[references]

WPC Team; Koch, Franziska

doi:doi:10.37050/wpc-ca-02_**

Contents

Introduction

The Worlding Power of Affect — An Impediment to Art Historical Reception?

Shigeko Kubota: Early Practice and Personal Life

Opera Sextronique (1965)

Vagina Painting (1964)

Video Poem (1970–75)

‘Video is Vengeance of Vagina’

Sexual Healing (1998)

What Kind of Care?

No Happy ‘Healing’ in a Heteronormative, Able-Bodied World?

References

Armstrong, Elizabeth, and Joan Rothfuss, eds, In the Spirit of Fluxus (Minneapolis: Walker Art Center, 1993)
Barad, Karen, ‘Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter’, Signs: Journal of Women in Culture and Society, 28.3 (2003), pp. 801–31 <https://doi.org/10.1086/345321>
Bovenschen, Silvia, ‘Runzelsex (so darf man das nicht nennen!)’, in Die Kunst des Alterns, ed. by Neue Gesellschaft für Bildende Kunst, et al. (Berlin: NGBK, 2008), pp. 126–27
Brockhaus, Christoph, Altersbildnisse in der abendländischen Skulptur (Duisburg: Wilhelm Lehmbruck Museum, 1998)
Bui, Phong, ‘Shigeko Kubota with Phong Bui’, The Brooklyn Rail, 2007 <https://brooklynrail.org/2007/09/art/kubota> [accessed 10 August 2020]
Chatzidakis, Andreas, et al., eds, The Care Manifesto: The Politics of Interdependence (London: Verso, 2020)
Cheah, Pheng, ‘What Is a World? On World Literature as World-Making Activity’, Daedalus: On Cosmopolitanism, 137.3 (2008), pp. 26–38 <https://doi.org/10.1162/daed.2008.137.3.26>
Cheah, Pheng‘Worlding Literature: Living with Tiger Spirits’, Diacritics, 45.2 (2017), pp. 86–114 <https://doi.org/10.1353/dia.2017.0008>
Fondazione Bonotto, ‘FONDAZIONE BONOTTO — Kubota, Shigeko — Vagina Painting’ <http://www.fondazionebonotto.org/cn/collection/fluxus/kubotashigeko/9752.html> [accessed 24 March 2023]
Galliano, Luciana, Japan Fluxus (Lanham, MD: Lexington Books, 2019)
Hamada, Mayumi, Mihoko Nishikawa, Azusa Hashimoto, Midori Yoshimoto, and Yui Yoshizumi, Viva Video! The Art and Life of Shigeko Kubota (Tokyo: Kawade Shobo Shinsha, 2021)
Hanhardt, John G., ed., Nam June Paik (New York: Whitney Museum of American Art, 1982)
Hanhardt, John G.‘Nam June Paik: The Late Style (1996–2006)’, Ran Dian (blog), 17 September 2015 <http://www.randian-online.com/np_announcement/nam-june-paik-the-late-style-1996-2006-grasp-the-eternity/> [accessed 9 September 2022]
Haraway, Donna, ‘The Promises of Monsters: A Regenerative Politics for Inappropriate/d Others’, in Cultural Studies, ed. by Lawrence Grossberg, Cory Nelson, and Paula Treichler (New York: Routledge, 1992), pp. 295–337
Hartung, Heike, ‘Age and Gender in Cultural Discourse: The Double Standard in the Narratives and Images of Aging’, in Die Kraft des Alters. Aging Pride, ed. by Rollig and Fellner, pp. 257–73
Hofrichter, Frima Fox, and Midori Yoshimoto, ‘Introduction’, in Women, Aging, and Art. A Cross-Cultural Anthology, ed. by Frima Fox Hofrichter and Midori Yoshimoto (New York: Bloomsbury Visual Arts, 2021), pp. 1–15 <https://doi.org/10.5040/9781501349430.0007>
Hofstadler, Beate, ‘Blood, Sweat, and Years. The Disappearance of the Old’, in Die Kraft des Alters. Aging Pride, ed. by Stella Rollig and Sabine Fellner Fellner (Vienna: Verlag für Moderne Kunst, 2017), pp. 187–219
Jacob, Mary Jane, and American Museum of the Moving Image, eds, Shigeko Kubota: Video Sculptures (Seattle: American Museum of the Moving Image/University of Washington Press, 1991)
Joseph, Laura Wertheim, ‘Messy Bodies and Frilly Valentines: Charlotte Moorman’s “Opera Sextronique”’, in A Fest of Astonishments: Charlotte Moorman and the Avant-Garde, 1960s–1980s (Evanston, IL: Northwestern University Press, 2016), pp. 41–59
