–87
  • Augustine, Opera omnia. PL 32–45 <http://www.augustinus.it> [accessed 15 September 2020]
  • Barański, Zygmunt G., ‘Petrarch, Dante, Cavalcanti’, in Petrarch and Dante: Anti–Dantism, Metaphysics, Tradition, ed. by Zygmunt G. Barański and Theodore J. Cachey, Jr (Notre Dame, IN: University of Notre Dame Press, 2009), pp. 50–133 <https://doi.org/10.2307/j.ctvpj78c0.7>
  • Barański, Zygmunt G., ‘The Triumphi’, in The Cambridge Companion to Petrarch, ed. by Albert R. Ascoli and Unn Falkeid (Cambridge: Cambridge University Press, 2015), pp. 74–84 <https://doi.org/10.1017/CCO9780511795008.009>
  • Barkan, Leonard, The Gods Made Flesh: Metamorphosis and the Pursuit of Paganism (New Haven, CT: Yale University Press, 1986)
  • Barnes, John C., and Zygmunt G. Barański, ‘Dante’s Canzone montanina’, The Modern Language Review, 73.2 (April 1978), pp. 297–307 <https://doi.org/10.2307/3727103>
  • Barolini, Teodolinda, ‘Dante and Cavalcanti (On Making Distinctions in Matters of Love): Inferno 5 in its Lyric and Autobiographical Context’, in Dante and the Origins of Italian Literary Culture, pp. 70–101 <https://doi.org/10.5422/fordham/9780823227037.003.0004>
  • Barolini, Teodolinda, ‘Dante and the Lyric Past’, in Dante and the Origins of Italian Literary Culture (New York: Fordham University Press), pp. 23–46 <https://doi.org/10.5422/fordham/9780823227037.003.0002>
  • Barolini, Teodolinda, Dante’s Poets: Textuality and Truth in the ‘Comedy’ (Princeton, NJ: Princeton University Press, 1984) <https://doi.org/10.1515/9781400853212>
  • Barolini, Teodolinda, ‘The Making of a Lyric Sequence: Time and Narrative in Petrarch’s Rerum vulgarium fragmenta’, MLN, 104.1, Italian issue (Jan. 1989), pp. 1–38 <https://doi.org/10.2307/2904989>
  • Barolini, Teodolinda, ‘Petrarch as the Metaphysical Poet Who Is Not Dante: Metaphysical Markers at the Beginning of the Rerum vulgarium fragmenta ( Rvf 1–21)’, in Petrarch and Dante: Anti–Dantism, Metaphysics, Tradition, ed. by Zygmunt G. Barański and Theodore J. Cachey, Jr (Notre Dame, IN: University of Notre Dame Press, 2009), pp. 195–225 <https://doi.org/10.2307/j.ctvpj78c0.10>
  • Barolini, Teodolinda, ‘La poesia della teologia e la teologia della poesia dalle Rime di Dante al Paradiso’, in ‘Il mondo errante’. Dante fra letteratura, eresia e storia; atti del convegno internazionale di studio: Bertinoro, 1316 settembre 2010, ed. by Marco Veglia, Lorenzo Paolini, and Riccardo Parmeggiani (Spoleto: Centro di studi italiani sull’alto medioevo, 2013), pp. 537–45
  • Barolini, Teodolinda, ‘The Self in the Labyrinth of Time: Rerum vulgarium fragmenta’, in Petrarch: A Critical Guide to the Complete Works, ed. by Victoria Kirkham and Armando Maggi (Chicago: Chicago University Press, 2009), pp. 33–62
  • Barolini, Teodolinda, The Undivine ‘Comedy’: Detheologizing Dante (Princeton, NJ: Princeton University Press, 1992) <https://doi.org/10.1515/9781400820764>
  • Baron, Hans, Petrarch’s ‘Secretum’: Its Making and its Meaning (Cambridge, MA: Harvard University Press, 1985)
  • Barthes, Roland, ‘Texte supplément to Le plaisir du texte’, Art Press, 4 (1973)
  • Barthouil, Georges, ‘Toujours aimer, toujours souffrir, toujours mourir ou fatalité et volontarisme chez Pétrarque’, in Francesco Petrarca: Père des renaissances, Serviteur de l’amour et de la paix (Avignon: Aubanel, 1974), pp. 183–208
  • Berisso, Marco, ed., Poesie dello Stilnovo (Milan: Rizzoli, 2006)
  • Berman, Antoine, L’Épreuve de l'étranger. Culture et traduction dans l’Allemagne romantique: Herder, Goethe, Schlegel, Novalis, Humboldt, Schleiermacher, Hölderlin (Paris: Gallimard, 1984)
  • Bersani, Leo, The Freudian Body: Psychoanalysis and Art (New York: Columbia University Press, 1986)
  • Bersani, Leo, Homos (Cambridge, MA: Harvard University Press, 1995)
  • Bersani, Leo, Is the Rectum a Grave? And Other Essays (Chicago: University of Chicago Press, 2005)
  • Bertolani, Maria Cecilia, Petrarca e la visione dell’eterno (Bologna: Il Mulino 2005)
  • Boccignone, Manuela, ‘Un albero piantato nel cuore (Petrarca e Iacopone)’, Lettere italiane, 52.2 (April–June 2000), pp. 225–64
  • Boggs, Edward L., ‘Cino and Petrarch’, MLN, 94.1, Italian issue (Jan. 1979), pp. 146–52 <https://doi.org/10.2307/2906335>
  • Boitani, Piero, ‘ O quike deth: Love, Melancholy, and the Divided Self’, in The Tragic and the Sublime in Medieval Literature (Cambridge: Cambridge University Press, 1989), pp. 56–74
  • Bologna, Corrado, ‘“Occhi solo occhi” ( Rvf 70–75)’, in Canzoniere: Lettura micro e macrotestuale, ed. by Michelangelo Picone (Ravenna: Longo, 2007), pp. 183–205
  • Bologna, Corrado, ‘PetrArca petroso’, Critica del testo, 6.1 (2003), pp. 366–420
  • Bolzoni, Lina, La rete delle immagini: predicazione in volgare dalle origini a Bernardino da Siena (Turin: Einaudi, 2002)
  • Bonaventure, Bonaventurae Opera omnia, ed. by PP. Collegii S. Bonaventurae, 11 vols (Quaracchi: Collegium S. Bonaventurae, 1882–1902)
  • Bonola, Anna, ‘Traduzione e impulso creativo. Un sonetto di Petrarca nella versione russa di Osip E. Mandel’štam’, L’analisi linguistica e letteraria, 11.1 (2003), pp. 29–73
