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Psychotherapy and Materialism: Essays by François Tosquelles and Jean Oury Ed. by Marlon Miguel and Elena Vogman

Institutional psychotherapy emerged in France during World War II as a resistance movement against the fascist extermination of patients with mental and physical disabilities. The movement was initiated at the Saint-Alban psychiatric hospital and established a horizontal collective of patients and healthcare workers to dismantle confinement systems reminiscent of colonial and totalitarian practices. Embracing group therapies and patient-run cooperatives, these methods intertwined the ‘treatment of the institution’ and mental ‘disalienation’. The book Psychotherapy and Materialism offers the first English translation of two seminal texts by institutional psychotherapy co-inventors François Tosquelles, a Catalan psychiatrist and anarcho-syndicalist, and Jean Oury, founder of the La Borde clinic. Inspiring figures like Anne Querrien, Ginette Michaud, and Fernand Deligny, as well as being crucial to Frantz Fanon’s decolonial psychiatry and Félix Guattari’s schizoanalysis, Tosquelles and Oury’s materialist and ‘disalienationist’ approach has led to a radical rethinking of psychoanalysis, education, and social work.
2024 | Cultural Inquiry, 31 | 27 € (hc) | 10.5 € (pb)

Rethinking Lyric Communities Ed. by Irene Fantappiè, Francesco Giusti, and Laura Scuriatti

In contemporary Western societies, lyric poetry is often considered an elitist or solipsistic literary genre. Yet a closer look at its history reveals that lyric has always been intertwined with the politics of community formation, from the imagining of national and transnational discursive communities, to the use of poetry in episodes of collective action, protest, and social resistance. Poetic forms have circulated between languages and traditions from around the world and across time. But how does lyric poetry address or even create communities — and of what kinds? This volume takes a global perspective to investigate poetic communities in dialogue with recent developments in lyric theory and concepts of community. In doing so, it explores both the political potentialities and the perils of lyric poetry.
2024 | Cultural Inquiry, 30 | 33.5 € (hc) | 17 € (pb)

Displacing Theory Through the Global South Ed. by Iracema Dulley and Özgün Eylül İşcen

Displacing Theory Through the Global South calls for reflection on the historical and geopolitical inequalities that have shaped theorization. It asserts that what appears ‘universal’ often involves generalizations that flatten the particular. Critiquing the colonialist, imperialist, and Eurocentric perspectives that have historically impacted theorization in general and, more specifically, knowledge production about the so-called Global South, this volume seeks a different form of engagement that moves beyond such strictures. Featuring essays that unsettle distinctions between the general and the particular, it proposes a commitment to expanding notions of universality, making theorization not only relevant and generative, but ultimately, transformative.
2024 | Cultural Inquiry, 29 | 38 € (hc) | 14 € (pb)

Elena Lombardi Ulysses, Dante, and Other Stories

Ulysses, Dante, and Other Stories presents a unique form of creative scholarship. It employs Dante’s late medieval take on Ulysses and his tragic pursuit of ‘virtue and knowledge’ as a prism that refracts an ancient myth of journey and return into a modern story of discovery and nostalgia. Working notes, fragments from Ulysses’ many stories, personal memories, illuminations, and rewritings combine to form a new chain of narratives about the desire to create, the art of travelling, and the will of self-reinvention.
2023 | Cultural Inquiry, 28 | 17 € (pb) | 44 € (hc)

War-torn Ecologies, An-Archic Fragments: Reflections from the Middle East Ed. by Umut Yıldırım

War-torn Ecologies, An-Archic Fragments: Reflections from the Middle East identifies a conceptual intersection between war, affect, and ecology from the Middle East. It creates a counter archive of texts by ethnographers and artists, and enables divergent worlds to share a conversation through the crevices of mass violence across species. Delving into vital encounters with mulberry trees, wild medicinal plants, jinns, and goats, as well as bleaker experiences with toxic war materials like landmines, this volume expands an ecological sensorium that works through displacement, memory, endurance, and praxis.
2023 | Cultural Inquiry, 27 | 36 € (hc) | 19 € (pb)