Juneja, Monica, ‘Global Art History and the “Burden of Representation”’, in Global Studies: Mapping the Contemporary, ed. by Hans Belting et al. (Ostfildern-Ruit: Hatje Cantz Verlag, 2011), pp. 274–97
Juneja, Monica‘Kunstgeschichte und kulturelle Differenz. Eine Einleitung’, ed. by Matthias Bruhn, Elke Anna Werner, and Monica Juneja, Kritische Berichte. Zeitschrift für Kunst- und Kulturwissenschaften, 40.2 (2012), pp. 6–12
Juneja, Monica‘“A Very Civil Idea…”: Art History and World-Making — With and Beyond the Nation’, Zeitschrift für Kunstgeschichte, 81.4 (2018), pp. 461–85 <https://doi.org/10.1515/ZKG-2018-0036>
Kaiser, Birgit Mara, ‘Worlding CompLit: Diffractive Reading with Barad, Glissant and Nancy’, Parallax, 20.3 (2014), pp. 274–87 <https://doi.org/10.1080/13534645.2014.927634>
Kampmann, Sabine, ‘Ungleiche Paare — Bilder lächerlicher Liebe und die Verhöhnung geiler Greise — Lucas Cranach, Andres Serrano’, in Bilder des Alterns. Greise Körper in Kunst und Visueller Kultur (Berlin: Dietrich Reimer Verlag, 2020), pp. 102–11 <https://doi.org/10.5771/9783496030232>
Kerner, Ina, ‘Countering the Legacies of Colonial Racism: Delinking and the Renewal of Humanism’, in Postcoloniality — Decoloniality — Black Critique: Joints and Fissures, ed. by Sabine Broeck and Carsten Junker (Frankfurt a.M.: Campus Verlag, 2014), pp. 145–58
Kirby, Vicki, Quantum Anthropologies. Life at Large (Durham, NC and London: Duke University Press, 2011) <https://doi.org/10.1515/9780822394440>
Kravagna, Christian, ‘Toward a Postcolonial Art History of Contact’, Texte zur Kunst, Globalism, 91 (September 2013), pp. 110–31
Kravagna, ChristianTransmoderne: Eine Kunstgeschichte des Kontakts (Berlin: b_books, 2017)
Kubota, Shigeko, ‘Chapter One — Meeting with Nam June’, faxed electronically-written manuscript, private archive of Nam Jeongho, unpaginated and undated
Kubota, Shigeko‘Sexual Healing’, in Shigeko Kubota: My Life with Nam June Paik, ed. by Jonas Mekas (New York: Maya Stendhal Gallery, 2007), pp. 67–70
Kubota, Shigeko, and Jeongho Nam, 나의 사랑, 백남준 (Naŭi Sarang, Paek Nam-jun — My Love, Nam June Paik) (Seoul: Isun, 2010)
Kubota, Shigeko, Chŏng-ho Nam, and Sonjun Ko, 私の愛、ナムジュンパイク (Watakushi No Ai, Namujun Paiku — My Love, Nam June Paik) (Tokyo: Heibonsha 2013) (Tokyo: Heibonsha 2013)
Küpper, Thomas, ‘Filmreif. Altersdarstellungen im Kino’, in Die Kunst des Alterns, ed. by Neue Gesellschaft für Bildende Kunst, et al. (Berlin: NGBK, 2008), pp. 100–07
Marchenkova, Maria, ed., Shigeko Kubota — Liquid Reality (New York: The Museum of Modern Art, 2021)
McRuer, Robert, and Michael Bérubé, Crip Theory: Cultural Signs of Queerness and Disability, Cultural Front (New York: New York University Press, 2006)
Mekas, Jonas, ed., Shigeko Kubota: My Life with Nam June Paik (New York: Maya Stendhal Gallery, 2007)
Middleman, Rachel, ‘Aging and Feminist Art: Joan Semmel’s Visible Bodies’, in Women, Aging, and Art: A Crosscultural Anthology, ed. by Frima Fox Hofrichter and Midori Yoshimoto (New York: Bloomsbury Academic & Professional, 2021), pp. 167–81 <https://doi.org/10.5040/9781501349430.0018>
Minh-ha, Trinh T., ‘Documentary Is/Not a Name’, October, 52 (1990) <https://doi.org/10.2307/778886>
Museum of Modern Art and Doryun Chong, Tokyo 1955–1970 (New York: Museum of Modern Art, 2012)
Nam, Jeongho, ‘프롤로그 (Prologue)’, in 나의 사랑, 백남준 (Naŭi Sarang, Paek Nam-jun — My Love, Nam June Paik) (Seoul: Isun, 2010), pp. 16–27
Neue Gesellschaft für Bildende Kunst, Kunsthaus Dresden, Städtische Galerie für Gegenwartskunst, and Cordelia Marten, eds, Die Kunst des Alterns. Katalog zu den Ausstellungen: Wir sind immer für Euch da. Über das Versprechen der Generationen (Berlin: NGBK, 2008)
