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Performing Embodiment

Choreographies of Affect, Language, and Social Norms
Ed. by Alberica Bazzoni
Federica Buongiorno
Cultural Inquiry, 39
Berlin: ICI Berlin Press, 2026
Scheduled for 28 April 2026
ISBN 978-3-96558-115-9 | Hardcover | 45 EUR | 265 pp. | 4 colour images | 20.3 cm x 12.7 cm
ISBN 978-3-96558-116-6 | Paperback | 16.50 EUR | 265 pp. | 4 b&w images | 20.3 cm x 12.7 cm
ISBN 978-3-96558-117-3 | PDF | Open Access | 4 colour images | 2.1 MB
ISBN 978-3-96558-118-0 | EPUB | Open Access | 4 colour images | 1 MB
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Combining the notions of performativity and embodiment, this book situates the body in the realm of processes, movement, and poiesis, seeking to generate alternative configurations to mind–body dualism. Focused on language, literature, dance, affect, gender, sport, and disability, the contributions to this volume emphasize doing over being: the body does and is done; it is engaged in a movement of co-constitution with the world. It is in doing that bodies produce knowledge and shared or contested social meaning. Such a relational process is best described through the notion of choreographies — patterns of movement which capture the embodied dynamic of passivity and activity, design and improvisation, inner and outer states, and which fittingly describe the modalities through which social norms discipline bodies, or are challenged by them.
Alberica Bazzoni is an Assistant Professor in Comparative Literature at the University for Foreigners of Siena, Italy. She is the author of Il presente vivo. Temporalità del divenire e del trauma in Lispector, Ortese e Philip (2025) and Writing for Freedom: Body, Identity, and Power in Goliarda Sapienza’s Narrative (2018), and co-editor of ‘The Politics of Translation’, Comparative Critical Studies (2023); Gender and Authority (2020); and Goliarda Sapienza in Context (2016). Her current research explores textual performativity and feminist and decolonial literary imaginaries of trauma and resistance.
Federica Buongiorno is an Assistant Professor in Theoretical Philosophy and Phenomenology of Technology at the University of Florence, Italy. Her research interests include Husserlian and post-Husserlian phenomenology, the philosophy of technology (with a special focus on AI, algorithmic thinking and the digital culture), psychoanalysis, and cyberfeminism. She is the co-founder and co-editor in chief of the philosophical book series Umweg (Inschibboleth editions) and the editor-in-chief of the international journal of philosophy Azimuth. Her latest book is titled Iperindividualità. L’individuazione nel presente tecnologico (Meltemi 2025).
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Title
Performing Embodiment
Subtitle
Choreographies of Affect, Language, and Social Norms
Editor(s)
Alberica Bazzoni
Federica Buongiorno
Bio(s)
Alberica Bazzoni is an Assistant Professor in Comparative Literature at the University for Foreigners of Siena, Italy. She is the author of Il presente vivo. Temporalità del divenire e del trauma in Lispector, Ortese e Philip (2025) and Writing for Freedom: Body, Identity, and Power in Goliarda Sapienza’s Narrative (2018), and co-editor of ‘The Politics of Translation’, Comparative Critical Studies (2023); Gender and Authority (2020); and Goliarda Sapienza in Context (2016). Her current research explores textual performativity and feminist and decolonial literary imaginaries of trauma and resistance.
Federica Buongiorno is an Assistant Professor in Theoretical Philosophy and Phenomenology of Technology at the University of Florence, Italy. Her research interests include Husserlian and post-Husserlian phenomenology, the philosophy of technology (with a special focus on AI, algorithmic thinking and the digital culture), psychoanalysis, and cyberfeminism. She is the co-founder and co-editor in chief of the philosophical book series Umweg (Inschibboleth editions) and the editor-in-chief of the international journal of philosophy Azimuth. Her latest book is titled Iperindividualità. L’individuazione nel presente tecnologico (Meltemi 2025).
Identifier
https://doi.org/10.37050/ci-39
Description
Combining the notions of performativity and embodiment, this book situates the body in the realm of processes, movement, and poiesis, seeking to generate alternative configurations to mind–body dualism. Focused on language, literature, dance, affect, gender, sport, and disability, the contributions to this volume emphasize doing over being: the body does and is done; it is engaged in a movement of co-constitution with the world. It is in doing that bodies produce knowledge and shared or contested social meaning. Such a relational process is best described through the notion of choreographies — patterns of movement which capture the embodied dynamic of passivity and activity, design and improvisation, inner and outer states, and which fittingly describe the modalities through which social norms discipline bodies, or are challenged by them.
Is Part Of
Cultural Inquiry
Place
Berlin
Publisher
ICI Berlin Press
Date
April 28, 2026
Number in Series
39
Subject
embodiment
phenomenology
performativity
mind-body dualism
lived body
relationality
affect
choreography
embodied language
situated knowledge
Rights
© by the author(s)
Except for images or otherwise noted, this publication is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
http://creativecommons.org/licenses/by-sa/4.0/
Language
en-GB
number of pages
265
Table Of Contents
Introduction: Performing Embodiment | ALBERICA BAZZONI AND FEDERICA BUONGIORNO | 1-11
LANGUAGE AND LITERATURE
Language as Embodied Practice: Notes on Performative Processes of Subjectification with Reference to Ludwig Wittgenstein, Stanley Cavell, and Judith Butler | LUCILLA GUIDI | 15-48
Performing the Living Present: Clarice Lispector’s Água Viva | ALBERICA BAZZONI | 49-73
Performing and Embodying Authorship: Case Studies from Italian Women’s Autobiographical Writings | URSULA FANNING | 75-94
DANCE
Affective Choreographies | SUSAN KOZEL | 97-129
‘Full Drop into the Body’: A Conversation and Public Discussion | MARGRÉT SARA GUÐJÓNSDÓTTIR AND SUSAN KOZEL | 131-149
Dancing Tango: The Realm of Appearances | DOROTHEA OLKOWSKI | 151-179
BODIES AND SOCIAL SPACE
Embodying and Transforming Female Masculinity through Combat Sports | ELISA VIRGILI | 183-204
Choreographies of Knowledge: Mis/fitting in Academia | CHIARA MONTALTI | 205-234
References
Notes on the Contributors
Index
has manifestation
ISBN 978-3-96558-115-9 | Hardcover | 45 EUR | 265 pp. | 4 colour images | 20.3 cm x 12.7 cm
ISBN 978-3-96558-116-6 | Paperback | 16.50 EUR | 265 pp. | 4 b&w images | 20.3 cm x 12.7 cm
ISBN 978-3-96558-117-3 | PDF | Open Access | 4 colour images | 2.1 MB
ISBN 978-3-96558-118-0 | EPUB | Open Access | 4 colour images | 1 MB

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Publication scheduled for 28 April 2026