Untying the Mother Tongue Ed. by Antonio Castore and Federico Dal Bo

Untying the Mother Tongue explores what it might mean today to speak of someone's attachment to a particular, primary language. Traditional conceptions of mother tongue are often seen as an expression of the ideology of a European nation-state. Yet, current celebrations of multilingualism reflect the recent demands of global capitalism, raising other challenges. The contributions from international scholars on literature, philosophy, and culture, analyze and problematize the concept of ‘mother tongue’, rethinking affective and cognitive attachments to language while deconstructing its metaphysical, capitalist, and colonialist presuppositions.
2023 | Cultural Inquiry, 26 | 30 € (hc) | 15 € (pb)

The Case for Reduction Ed. by Christoph F. E. Holzhey and Jakob Schillinger

Critical discourse hardly knows a more devastating charge against theories, technologies, or structures than that of being reductive. Yet, expansion and growth cannot fare any better today. This volume suspends anti-reductionist reflexes to focus on the experiences and practices of different kinds of reduction, their generative potentials, ethics, and politics. Can their violences be contained and their benefits transported to other contexts?
2022 | Cultural Inquiry, 25 | 30 € (hc) | 16 € (pb)

Errans: Going Astray, Being Adrift, Coming to Nothing Ed. by Christoph F. E. Holzhey and Arnd Wedemeyer

Today’s critical discourses and theorizing vanguards agree on the importance of getting lost, of failure, of erring — as do life coaches and business gurus. The taste for a departure from progress and other teleologies, the fascination with disorder, unfocused modes of attention, or improvisational performances cut across wide swaths of scholarly and activist discourses, practices in the arts, but also in business, warfare, and politics. Yet often the laudible failures are only those that are redeemed by subsequent successes. What could it mean to think errancy beyond such restrictions? And what would a radical critique of productivity, success, and fixed determination look like that doesn’t collapse into the infamous ‘I would prefer not to’? This volume looks for an answer in the complicated word field branching and stretching from the Latin errāre. Its contributions explore the implications of embracing error, randomness, failure, non-teleological temporalities across different disciplines, discourses, and practices, with critical attention to the ambivalences such an impossible embrace generates.
2022 | Cultural Inquiry, 24 | 29 € (hc) | 14 € (pb)

Openness in Medieval Europe Ed. by Manuele Gragnolati and Almut Suerbaum

This volume challenges the persistent association of the Middle Ages with closure and fixity. Bringing together a range of disciplines and perspectives, it identifies and uncovers forms of openness which are often obscured by modern assumptions, and demonstrates how they coexist with, or even depend upon, enclosure and containment in paradoxical and unexpected ways. Explored through notions such as porosity, vulnerability, exposure, unfinishedness, and inclusivity, openness turns out to permeate medieval culture, unsettling boundaries, binaries, and clear-cut distinctions.
2022 | Cultural Inquiry, 23 | 32 € (hc) | 17 € (pb)

Over and Over and Over Again: Reenactment Strategies in Contemporary Arts and Theory Ed. by Cristina Baldacci, Clio Nicastro, and Arianna Sforzini

Over the last twenty years, reenactment has been appropriated by both contemporary artistic production and art-theoretical discourse, becoming a distinctive strategy to engage with history and memory. As a critical act of repetition, which is never neutral in reactualizing the past, it has established unconventional modes of historicization and narration. Collecting work by artists, scholars, curators, and museum administrators, the volume investigates reenactment's potential for a (re)activation of layered temporal experiences, and its value as an ongoing interpretative and political gesture performed in the present with an eye to the future. Its contributions discuss the mobilization of archives in the struggle for inclusiveness and cultural revisionism; the role of the body in the presentification and rehabilitation of past events and (impermanent) objects; the question of authenticity and originality in artistic practice, art history, as well as in museum collections and conservation practices.
2022 | Cultural Inquiry, 21 | 35 € (hc) | 22 € (pb)