Pageot, Édith-Anne, ‘Connecting Local Communities through Relational Ethics of Care. The Work of Sonia Robertson’, Arte Contexto (blog), 2021 <https://artcontexto.com.br/portfolio/edith-anne-pageot/> [accessed 9 September 2022], unpaginated
Paik, Nam June, Niederschriften eines Kulturnomaden: Aphorismen, Briefe, Texte, ed. by Edith Decker (Cologne: DuMont Verlag, 1992)
Peeren, Ester, ‘Worlding Popular Culture’, in The Bloomsbury Handbook of World Theory, ed. by Christian Moraru and Jeffrey R. Di Leo (London: Bloomsbury Academic, 2022), pp. 119–30 <https://doi.org/10.5040/9781501361975.ch-007>
Rollig, Stella, and Sabine Fellner, eds, Die Kraft des Alters. Aging Pride (Vienna: Verlag für Moderne Kunst, 2017)
Rosler, Martha, ‘Video: Shedding the Utopian Moment’, in Illuminated Video: An Essential Guide to Video Art, ed. by Doug Hall and Sally Jo Fifer (New York: Aperture/BAVC, 1990), pp. 31–50
Rothfuss, Joan, Topless Cellist: The Improbable Life of Charlotte Moorman (Cambridge, MA: The MIT Press, 2014)
Schor, Gabriele, ‘Sex, Sensuality, Eroticism in Old Age: The Feminist Avant-Garde Tackles a Taboo’, in Die Kraft des Alters. Aging Pride, ed. by Stella Rollig and Sabine Fellner (Vienna: Verlag für Moderne Kunst, 2017), pp. 295–320
Slovin, Rochelle, ‘Foreword’, in Shigeko Kubota: Video Sculptures, ed. by Mary Jane Jacob and American Museum of the Moving Image (Seattle: American Museum of the Moving Image/University of Washington Press, 1991), p. 5
Sontag, Susan, ‘The Double Standard of Aging’, in Essays of the 1960s & 70s, ed. by David Rieff (New York: Library of America, 2013), pp. 745–68
Sylvester, Jana, and Beate Schultz-Zehden, ‘Sexualität im Alter – ein gesellschaftliches Tabu? Interview mit Beate Schultz-Zehden’, in Die Kunst des Alterns, ed. by Neue Gesellschaft für Bildende Kunst, et al. (Berlin: NGBK, 2008), pp. 128–34
Tezuka, Miwako, ‘Oral History Interview with Shigeko Kubota, Conducted by Miwako Tezuka, October 11, 2009, at Kubota’s Residence in New York City’, originally posted on post.at.moma.org, retrieved by the Internet Archive <https://web.archive.org/web/20150926114901/https://post.at.moma.org/content_items/344-interview-with-shigeko-kubota> [accessed 24 March 2023]
Thane, Pat, ed., A History of Old Age (Los Angeles: J. Paul Getty Museum, 2005)
Tomii, Reiko, Radicalism in the Wilderness. International Contemporaneity and 1960s Art in Japan (Cambridge, MA: The MIT Press, 2016)
Tomii, Reiko‘“A Test Tube” of New Art: Naiqua and the Rental Gallery System in 1960s Japan’, Afterall: A Journal of Art, Context and Enquiry, 47 (2019), pp. 146–61 <https://doi.org/10.1086/704206>
Tomiyama, Katsue, ‘The End of an Odyssey: Shigeko Kubota’s Large-Scale Retrospective in New York; An Interview with Shigeko Kubota’, in Shigeko Kubota. Video as a Form of Spiritual Collision with the World (Milan: Fondazione Mudima, 1994), pp. 9–16
transmediale e.V., ‘Archive: Sexual Healing’, transmediale/archive, 1999 <https://transmediale.de/content/sexual-healing> [accessed 4 August 2020], unpaginated
Vázquez, Rolando, Vistas of Modernity: Decolonial Aesthesis and the End of the Contemporary, Essay/Mondriaan Fund, 014 (Amsterdam: Mondriaan Fund, 2020)
Walters Art Gallery, Ann Gabhart, and Elizabeth Broun, eds, Old Mistresses: Women Artists of the Past (Baltimore: Walters Art Gallery, 1972)
Yoshimoto, Midori, ‘Fluxus Nexus: Fluxus in New York and Japan’, post.moma.org, 2013 <https://post.moma.org/fluxus-nexus-fluxus-in-new-york-and-japan/> [accessed 9 September 2022]
Yoshimoto, MidoriInto Performance: Japanese Women Artists in New York (New Brunswick, NJ: Rutgers University Press, 2005)
Zdenek, Felix, Toni Stooss, and Ursula Perucchi, eds, Kubota Shigeko: Video Sculptures (Berlin: DAAD Galerie, Museum Folkwang, Kunsthaus Zürich, 1981)