  • Borsa, Paolo, ‘L’immagine nel cuore e l’immagine nella mente: dal Notaro alla Vita nuova attraverso i due Guidi’, in Les Deux Guidi: Guinizzelli et Cavalcanti. Mourir d’aimer et autres ruptures, ed. by Marina Gagliano, Philippe Guérin, and Raffaella Zanni (Paris: Presses Sorbonne Nouvelle, 2016), pp. 75–92
  • Borsa, Paolo, La nuova poesia di Guido Guinizzelli (Fiesole: Cadmo, 2007)
  • Botterill, Steven, Dante and the Mystical Tradition: Bernard of Clairvaux in the ‘Commedia’ (Cambridge: Cambridge University Press, 1994) <https://doi.org/10.1017/CBO9780511611735>
  • Braidotti, Rosi, ‘Intensive Genre and the Demise of Gender’, Angelaki, 13.2 (2008), pp. 45–57 <https://doi.org/10.1080/09697250802432112>
  • Braidotti, Rosi, ‘Writing as a Nomadic Subject’, Comparative Critical Studies, 11.2–3 (2014), pp. 163–84 <https://doi.org/10.3366/ccs.2014.0122>
  • Brenkman, John, ‘Writing, Desire, Dialectic in Petrarch’s Rime 23’, Pacific Coast Philology, 9 (1974), pp. 12–19 <https://doi.org/10.2307/1316564>
  • Brown, Clarence, Mandelstam, rev. edn (Cambridge: Cambridge University Press, 2010)
  • Burgwinkle, William, ‘Modern Lovers: Evanescence and the Act in Dante, Arnaut, and Sordello’, in Desire in Dante and the Middle Ages, ed. by Manuele Gragnolati and others (Oxford: Legenda, 2012), pp. 14–28 <https://doi.org/10.4324/9781315094946-2>
  • Bynum, Caroline Walker, ‘Faith Imagining the Self: Somatomorphic Soul and Resurrection Body in Dante’s Divine Comedy’, in Faithful Imagining: Essays in Honor of Richard R. Neibuhr, ed. by Sang Huyn Lee, Wayne Proudfoot, and Albert Blackwell (Atlanta, GA: Scholars Press, 1995), pp. 81–104
  • Bynum, Caroline Walker, Metamorphosis and Identity (New York: Zone Books, 2001)
  • Bynum, Caroline Walker, The Resurrection of the Body in Western Christianity (New York: Columbia University Press, 1996)
  • Caiti Russo, Gilda, ‘Il marchese Moroello Malaspina testimone ideale di un dibattito tra Dante e Cino sull'eredità trobadorica’, Dante Studies, 124 (2006), pp. 137–48
  • Caiti Russo, Gilda, Les Troubadours et la Cour des Malaspina (Montpellier: Presses Universitaires de la Meditérranée, 2005)
  • Calcaterra, Carlo, Sant’Agostino nelle opere di Dante e del Petrarca (Milan: Vita e Pensiero, 1931)
  • Calvino, Italo Lezioni Americane. Sei proposte per il prossimo millennio (Milan: Mondadori, 1993)
  • Carruthers, Mary, The Experience of Beauty in the Middle Ages (Oxford: Oxford University Press, 2013) <https://doi.org/10.1093/acprof:osobl/9780199590322.001.0001>
  • Carson, Anne, ‘Decreation: How Women Like Sappho, Marguerite Porete and Simone Weil Tell God’, in Decreation: Poetry, Essays, Opera (New York: Knopf, 2005), pp. 155–83
  • Carson, Anne, Economy of the Unlost: Reading Simonides of Keos with Paul Celan (Princeton, NJ: Princeton University Press, 1999)
  • Cavalcanti, Guido, Rime. Con le rime di Iacopo Cavalcanti, ed. by Domenico De Robertis (Turin: Einaudi, 1986)
  • Cavalcanti, Guido, Rime, ed. by Roberto Rea and Giorgio Inglese (Rome: Carocci, 2011)
  • Cazzola, Piero, ‘Osip Mandel’štam, traduttore russo del Petrarca’, in Dynamique d’une expansion culturelle: Pétrarque en Europe, xiv e–xx e siècle; Actes du xxvi e Congrès International du CEFI, Turin et Chambéry, 11–15 décembre 1995: À la Mémoire de Franco Simone (Paris: Champion, 2001), pp. 401–13
  • Celan, Paul, ‘Everything’s different’ (Es ist alles anders), in Selected Poems, trans. by Michael Hamburger, rev. edn (London: Penguin, 1996)
  • Celan, Paul, ‘Loess Dolls’ (Lösspuppen), in Snow Part = Schneepart: and other poems (1968-1969), trans. by Iain Fairley (Manchester: Carcanet, 2007)
  • Celan, Paul, Poesie, ed. by Moshe Kahn and Marcella Bagnasco (Milan: Mondadori, 1976)
  • Cervigni, Dino, ‘The Petrarchan Lover’s Non-Dialogic and Dialogic Discourse: An Augustinian Semiotic Approach to Petrarch’s Rerum Vulgarium Fragmenta’, Annali d’Italianistica, 22 (2004), pp. 105–34
  • Cestaro, Gary, Dante and the Grammar of the Nursing Body (Notre Dame, IN: University of Notre Dame Press, 2003)
  • Chiavacci Leonardi, Anna Maria, ‘“Le bianche stole”: il tema della resurrezione nel Paradiso’, in Dante e la Bibbia. Atti del Convegno Internazionale promosso da ‘Biblia’: Firenze, 26–27–28 settembre 1986, ed. by Giovanni Barblan (Florence: Olschki, 1988), pp. 249–71
  • Cipollone, Annalisa, ‘“Né per nova figura il primo alloro…”: La chiusa di Rvf XXIII, il Canzoniere e Dante’, Rassegna europea di letteratura italiana, 11 (1998), pp. 29–46
  • Cixous, Hélène, Illa (Paris: Des Femmes, 1980)
  • Cixous, Hélène, La (Paris: Gallimard, 1976)
  • Coccia, Emanuele, La Vie des plantes (Paris: Éditions Payot & Rivages, 2016), in English as The Life of Plants: A Metaphysics of Mixture, trans. by Dylan J. Montanari (Cambridge: Polity, 2019)
  • Cortellessa, Andrea, ‘Petrarca è di nuovo in vista’, in ‘ Un’altra storia. Petrarca nel Novecento italiano’, atti del Convegno di Roma, 4–6 ottobre 2001, ed. by Andrea Cortellessa (Rome: Bulzoni, 2004), pp. i–xxxi
  • Corti, Maria, Felicità mentale: nuove prospettive per Cavalcanti e Dante (Turin: Einaudi, 2003)
  • Corti, Maria, ‘Il linguaggio poetico di Cino da Pistoia’, Cultura mediolatina, 12.3 (1952), pp. 185–223