Except for images or otherwise noted, this publication is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

[1] Armstrong, Elizabeth, and Joan Rothfuss, eds, In the Spirit of Fluxus (Minneapolis: Walker Art Center, 1993)

[2] Barad, Karen, ‘Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter’, Signs: Journal of Women in Culture and Society, 28.3 (2003), pp. 801–31 <https://doi.org/10.1086/345321>

[3] Bovenschen, Silvia, ‘Runzelsex (so darf man das nicht nennen!)’, in Die Kunst des Alterns, ed. by Neue Gesellschaft für Bildende Kunst, et al. (Berlin: NGBK, 2008), pp. 126–27

[4] Brockhaus, Christoph, Altersbildnisse in der abendländischen Skulptur (Duisburg: Wilhelm Lehmbruck Museum, 1998)

[5] Bui, Phong, ‘Shigeko Kubota with Phong Bui’, The Brooklyn Rail, 2007 <https://brooklynrail.org/2007/09/art/kubota> [accessed 10 August 2020]

[6] Chatzidakis, Andreas, et al., eds, The Care Manifesto: The Politics of Interdependence (London: Verso, 2020)

[7] Cheah, Pheng, ‘What Is a World? On World Literature as World-Making Activity’, Daedalus: On Cosmopolitanism, 137.3 (2008), pp. 26–38 <https://doi.org/10.1162/daed.2008.137.3.26>

[8] Cheah, Pheng‘Worlding Literature: Living with Tiger Spirits’, Diacritics, 45.2 (2017), pp. 86–114 <https://doi.org/10.1353/dia.2017.0008>

[9] Fondazione Bonotto, ‘FONDAZIONE BONOTTO — Kubota, Shigeko — Vagina Painting’ <http://www.fondazionebonotto.org/cn/collection/fluxus/kubotashigeko/9752.html> [accessed 24 March 2023]

[10] Galliano, Luciana, Japan Fluxus (Lanham, MD: Lexington Books, 2019)