  • Crevier Goulet, Sarah-Anaïs, ‘Du jardin d’essai / esse à l’hortus conclusus: Figures de la naissance et du végétal dans l’oeuvre de Hélène Cixous’, in Des jardins autres, ed. by Paolo Alexandre Néné and Sarah Carmo (Paris: Archives Karéline, 2015), pp. 257–80
  • Crisafi, Nicolò, and Manuele Gragnolati, ‘Weathering the Afterlife: The Meterological Psychology of Dante’s Commedia’, in Weathering: Ecologies of Exposure, ed. by Christoph F. E. Holzhey and Arnd Wedemeyer (Berlin: ICI Berlin Press, 2020), pp. 63–91 <https://doi.org/10.37050/ci-17_04>
  • Culler, Jonathan, Theory of the Lyric (Cambridge, MA: Harvard University Press, 2015) <https://doi.org/10.4159/9780674425781>
  • De Libera, Alain, Volonté et action: Cours du Collège de France 2014/2015 (Paris: Vrin, 2017)
  • De Michelis, Cesare G., ‘Mandel’štam in URSS’, Rassegna sovietica, 4 (1970), pp. 5–11
  • Deleuze, Gilles, Expressionism in Philosophy: Spinoza, trans. by Martin Joughin (New York: Zone Books, 1992)
  • Deleuze, Gilles, and Félix Guattari, A Thousand Plateaus: Capitalism and Schizophrenia, trans. by Brian Massumi (Minneapolis: University of Minnesota Press, 1987)
  • Derrida, Jacques, The Work of Mourning, ed. by Pascale-Anne Brault and Michael Naas (Chicago: University of Chicago Press, 2001)
  • Deuber-Mankowsky, Astrid, ‘Diffraktion statt Reflexion. Zu Donna Haraways Konzept des situierten Wissens’, Zeitschrift für Medienwissenschaft, 1 (2011), pp. 83–92 <https://doi.org/10.1524/zfmw.2011.0008>
  • Dinshaw, Carolyn, Getting Medieval: Sexualities and Communities, Pre- and Post-modern (Durham, NC: Duke University Press, 1999) <https://doi.org/10.1215/9780822382188>
  • Dinshaw, Carolyn, , How Soon is Now: Medieval Texts, Amateur Readers, and the Queerness of Time (Durham, NC: Duke University Press, 2012) <https://doi.org/10.1215/9780822395911>
  • Dolack, Tom, ‘Ventriloquio autobiografico: Mandelstam traduttore di Petrarca’, Intersezioni, 27.3 (2007), pp. 475–86
  • Dronke, Peter, The Medieval Lyric (London: Hutchinson, 1968)
  • Dubrow, Heather, English Petrarchism and its Counterdiscourses (Cornell, NY: Cornell University Press, 1995)
  • Durling, Robert M., ‘Introduction’, in Petrarch’s Lyric Poems: The Rime Sparse and Other Lyrics, trans. and ed. by Robert M. Durling (Cambridge, MA: Harvard University Press, 1976), pp. 1–33
  • Durling, Robert M., ‘Petrarch’s “Giovene donna sotto un verde lauro”’, MLN, 86.1 (1971), pp. 1–20 <https://doi.org/10.2307/2907460>
  • Edelman, Lee, No Future: Queer Theory and the Death Drive (Durham, NC: Duke University Press, 2004) <https://doi.org/10.1215/9780822385981>
  • Eisner, Martin, Boccaccio and the Invention of Italian Literature: Dante, Petrarch, Cavalcanti, and the Authority of the Vernacular (Cambridge: Cambridge University Press, 2013) <https://doi.org/10.1017/CBO9781107300484>
  • Enterline, Lynn, ‘Embodied Voices: Petrarch Reading Himself Reading Ovid’, in Desire in the Renaissance: Psychoanalysis and Literature, ed. by Valeria Finucci and Regina Schwartz (Princeton, NJ: Princeton University Press, 1994), pp. 120–45 <https://doi.org/10.1515/9781400821501.120>
  • Enterline, Lynn, The Rhetoric of the Body from Ovid to Shakespeare (Cambridge: Cambridge University Press, 2000) <https://doi.org/10.1017/CBO9780511483561>
  • Fenzi, Enrico, ‘Ancora sulla Epistola a Moroello e sulla “montanina” di Dante ( Rime, 15)’, Tenzone, 4 (2003), pp. 43–84
  • Ferrante, Joan, The Political Vision of Dante’s ‘Comedy’ (Princeton, NJ: Princeton University Press, 1984)
  • Ferrara, Sabrina, ‘Io mi credea del tutto esser partito: il distacco di Dante da Cino’, in Cino nella storia della poesia italiana, ed. by Rossend Arqués Corominas and Silvia Tranfaglia (Florence: Cesati, 2016), pp. 99–111
  • Finotti, Fabio, ‘The Poem of Memory: Petrarch’s Triumphi’, in Petrarch: A Critical Guide to the Complete Works, ed. by Victoria Kirkham and Armando Maggi (Chicago: University of Chicago Press, 2009), pp. 63–83
  • Foucault, Michel, The Hermeneutics of the Subject: Lectures at the Collège de France, 1981–82, ed. by Fréderic Gros, trans. by Graham Burchell (New York: Palgrave-Macmillan, 2005)
  • Fowler, Robert M., Let the Reader Understand: Reader-Response Criticism and the Gospel of Mark (Harrisburg: Trinity Press International, 2001)
  • Freccero, Carla, ‘Ovidian Subjectivities in Early Modern Lyric: Identification and Desire in Petrarch and Louise Labé’, in Ovid and the Renaissance Body, ed. by Goran Stanivukovic (Toronto: University of Toronto Press, 2001), pp. 21–37 <https://doi.org/10.3138/9781442678194-003>
  • Freccero, Carla, Queer/Early/Modern (Durham, NC: Duke University Press, 2006) <https://doi.org/10.1215/9780822387169>
  • Freccero, John, Dante: The Poetics of Conversion, ed. by Rachel Jacoff (Cambridge, MA: Harvard University Press, 1986)
  • Freccero, John, ‘The Fig Tree and the Laurel: Petrarch’s Poetics’, Diacritics, 5.1 (Spring 1975), pp. 34–40 <https://doi.org/10.2307/464720>
  • Freeman, Elizabeth, ed., Queer Temporalities (= GLQ: A Journal of Lesbian and Gay Studies, 13.2–3 (2007)) <https://doi.org/10.1215/10642684-2006-029>