[11] Hamada, Mayumi, Mihoko Nishikawa, Azusa Hashimoto, Midori Yoshimoto, and Yui Yoshizumi, Viva Video! The Art and Life of Shigeko Kubota (Tokyo: Kawade Shobo Shinsha, 2021)

[12] Hanhardt, John G., ed., Nam June Paik (New York: Whitney Museum of American Art, 1982)

[13] Hanhardt, John G.‘Nam June Paik: The Late Style (1996–2006)’, Ran Dian (blog), 17 September 2015 <http://www.randian-online.com/np_announcement/nam-june-paik-the-late-style-1996-2006-grasp-the-eternity/> [accessed 9 September 2022]

[14] Haraway, Donna, ‘The Promises of Monsters: A Regenerative Politics for Inappropriate/d Others’, in Cultural Studies, ed. by Lawrence Grossberg, Cory Nelson, and Paula Treichler (New York: Routledge, 1992), pp. 295–337

[15] Hartung, Heike, ‘Age and Gender in Cultural Discourse: The Double Standard in the Narratives and Images of Aging’, in Die Kraft des Alters. Aging Pride, ed. by Rollig and Fellner, pp. 257–73

[16] Hofrichter, Frima Fox, and Midori Yoshimoto, ‘Introduction’, in Women, Aging, and Art. A Cross-Cultural Anthology, ed. by Frima Fox Hofrichter and Midori Yoshimoto (New York: Bloomsbury Visual Arts, 2021), pp. 1–15 <https://doi.org/10.5040/9781501349430.0007>

[17] Hofstadler, Beate, ‘Blood, Sweat, and Years. The Disappearance of the Old’, in Die Kraft des Alters. Aging Pride, ed. by Stella Rollig and Sabine Fellner Fellner (Vienna: Verlag für Moderne Kunst, 2017), pp. 187–219

[18] Jacob, Mary Jane, and American Museum of the Moving Image, eds, Shigeko Kubota: Video Sculptures (Seattle: American Museum of the Moving Image/University of Washington Press, 1991)

[19] Joseph, Laura Wertheim, ‘Messy Bodies and Frilly Valentines: Charlotte Moorman’s “Opera Sextronique”’, in A Fest of Astonishments: Charlotte Moorman and the Avant-Garde, 1960s–1980s (Evanston, IL: Northwestern University Press, 2016), pp. 41–59

[20] Juneja, Monica, ‘Global Art History and the “Burden of Representation”’, in Global Studies: Mapping the Contemporary, ed. by Hans Belting et al. (Ostfildern-Ruit: Hatje Cantz Verlag, 2011), pp. 274–97

[21] Juneja, Monica‘Kunstgeschichte und kulturelle Differenz. Eine Einleitung’, ed. by Matthias Bruhn, Elke Anna Werner, and Monica Juneja, Kritische Berichte. Zeitschrift für Kunst- und Kulturwissenschaften, 40.2 (2012), pp. 6–12

[22] Juneja, Monica‘“A Very Civil Idea…”: Art History and World-Making — With and Beyond the Nation’, Zeitschrift für Kunstgeschichte, 81.4 (2018), pp. 461–85 <https://doi.org/10.1515/ZKG-2018-0036>

[23] Kaiser, Birgit Mara, ‘Worlding CompLit: Diffractive Reading with Barad, Glissant and Nancy’, Parallax, 20.3 (2014), pp. 274–87 <https://doi.org/10.1080/13534645.2014.927634>

[24] Kampmann, Sabine, ‘Ungleiche Paare — Bilder lächerlicher Liebe und die Verhöhnung geiler Greise — Lucas Cranach, Andres Serrano’, in Bilder des Alterns. Greise Körper in Kunst und Visueller Kultur (Berlin: Dietrich Reimer Verlag, 2020), pp. 102–11 <https://doi.org/10.5771/9783496030232>

[25] Kerner, Ina, ‘Countering the Legacies of Colonial Racism: Delinking and the Renewal of Humanism’, in Postcoloniality — Decoloniality — Black Critique: Joints and Fissures, ed. by Sabine Broeck and Carsten Junker (Frankfurt a.M.: Campus Verlag, 2014), pp. 145–58