  • Freud, Sigmund, ‘Beyond the Pleasure Principle’ (1920), in The Standard Edition to the Complete Psychological Works of Sigmund Freud, ed. and trans. by James Strachey, 24 vols (London: Hogarth Press, 1953–74), XVIII (1955), pp. 7–64
  • Friedrich, Paul, ‘Lyric Epiphany’, Language in Society, 30 (2001), pp. 217–47 <https://doi.org/10.1017/S0047404501002032>
  • Galbiati, Giuseppina Stella, ‘Sulla canzone “I’ vo pensando” ( Rvf 264): L’ascendente agostiniano ed altre suggestioni culturali’, in Petrarca volgare e la sua fortuna sino al Cinquecento, ed. by Bruno Porcelli (= Italianistica, 33.2 (May–August 2004)), pp. 109–21
  • Galvez, Marisa, Songbook: How Lyrics Became Poetry in Medieval Europe (Chicago: University of Chicago Press, 2012) <https://doi.org/10.7208/chicago/9780226280523.001.0001>
  • Gilson, Simon, Medieval Optics and Theories of Light in the Works of Dante (New York: Edwin Mellen Press, 2000)
  • Ginsberg, Warren, ‘Chaucer and Petrarch: “S’amor non è” and the Canticus Troili’, Humanist Studies & the Digital Age, 1.1 (Winter 2011), pp. 121–27 <https://doi.org/10.5399/uo/hsda.1.1.1166>
  • Giunta, Claudio, ‘Guido Cavalcanti, “Perch’i’ no spero di tornar giammai”’, in Codici. Saggi sulla poesia del Medioevo (Bologna: il Mulino, 2005), pp. 45–61
  • Giusti, Francesco, Il desiderio della lirica. Poesia, creazione, conoscenza (Rome: Carocci, 2017)
  • Giusti, Francesco, ‘Rispondere solo a Beatrice. “Tanto gentile e tanto onesta pare” e il rischio della ripetizione lirica’, Revue des études dantesques, 2 (2018), pp. 87–109
  • Glazova, Anna, ‘Poetry of Bringing about Presence: Paul Celan translates Osip Mandelstam’, MLN, Comparative Literature Issue, 123.5 (2008), pp. 1108–26 <https://doi.org/10.1353/mln.0.0073>
  • Gragnolati, Manuele, Amor che move. Linguaggio del corpo e forma del desiderio in Dante, Pasolini e Morante (Milan: il Saggiatore, 2013)
  • Gragnolati, Manuele, Experiencing the Afterlife: Body and Soul in Dante and Medieval Culture (Notre Dame, IN: University of Notre Dame Press, 2005)
  • Gragnolati, Manuele, ‘Gluttony and the Anthropology of Pain in Dante’s Inferno and Purgatorio’, in History in the Comic Mode: Medieval Communities and the Matter of Person, ed. by Rachel Fulton and Bruce W. Holsinger (New York: Columbia University Press, 2007), pp. 238–50 <https://doi.org/10.7312/fult13368-022>
  • Gragnolati, Manuele, ‘Ombre e abbracci. Riflessioni sull’inconsistenza in Dante’, in Passages, seuils, sauts: du dernier cercle de l'Enfer à la première terrasse du Purgatoire (Enf. xxxii Purg. xii ), ed. by Manuele Gragnolati and Philippe Guérin (= Chroniques italiennes web, 35 (2020)), pp. 68–81
  • Gragnolati, Manuele, ‘Trasformazioni e assenze: la performance della Vita nova e le figure di Dante e Cavalcanti’, L’Alighieri, 35 (2010), pp. 5–23
  • Gragnolati, Manuele, and Elena Lombardi, ‘Volgarizzazione lirica e piacere linguistico in Dante’, in Toscana bilingue (12601430). Per una storia sociale del tradurre medievale, ed. by Sara Bischetti and others (Berlin: de Gruyter, forthcoming)
  • Gragnolati, Manuele, and Christoph F. E. Holzhey, eds, De/Constituing Wholes: Towards Partiality Without Parts (Vienna: Turia + Kant, 2017) <https://doi.org/10.37050/ci-11>
  • Greene, Roland, and Bronwen Tate, ‘Lyric Sequence’, in The Princeton Encyclopedia of Poetry and Poetics, ed. by Roland Greene and others, 4th edn (Princeton, NJ: Princeton University Press, 2012), pp. 834–36
  • Gregerson, Linda, ‘Open Voicing: Wyatt and Shakespeare, in The Oxford Handbook of Shakespeare’s Poetry, ed. by Jonathan Post (Oxford: Oxford University Press, 2013), pp. 151–66 <https://doi.org/10.1093/oxfordhb/9780199607747.013.0013>
  • Gregg, Melissa, and Gregory J. Seigworth, eds, The Affect Theory Reader (Durham, NC: Duke University Press, 2010) <https://doi.org/10.1215/9780822393047>
  • Gudder, Stanley, A Mathematical Journey (New York: McGraw-Hill, 1994)
  • Güntert, Georges, ‘Sonetti occasionali e capolavori ( RVF 90–99)’, in Il Canzoniere: Lettura micro e macrotestuale, ed. by Michelangelo Picone (Ravenna: Longo, 2007), pp. 243–60
  • Guérin, Philippe, ‘Pétrarque, ou de l’écriture comme odyssée’, in Voyages de papier: Hommage à Brigitte Urbani, ed. by Perle Abbrugiati and Claudio Milanesi (= Italies, 17/18 (2014)), pp. 31–57 <https://doi.org/10.4000/italies.4648>
  • Guinizzelli, Guido, Rime, ed. by Luciano Rossi (Turin: Einaudi, 2002)
  • Hainsworth, Peter, Petrarch the Poet: An Introduction to ‘Rerum vulgarium fragmenta’ (New York: Routledge, 2014)
  • Halberstam, Judith, In a Queer Time and Place: Transgender Bodies, Subcultural Lives (New York: New York University Press, 2005)
  • Halberstam, Judith, The Queer Art of Failure (Durham, NC: Duke University Press, 2011) <https://doi.org/10.1215/9780822394358>
  • Haraway, Donna J., Modest_Witness@ Second_Millennium.​FemaleMan_​Meets_OncoMouseTM : Feminism and Technoscience (New York: Routledge, 1997)
  • Haraway, Donna J., ‘The Promises of Monsters: A Regenerative Politics for Inappropriate/d Others’, in Cultural Studies, ed. by Lawrence Grossberg, Cary Nelson, and Paula A. Treichler (New York, Routledge, 1992), pp. 295–337
  • Hardie, Philip, ‘Ovid into Laura: Absent presences in the Metamorphoses and Petrarch's Rime sparse’, in Ovidian Transformations: Essays on Ovid's ‘Metamorphoses’ and its Reception, ed. by Philip R. Hardie, Alessandro Barchiesi, and Stephen Hinds (Cambridge: Cambridge University Press, 1999), pp. 254–70
  • Harrison, Anna, ‘Community among the Saints in Heaven in Bernard of Clairvaux’s Sermons for the Feast of All Saints’, in Last Things: Death and Apocalypse in the Middle Ages, ed, by Caroline Walker Bynum and Paul Freedman (Philadelphia: University of Pennsylvania Press, 2000), pp. 191–204
  • Harrison, Robert Pogue, The Body of Beatrice (Baltimore, MD: Johns Hopkins University Press, 1988)
  • Hawkins, Peter, Dante: A Brief History (London: Blackwell, 2006)
  • Heaney, Seamus, The Government of the Tongue (London: Faber and Faber, 1988)
  • Hempfer, Klaus W., ‘La canzone CCLXIV, il Secretum e il significato del Canzoniere di Petrarca’, Studi petrarcheschi, 14 (1994), pp. 263–87
  • Heyworth, Gregory, Desiring Bodies: Ovidian Romance and the Cult of Form (Notre Dame, IN: University of Notre Dame Press, 2009)
  • Hollander, Robert, ‘ Purgatorio II: Cato’s Rebuke and Dante’s Scoglio’, Italica, 52.3 (Autumn 1975), pp. 348–63 <https://doi.org/10.2307/478438>
  • Holmes, Olivia, Assembling the Lyric Self: Authorship from Troubadour Song to Italian Poetry Book (Minneapolis: University of Minnesota Press, 2000)
  • Holzhey, Christoph F. E., ‘The Lover of a Hybrid: Memory and Fantasy in Aracoeli’, in The Power of Disturbance: Elsa Morante’s Aracoeli, ed. by Manuele Gragnolati and Sara Fortuna (Oxford: Legenda, 2009), pp. 42–58 <https://doi.org/10.4324/9781315085531-5>
  • Holzhey, Christoph F. E., Paradoxical Pleasures and Aesthetics: Masophobia, Sexual Difference, and E. T. A. Hoffmann’s Kater Murr, Ph.D. Thesis (Ann Arbor, MI: University of Michigan, 2002).
  • Iliescu, Nicolae, Il canzoniere petrarchesco e Sant’Agostino (Rome: Società accademica romena, 1962)
  • Inglese, Giorgio, L’intelletto e l’amore: Studi sulla letteratura italiana del Due e Trecento (Florence: La Nuova Italia, 2000)
  • Irigaray, Luce, and Michael Marder, Through Vegetal Being: Two Philosophical Perspectives (New York: Columbia University Press, 2016) <https://doi.org/10.7312/irig17386>
  • Jaccottet, Philippe, D’une lyre à cinq cordes (Paris: Gallimard, 1997)
  • Jaccottet, Philippe, A partir du mot Russie (Montpellier: Fata Morgana, 2002)
  • Jackson, Virginia, ‘Lyric’, in The Princeton Encyclopedia of Poetry and Poetics, ed. by Roland Greene and others, 4th edn (Princeton, NJ: Princeton University Press, 2012), pp. 826–34
  • Jackson, Virginia, and Yopie Prins, eds, The Lyric Theory Reader: A Critical Anthology (Baltimore, MD: Johns Hopkins University Press, 2014)
  • Kaiser, Birgit Mara, and Kathrin Thiele, ‘Diffraction: Onto-Epistemology, Quantum Physics and the Critical Humanities’, Parallax, 20.3 (2014), pp. 165–67 <https://doi.org/10.1080/13534645.2014.927621>
  • Kay, Sarah, Parrots and Nightingales: Troubadour Quotations and the Development of European Poetry (Philadelphia: University of Pennsylvania Press, 2013) <https://doi.org/10.9783/9780812208382>
  • Keen, Catherine, ‘Images of Exile: Distance and Memory in the Poetry of Cino Da Pistoia’, Italian Studies, 55.1 (2000), pp. 21–36 <https://doi.org/10.1179/its.2000.55.1.21>
  • Kerrigan, John, ‘Between Michelangelo and Petrarch: Shakespeare’s Sonnets of Art’, in On Shakespeare and Early Modern Literature: Essays (Oxford: Oxford University Press, 2011), pp. 23–40 <https://doi.org/10.1093/acprof:oso/9780199248513.003.0002>
  • Kirkpatrick, Robin, ‘Polemics of Praise: Theology as Text, Narrative and Rhetoric in Dante’s Commedia’, in Dante’s ‘Commedia’: Theology as Poetry, ed. by Vittorio Montemaggi and Matthew Treherne (Notre Dame, IN: University of Notre Dame Press, 2010), pp. 14–35 <https://doi.org/10.2307/j.ctvpg862d.7>
  • Knuutila, Simo, Emotions in Ancient and Medieval Philosophy (Oxford: Oxford University Press, 2004) <https://doi.org/10.1093/0199266387.001.0001>
  • Korolec, J. B., ‘Free Will and Free Choice’, in The Cambridge History of Later Medieval Philosophy: From the Discovery of Aristotle to the Disintegration of Scholasticism 11001600, ed. by Norman Kretzmann and others (Cambridge: Cambridge University Press, 1982), pp. 629–41 <https://doi.org/10.1017/CHOL9780521226059.035>
  • Laplanche, Jean, and Jean-Bertrand Pontalis, The Language of Psycho-Analysis, trans. by Donald Nicholson-Smith (London: Hogarth Press and Institute of Psycho-Analysis, 1973)
  • Leupin, Alexandre, ‘ The Roman de la Rose as a Möbius Strip (On Interpretation)’, in The Medieval Author in Medieval French Literature, ed. by Virginie Greene (New York: Palgrave-Macmillan, 2006), pp. 61–75 <https://doi.org/10.1057/9781403983459_4>
  • Lombardi, Elena, ‘“I Desire Therefore I Am”: Petrarch’s Canzoniere between the Medieval and the Modern Notion of Desire’, in Early Modern Medievalisms: The Interplay between Scholarly Reflection and Artistic Production, ed. by Alicia C. Montoya, Wim van Anrooij, and Sophie van Romburgh (Leiden: Brill, 2010), pp. 19–41 <https://doi.org/10.1163/ej.9789004187665.i-472.14>