[26] Kirby, Vicki, Quantum Anthropologies. Life at Large (Durham, NC and London: Duke University Press, 2011) <https://doi.org/10.1515/9780822394440>

[27] Kravagna, Christian, ‘Toward a Postcolonial Art History of Contact’, Texte zur Kunst, Globalism, 91 (September 2013), pp. 110–31

[28] Kravagna, ChristianTransmoderne: Eine Kunstgeschichte des Kontakts (Berlin: b_books, 2017)

[29] Kubota, Shigeko, ‘Chapter One — Meeting with Nam June’, faxed electronically-written manuscript, private archive of Nam Jeongho, unpaginated and undated

[30] Kubota, Shigeko‘Sexual Healing’, in Shigeko Kubota: My Life with Nam June Paik, ed. by Jonas Mekas (New York: Maya Stendhal Gallery, 2007), pp. 67–70

[31] Kubota, Shigeko, and Jeongho Nam, 나의 사랑, 백남준 (Naŭi Sarang, Paek Nam-jun — My Love, Nam June Paik) (Seoul: Isun, 2010)

[32] Kubota, Shigeko, Chŏng-ho Nam, and Sonjun Ko, 私の愛、ナムジュンパイク (Watakushi No Ai, Namujun Paiku — My Love, Nam June Paik) (Tokyo: Heibonsha 2013) (Tokyo: Heibonsha 2013)

[33] Küpper, Thomas, ‘Filmreif. Altersdarstellungen im Kino’, in Die Kunst des Alterns, ed. by Neue Gesellschaft für Bildende Kunst, et al. (Berlin: NGBK, 2008), pp. 100–07

[34] Marchenkova, Maria, ed., Shigeko Kubota — Liquid Reality (New York: The Museum of Modern Art, 2021)

[35] McRuer, Robert, and Michael Bérubé, Crip Theory: Cultural Signs of Queerness and Disability, Cultural Front (New York: New York University Press, 2006)

[36] Mekas, Jonas, ed., Shigeko Kubota: My Life with Nam June Paik (New York: Maya Stendhal Gallery, 2007)

[37] Middleman, Rachel, ‘Aging and Feminist Art: Joan Semmel’s Visible Bodies’, in Women, Aging, and Art: A Crosscultural Anthology, ed. by Frima Fox Hofrichter and Midori Yoshimoto (New York: Bloomsbury Academic & Professional, 2021), pp. 167–81 <https://doi.org/10.5040/9781501349430.0018>

[38] Minh-ha, Trinh T., ‘Documentary Is/Not a Name’, October, 52 (1990) <https://doi.org/10.2307/778886>

[39] Museum of Modern Art and Doryun Chong, Tokyo 1955–1970 (New York: Museum of Modern Art, 2012)

[40] Nam, Jeongho, ‘프롤로그 (Prologue)’, in 나의 사랑, 백남준 (Naŭi Sarang, Paek Nam-jun — My Love, Nam June Paik) (Seoul: Isun, 2010), pp. 16–27

[41] Neue Gesellschaft für Bildende Kunst, Kunsthaus Dresden, Städtische Galerie für Gegenwartskunst, and Cordelia Marten, eds, Die Kunst des Alterns. Katalog zu den Ausstellungen: Wir sind immer für Euch da. Über das Versprechen der Generationen (Berlin: NGBK, 2008)

[42] Pageot, Édith-Anne, ‘Connecting Local Communities through Relational Ethics of Care. The Work of Sonia Robertson’, Arte Contexto (blog), 2021 <https://artcontexto.com.br/portfolio/edith-anne-pageot/> [accessed 9 September 2022], unpaginated

[43] Paik, Nam June, Niederschriften eines Kulturnomaden: Aphorismen, Briefe, Texte, ed. by Edith Decker (Cologne: DuMont Verlag, 1992)

[44] Peeren, Ester, ‘Worlding Popular Culture’, in The Bloomsbury Handbook of World Theory, ed. by Christian Moraru and Jeffrey R. Di Leo (London: Bloomsbury Academic, 2022), pp. 119–30 <https://doi.org/10.5040/9781501361975.ch-007>