  • Lombardi, Elena, ‘Identità lirica e piacere linguistico: una lettura di Paradiso XXVI’, Studi danteschi, 82 (2017), pp. 51–80
  • Lombardi, Elena, Imagining the Woman Reader in the Age of Dante (Oxford: Oxford University Press, 2018) <https://doi.org/10.1093/oso/9780198818960.001.0001>
  • Lombardi, Elena, ‘Il pensiero linguistico nella Vita nova’, in Vita nova. Fiore. Epistola xiii, ed. by Manuele Gragnolati and others (Tavarnuzze [Florence]: SISMEL · Edizioni del Galluzzo, 2018), pp. 115–34
  • Lombardi, Elena, The Syntax of Desire: Language and Love in Augustine, the Modistae, Dante (Toronto: University of Toronto Press, 2007)
  • Lombardi, Elena, The Wings of the Doves: Love and Desire in Dante and Medieval Culture (Montréal: McGill-Queen’s University Press, 2012)
  • Love, Heather, Feeling Backward: Loss and the Politics of Queer History (Cambridge, MA: Harvard University Press, 2009) <https://doi.org/10.2307/j.ctvjghxr0>
  • Mandelstam, Nadezhda Jakovlevna, Le mie memorie con poesie e altri scritti di Osip Mandel'štam, trans. by Serena Vitale (Milan: Garzanti, 1972)
  • Mandelstam, Osip, Cinquanta poesie, ed. by Remo Faccani (Turin: Einaudi, 1998)
  • Mandelstam, Osip, Polnoe sobranie sochinenii i pisem v trekh tomakh, ed. by A. G. Mets, 3 vols (Moscow: Progress-Pleiada, 2009–11)
  • Mandelstam, Osip, Quaderni di Voronež, trans. by Manuela Calusio, intro. by Ermanno Krumm (Milan: Mondadori, 1995)
  • Mandelstam, Osip, Quasi leggera morte, ed. by Serena Vitale (Milan: Adelphi, 2017)
  • Mandelstam, Osip, Selected Poems, trans. by David McDuff (New York: Farrar, Strauss and Giroux, 1975)
  • Mandelstam, Osip, Simple promesse. Choix de poèmes 1908–1937, trans. by Philippe Jaccottet, Louis Martinez, and Jean-Claude Schneider (Chêne-Bourg: La Dogana, 1994)
  • Mandelstam, Osip, Viaggio in Armenia, ed. by Serena Vitale (Milan: Adelphi, 1988)
  • Mandelstam, Osip, Voronezh Notebooks, trans. by Andrew Davis (New York: NYRB, 2016)
  • Mandelstam, Osip, ‘The Word and Culture’, trans. by Sidney Monas, Arion: Journal of Humanities and the Classics, 2.4 (1975), pp. 527–32
  • Mann, Nicholas, ‘Petrarca giardiniere (a proposito del sonetto CCXXVIII)’, Letture Petrarce, 12 (1992), pp. 235–56
  • Marder, Michael, The Philosopher’s Plant: An Intellectual Herbarium, with illustrations by Mathilde Roussel (New York: Columbia University Press, 2014)
  • Marder, Michael, Plant-thinking: A Philosophy of Vegetal Life (New York: Columbia University Press, 2013)
  • Marshall, Cynthia, The Shattering of the Self: Violence, Subjectivity, and Early Modern Texts (Baltimore, MD: Johns Hopkins University Press, 2002)
  • Marti, Mario, Storia del Dolce Stilnovo (Lecce: Milella, 1973)
  • Martinez, Ronald L., ‘Francis, Thou Art Translated: Petrarch Metamorphosed in English, 1380–1595’, Humanist Studies & the Digital Age 1.1 (2011), pp. 80–108 <https://doi.org/10.5399/uo/hsda.1.1.1196>
  • Massumi, Brian, Parables for the Virtual: Movement, Affect, Sensation (Durham, NC: Duke University Press, 2002) <https://doi.org/10.1215/9780822383574>
  • Mazzotta, Giuseppe, ‘Petrarch’s Dialogue with Dante’, in Petrarch and Dante: Anti–Dantism, Metaphysics, Tradition, ed. by Zygmunt G. Barański and Theodore J. Cachey, Jr (Notre Dame, IN: University of Notre Dame Press, 2009), pp. 179–81 <https://doi.org/10.2307/j.ctvpj78c0.9>
  • Mazzotta, Giuseppe, The Worlds of Petrarch (Durham, NC: Duke University Press, 1993) <https://doi.org/10.1215/9780822382614>
  • McDannell, Colleen, and Bernhard Lang, Heaven: A History (New Haven: Yale University Press, 1998)
  • McKendrick, Jamie, The Foreign Connection: Writings on Poetry, Art and Translation (Oxford: Legenda, 2020)
  • Meeker, Natania, and Antónia Szabari, ‘Libertine Botany: Vegetal Sexuality and Vegetal Forms’, Postmedieval: A Journal of Medieval Cultural Studies, 9.4 (2018), pp. 478–89 <https://doi.org/10.1057/s41280-018-0105-3>
  • Miglio, Camilla, Vita a fronte. Saggio su Paul Celan (Macerata: Quodlibet, 2005)
  • Moevs, Christian, The Metaphysics of Dante’s ‘Comedy’ (New York: Oxford University Press, 2005) <https://doi.org/10.1093/0195174615.001.0001>
  • Moevs, Christian, ‘Subjectivity and Conversion in Dante and Petrarch’, in Petrarch and Dante: Anti–Dantism, Metaphysics, Tradition, ed. by Zygmunt G. Barański and Theodore J. Cachey, Jr (Notre Dame, IN: University of Notre Dame Press, 2009), pp. 226–59 <https://doi.org/10.2307/j.ctvpj78c0.11>
  • Morton, Timothy, ‘Guest Column: Queer Ecology’, PMLA, 125.2 (2010), pp. 273–82 <https://doi.org/10.1632/pmla.2010.125.2.273>
  • Nardi, Bruno, ‘Filosofia dell’amore nei rimatori italiani del Duecento e in Dante’, in Dante e la cultura medievale. Nuovi saggi di filosofia dantesca, ed. by Paolo Mazzantini, new edn (Bari: Laterza, 1985), pp. 9–79
  • Nasti, Paola, ‘Nozze e vedovanza: dinamiche dell’appropriazione biblica in Cavalcanti e Dante’, Tenzone, 7 (2006), pp. 71–110
  • Noferi, Adelia, L’esperienza poetica del Petrarca (Florence: Le Monnier, 1962)
  • Ochoa, John, ‘The Poet Becomes the Poem: The Missing Object and Petrarch’s Ends in the Canzoniere’, Romance Quarterly, 65.1 (2018), pp. 38–48 <https://doi.org/10.1080/08831157.2018.1396138>
  • Olson, Paul, ‘Two Sonnets of Heavenly Vision’, Italica, 35 (1958), pp. 156–61 <https://doi.org/10.2307/477647>
  • Paterson, Don, Reading Shakespeare’s Sonnets: A New Commentary (London: Faber and Faber, 2010)
  • Pertile, Lino, La punta del disio: Semantica del desiderio nella ‘Commedia’ (Fiesole: Cadmo, 2005)
  • Peterson, Thomas E., ‘“Amor co la man dextra il lato manco” ( Rvf 228) as Allegory of Religious Veneration’, MLN, 135.1 (January 2020), Italian Issue, pp. 17–33 <https://doi.org/10.1353/mln.2020.0013>
  • Petrarch, Francesco, Canzoniere, ed. by Marco Santagata, rev. ed. (Milan: Mondadori, 2010)
  • Petrarch, Francesco, Canzoniere, ed. by Ugo Dotti, with notes by Giacomo Leopardi (Milan: Feltrinelli, 1979)
  • Petrarch, Francesco, Canzoniere. Rerum vulgarium fragmenta, ed. by Rosanna Bettarini, 2 vols (Turin: Einaudi, 2005)
  • Petrarch, Francesco, Canzoniere, Trionfi: l'incunabolo veneziano di Vindelino da Spira del 1470 nell'esemplare della Biblioteca civica Queriniana di Brescia con figure dipinte da Antonio Grifo, INC. G V 15, ed. by Giuseppe Frasso, Giordana Mariani, and Ennio Sandal (Rome: Salerno, 2016)
  • Petrarch, Francesco, Opere latine di Francesco Petrarca, ed. by Antonietta Bufano, 2 vols (Turin: UTET, 1975)
  • Petrarch, Francesco, ‘Petrarch’s Coronation Oration’, trans. by Ernest Hatch Wilkins, PMLA, 68.5 (Dec. 1953), pp. 1241–50 <https://doi.org/10.2307/460017>
  • Petrarch, Francesco, Trionfi, Rime estravaganti, Codice degli abbozzi, ed. by Vinicio Pacca and Laura Paolino (Milan: Mondadori, 1996)
  • Petrarch, Francesco, Triumphi, ed. by Marco Ariani (Milan: Mursia, 1988)
  • Petrini, Mario, ‘La canzone alla Vergine’, Critica letteraria, 23 (1994), pp. 33–42
  • Pézard, André, ‘ De passione in passionem’, L’Alighieri, 1 (1960), pp. 14–26
  • Picone, Michelangelo, ‘Addii e assenza amorosa’, in Percorsi della lirica duecentesca. Dai Siciliani alla ‘Vita Nova’ (Florence: Cadmo, 2003), pp. 125–43
  • Picone, Michelangelo, ‘Esilio e peregrinatio: Dalla Vita Nova alla “Canzone montanina”’, Italianistica: Rivista di letteratura italiana, 36.3 (Sept–Dec 2007), pp. 1–14
  • Picone, Michelangelo, ‘I paradossi e i prodigi dell’amore passione ( Rvf 130–140)’, in Il Canzoniere: Lettura micro e Macrotestuale, ed. by Michelangelo Picone (Ravenna: Longo, 2007), pp. 313–33
  • Picone, Michelangelo, ‘Petrarca e il libro non finito’, in Petrarca volgare e la sua fortuna sino al Cinquecento, ed. by Bruno Porcelli (= Italianistica, 33.2 (May–August 2004)), pp. 83–94
  • Picone, Michelangelo, ‘La tenzone “de amore” fra Jacopo Mostacci, Pier della Vigna e il Notaro’, in Percorsi della lirica duecentesca (Florence: Cadmo, 2003), pp. 47–67
  • Pil’ščikov, Igor’ A., ‘Petrarca nelle traduzioni dei poeti russi dell’età d’oro e dell’età d’argento’, trans. by Bianca Sulpasso, Russica Romana, 17 (2010), pp. 89–114
  • Praloran, Marco, La canzone di Petrarca: Orchestrazione formale e percorsi argomentativi, ed. by Arnaldo Soldani (Rome-Padua: Antenore, 2013)
  • Psaki, F. Regina, ‘Dante’s Redeemed Eroticism’, Lectura Dantis, 18–19 (1996), pp. 12–19
  • Psaki, F. Regina, ‘Love for Beatrice: Transcending Contradiction in the Paradiso’, in Dante for the New Millennium, ed. by Teodolinda Barolini and H. Wayne Storey (New York: Fordham University Press, 2003), pp. 115–30
  • Psaki, F. Regina, ‘The Sexual Body in Dante’s Celestial Paradise’, in Imagining Heaven in the Middle Ages: A Book of Essays, ed. by Jan Swango Emerson and Hugh Feiss (New York: Garland, 2000), pp. 47–61
  • Quillen, Carol E., Rereading the Renaissance: Petrarch, Augustine, and the Language of Humanism (Ann Arbor: University of Michigan Press, 1998) <https://doi.org/10.3998/mpub.15299>
  • Rabitti, Giovanna, ‘“Nel dolce tempo”: sintesi o nuovo cominciamento?’, in Petrarca volgare e la sua fortuna sino al Cinquecento, ed. by Bruno Porcelli (= Italianistica, 33.2 (May–August 2004)), pp. 95–108
  • Redko, Philip Leon, Boundary Issues in Three Twentieth-Century Russian Poets (Mandelstam, Aronzon, Shvarts) (doctoral thesis, Harvard University, Graduate School of Arts and Sciences, 2019) <https://dash.harvard.edu/handle/1/41121299> [accessed 29 September 2020]
  • Roche, Thomas P., Jr, Petrarch and the English Sonnet Sequences (New York: AMS Press, 1989)
  • Rushworth, Jennifer, Discourses of Mourning in Dante, Petrarch and Proust (Oxford: Oxford University Press, 2016) <https://doi.org/10.1093/acprof:oso/9780198790877.001.0001>
  • Santagata, Marco, Dal sonetto al canzoniere: Ricerche sulla preistoria e la costituzione di un genere (Padua: Liviana, 1979)
  • Santagata, Marco, I frammenti dell’anima: Storia e racconto nel ‘Canzoniere’ di Petrarca (Bologna: Il Mulino, 2004)
  • Sapegno, Natalino, Disegno storico della letteratura italiana, 2nd edn (Florence: La Nuova Italia, 1973)
  • Schoenfeldt, Michael, ‘Friendship and Love, Darkness and Lust: Desire in the Sonnets’, in The Cambridge Introduction to Shakespeare’s Poetry (Cambridge: Cambridge University Press, 2010), pp. 88–111 <https://doi.org/10.1017/CBO9780511781186.006>