[45] Rollig, Stella, and Sabine Fellner, eds, Die Kraft des Alters. Aging Pride (Vienna: Verlag für Moderne Kunst, 2017)

[46] Rosler, Martha, ‘Video: Shedding the Utopian Moment’, in Illuminated Video: An Essential Guide to Video Art, ed. by Doug Hall and Sally Jo Fifer (New York: Aperture/BAVC, 1990), pp. 31–50

[47] Rothfuss, Joan, Topless Cellist: The Improbable Life of Charlotte Moorman (Cambridge, MA: The MIT Press, 2014)

[48] Schor, Gabriele, ‘Sex, Sensuality, Eroticism in Old Age: The Feminist Avant-Garde Tackles a Taboo’, in Die Kraft des Alters. Aging Pride, ed. by Stella Rollig and Sabine Fellner (Vienna: Verlag für Moderne Kunst, 2017), pp. 295–320

[49] Slovin, Rochelle, ‘Foreword’, in Shigeko Kubota: Video Sculptures, ed. by Mary Jane Jacob and American Museum of the Moving Image (Seattle: American Museum of the Moving Image/University of Washington Press, 1991), p. 5

[50] Sontag, Susan, ‘The Double Standard of Aging’, in Essays of the 1960s & 70s, ed. by David Rieff (New York: Library of America, 2013), pp. 745–68

[51] Sylvester, Jana, and Beate Schultz-Zehden, ‘Sexualität im Alter – ein gesellschaftliches Tabu? Interview mit Beate Schultz-Zehden’, in Die Kunst des Alterns, ed. by Neue Gesellschaft für Bildende Kunst, et al. (Berlin: NGBK, 2008), pp. 128–34

[52] Tezuka, Miwako, ‘Oral History Interview with Shigeko Kubota, Conducted by Miwako Tezuka, October 11, 2009, at Kubota’s Residence in New York City’, originally posted on post.at.moma.org, retrieved by the Internet Archive <https://web.archive.org/web/20150926114901/https://post.at.moma.org/content_items/344-interview-with-shigeko-kubota> [accessed 24 March 2023]

[53] Thane, Pat, ed., A History of Old Age (Los Angeles: J. Paul Getty Museum, 2005)

[54] Tomii, Reiko, Radicalism in the Wilderness. International Contemporaneity and 1960s Art in Japan (Cambridge, MA: The MIT Press, 2016)

[55] Tomii, Reiko‘“A Test Tube” of New Art: Naiqua and the Rental Gallery System in 1960s Japan’, Afterall: A Journal of Art, Context and Enquiry, 47 (2019), pp. 146–61 <https://doi.org/10.1086/704206>

[56] Tomiyama, Katsue, ‘The End of an Odyssey: Shigeko Kubota’s Large-Scale Retrospective in New York; An Interview with Shigeko Kubota’, in Shigeko Kubota. Video as a Form of Spiritual Collision with the World (Milan: Fondazione Mudima, 1994), pp. 9–16

[57] transmediale e.V., ‘Archive: Sexual Healing’, transmediale/archive, 1999 <https://transmediale.de/content/sexual-healing> [accessed 4 August 2020], unpaginated

[58] Vázquez, Rolando, Vistas of Modernity: Decolonial Aesthesis and the End of the Contemporary, Essay/Mondriaan Fund, 014 (Amsterdam: Mondriaan Fund, 2020)

[59] Walters Art Gallery, Ann Gabhart, and Elizabeth Broun, eds, Old Mistresses: Women Artists of the Past (Baltimore: Walters Art Gallery, 1972)

[60] Yoshimoto, Midori, ‘Fluxus Nexus: Fluxus in New York and Japan’, post.moma.org, 2013 <https://post.moma.org/fluxus-nexus-fluxus-in-new-york-and-japan/> [accessed 9 September 2022]

[61] Yoshimoto, MidoriInto Performance: Japanese Women Artists in New York (New Brunswick, NJ: Rutgers University Press, 2005)

[62] Zdenek, Felix, Toni Stooss, and Ursula Perucchi, eds, Kubota Shigeko: Video Sculptures (Berlin: DAAD Galerie, Museum Folkwang, Kunsthaus Zürich, 1981)