  • Schoenfeldt, Michael, ‘The Sonnets’, in The Cambridge Companion to Shakespeare’s Poetry, ed. by Patrick Cheney (Cambridge: Cambridge University Press, 2007), pp. 125–43 <https://doi.org/10.1017/CCOL0521846277.008>
  • Segre, Cesare, ‘Les Isotopies de Laure’, in Exigences et perspectives de la sémiotique: recueil d'hommages pour Algirdas Julien Greimas, ed. by Herman Perret and Hans-George Ruprecht, 2 vols (Amsterdam: J Benjamins, 1985), II, pp. 811–26 <https://doi.org/10.1075/z.23.72seg>
  • Semenko Irina, ‘Mandel’štam traduttore di Petrarca’, ed. by Cesare G. De Michelis, Rassegna sovietica, 4 (1970), pp. 14–35
  • Shakespeare, William, Shakespeare’s Sonnets, ed. by Katherine Duncan-Jones (London: Methuen Drama, 2010)
  • von Simpson, Otto G., ‘ Compassio and Co-redemptio in Roger van der Weyden’s Descent from the Cross’, The Art Bulletin, 25 (1953), pp. 9–16 <https://doi.org/10.2307/3047456>
  • Southerden, Francesca, ‘The Art of Rambling: Errant Thoughts and Entangled Passions in Petrarch’s “Ascent of Mont Ventoux” ( Fam. IV, 1) and Rvf 129’, in Medieval Thought Experiments: Poetry, Hypothesis and Experience in the European Middle Ages, ed. by Philip Knox, Jonathan Morton, and Daniel Reeve (Turnhout: Brepols, 2018), pp. 197–221 <https://doi.org/10.1484/M.DISPUT-EB.5.114697>
  • Southerden, Francesca, Dante and Petrarch in the Garden of Language (in progress)
  • Southerden, Francesca, ‘The Lyric Mode’, in The Oxford Handbook of Dante, ed. by Manuele Gragnolati, Elena Lombardi, and Francesca Southerden (Oxford: Oxford University Press, forthcoming)
  • Spiller, Michael R. G., The Sonnet Sequence: A Study of its Strategies (New York: Twayne, 1997)
  • Stabile, Giorgio, ‘Volontà’, in Enciclopedia dantesca, ed. by Umberto Bosco, 6 vols (Roma: Istituto della Enciclopedia Italiana, Fondata da Giovanni Treccani, 1970–78), V, cols 1134–40
  • Stark, Hannah, ‘Deleuze and Critical Plant Studies’, in Deleuze and the Non/Human, ed. by Jon Roffe and Hannah Stark (London: Palgrave Macmillan, 2015), pp. 180–96 <https://doi.org/10.1057/9781137453693_11>
  • Stewart, Dana, The Arrow of Love: Optics, Gender, and Subjectivity in Medieval Love Poetry (London: Bucknell University Press, 2003)
  • Sturm-Maddox, Sara, Petrarch’s Metamorphoses: Text and Subtext in the ‘Rime Sparse’ (Columbia: University of Missouri Press, 1985)
  • Suitner, Franco, Petrarca e la tradizione stilnovistica (Florence: Olschki, 1977)
  • Tonelli, Natascia, ‘Amor da che convien ch’io mi doglia’, in Dante: Le quindici canzoni. Lette da diversi (Lecce: Pensa Multimedia, 2012), pp. 255–83
  • Tonelli, Natascia, Fisiologia della passione: Poesia d’amore e medicina da Cavalcanti a Boccaccio (Tavarnuzze [Florence]: SISMEL · Edizioni del Galluzzo, 2015)
  • Tonelli, Natascia, Leggere il ‘Canzoniere’ (Bologna, Il Mulino, 2017)
  • Tonelli, Natascia, Per queste orme: Studi sul ‘Canzoniere’ di Petrarca (Pisa: Pacini, 2016)
  • Tronzo, William, Petrarch’s Two Gardens: Landscape and the Image of Movement (New York: Italica Press, 2014) <https://doi.org/10.2307/j.ctt1t88w1b>
  • Tubbs, Robert, Mathematics in Twentieth-Century Literature and Art: Content, Form, Meaning, (Baltimore, MD: John Hopkins University Press, 2014)
  • Vickers, Nancy, ‘Re-membering Dante: Petrarch’s “Chiare, fresche et dolci acque”’, MLN, 96.1, Italian Issue (January 1981), pp. 1–11 <https://doi.org/10.2307/2906426>
  • Virgil, Eclogues, Georgics, Aeneid Books 16, trans. by H. R. Fairclough, revised by G. P. Goold (Cambridge, MA: Harvard University Press, 1916) <https://doi.org/10.4159/DLCL.virgil-eclogues.1916>
  • Waller, Marguerite, Petrarch’s Poetics and Literary History (Amherst: University of Massachusetts Press, 1980)
  • Warning, Rainer, ‘Imitatio und Intertextualität. Zur Geschichte lyrischer Dekonstruktion der Amortheologie: Dante, Petrarca, Baudelaire’, in Lektüren romanischer Lyrik. Von den Trobadors zum Surrealismus (Freiburg: Rombach, 1997), pp. 104–41
  • Warning, Rainer, ‘Seeing and Hearing in Ancient and Medieval Epiphany’, in Rethinking the Medieval Senses: Heritage, Fascinations, Frames, ed. by Stephen G. Nichols, Andreas Kablitz, and Alison Calho (Baltimore, MD: Johns Hopkins University Press), pp. 102–16
  • Webb, Heather, Dante’s Persons: An Ethics of the Transhuman (Oxford: Oxford University Press, 2016) <https://doi.org/10.1093/acprof:oso/9780198733485.001.0001>
  • Webb, Heather, The Medieval Heart (New Haven, CT: Yale University Press, 2010)
  • Zak, Gur, Petrarch’s Humanism and the Care of the Self (Cambridge: Cambridge University Press, 2010) <https://doi.org/10.1017/CBO9780511730337>
  • Zanni, Raffaella, ‘Dalla lontananza all’esilio nella lirica italiana del XIII secolo’, Arzanà, 16–17 (2013), pp. 325–63 <https://doi.org/10.4000/arzana.230>
  • Zanni, Raffaella, ‘Prendre congé de sa propre poésie: Perch’i’ no spero di tornar giammai de Guido Cavalcanti’, in Les Deux Guidi: Guinizzelli et Cavalcanti. Mourir d’aimer et autres ruptures, ed. by Marina Gagliano, Philippe Guérin, and Raffaella Zanni (Paris: Presses Sorbonne Nouvelle, 2016), pp. 141–56
  • Zanzotto, Andrea, ‘Petrarca fra il palazzo e la cameretta’, in Scritti sulla letteratura, ed. by Gianmario Villalta, 2 vols, (Milan: Mondadori, 2001), I, pp. 261–71