Angerer, Marie-Luise, Desire after Affect, trans. by Nicholas Grindell (London: Rowman & Littlefield International, 2014)
Angerer, Marie-LuiseTiming of Affect: Epistemologies, Aesthetics, Politics, ed. by Marie-Luise Angerer, Bernd Bösel, and Michaela Ott (Berlin: Diaphanes, 2013)
Angerer, Marie-LuiseVom Begehren nach dem Affekt (Berlin: Diaphanes, 2007)
Aumont, Jacques, L’Image (Paris: Arman Colin, 2011)
Barrau, Aurélien, and Jean-Luc Nancy, What’s These Worlds Coming To?, trans. by Travis Holloway and Flor Méchain (New York: Fordham University Press, 2014)
Benjamin, Walter, ‘Experience and Poverty’, trans. by Rodney Livingstone, in Selected Writings, ii.2: 1931–1934, ed. by Michael W. Jennings, Howard Eiland, and Gary Smith (1999), pp. 731–36
Benjamin, Walter‘On the Concept of History’, trans. by Harry Zohn, in Benjamin, Selected Writings, ed. by Michael W. Jennings and others, 4 vols (Cambridge, MA: Belknap Press of Harvard UP, 1996–2003), iv: 1938–1940 (2003), pp. 389–400
Benjamin, Walter‘One Way Street’, trans. by Edmund Jephcott, in Selected Writings, i: 1913–1926, ed. by Marcus Bullock and Michael W. Jennings (1996), pp. 444–88
Benjamin, Walter‘Toys and Play: Marginal Notes to a Monumental Work’, trans. by Rodney Livingstone, in Selected Writings, ed. by Michael W. Jennings and others, 4 vols (Cambridge, MA: Belknap Press, 1996–2005), ii.1: 1927–1930, ed. by Michael W. Jennings, Howard Eiland, and Gary Smith (2005), pp. 117–21
Benjamin, Walter‘Two Poems by Friedrich Hölderlin’, in Benjamin, Selected Writings, ed. by Michael W. Jennings and others, 4 vols (Cambridge, MA: Belknap Press of Harvard UP, 1996–2003), i: 1913–1926 (1996), pp. 18–36
Benjamin, Walter‘The Work of Art in the Age of its Technological Reproducibility. Second Version’, trans. by Edmund Jephcott and Harry Zohn, in Selected Writings, iii: 1935–1938, ed. by Michael W. Jennings and Howard Eiland (2002), pp. 101–33
Berlant, Lauren, ‘Cruel Optimism’, differences, 17.5 (2006), pp. 21–36
Berlant, Lauren‘Slow Death (Sovereignty, Obesity, Lateral Agency)’, Critical Inquiry, 33.4 (2007), pp. 754–80
Bordowitz, Gregg, ‘Picture of a Coalition’, in
AIDS: Cultural Analysis, Cultural Activism, ed. by Douglas Crimp, special issue of
October, 43 (
1987), pp. 182–96 <
https://doi.org/10.2307/3397573>, repr. in Gregg Bordowitz,
The AIDS Crisis Is Ridiculous and Other Writings, 1986–2003 (Cambridge, MA: The MIT Press, 2004), pp. 19–42
Braun, Christina von, Nicht Ich. Logik, Lüge, Libido (Frankfurt a.M.: Neue Kritik, 1985)
Butler, Judith, Antigone’s Claim: Kinship between Life and Death (New York: Columbia University Press, 2000)
Butler, JudithFrames of War: When Is Life Grievable? (London: Verso, 2009)
Buytendijk, Frederik Jacobus Johannes, Wesen und Sinn des Spiels. Das Spielen des Menschen und der Tiere als Erscheinungsform der Lebenstriebe (Berlin: Kurt Wolff Verlag, 1933)
Casetti, Francesco‘The Relocation of Cinema’, in Post-Cinema, ed. by Denson and Leyda, pp. 569–615
Coleman, Beth, ‘Ten Statements of Technics’, in
Technics: Media in the Digital Age, ed. by Nicholas Baer and Annie van den Oever (Amsterdam University Press,
2024), pp. 28–30 <
https://doi.org/10.1515/9789048564569-004>
Cope, Julian, The Modern Antiquarian: Pre-Millennial Odyssey through Megalithic Britain (London: Thorsons, 1998)
David-Ménard, Monique, Deleuze et la psychanalyse: l’altercation (Paris: Presses universitaires de France, 2005)
Deleuze, Gilles, Cinema, trans. by Hugh Tomlinson and Robert Galeta, 2 vols (Minneapolis: University of Minnesota Press, 1986–89), ii: The Time-Image (1989)
Deleuze, GillesDifference and Repetition, trans. by Paul Patton (New York: Columbia University Press, 1994)
Deleuze, GillesFoucault, trans. by Paul Bové (Minneapolis: University of Minnesota Press, 1988)
Deleuze, Gilles‘Letter to Serge Daney: Optimism, Pessimism, and Travel’, in Deleuze, Negotiations, 1972–1990, trans. by Martin Joughin (New York: Columbia University Press, 1990), pp. 68–81
Deleuze, Gilles‘Lettre à Serge Daney: Optimisme, Pessimisme et Voyage’, in Deleuze, Pourparlers, 1972–1990 (Paris: Les Éditions de Minuit, 1990), pp. 97–112
Deleuze, Gilles, and Félix Guattari, A Thousand Plateaus: Capitalism and Schizophrenia, trans. by Brian Massumi (Minneapolis: University of Minnesota Press, 1987)
Deleuze, Gillesand Félix GuattariMille Plateaux: Capitalisme et Schizophrénie (Paris: Éditions de Minuit, 1980)
Deleuze, Gillesand Félix GuattariWhat is Philosophy?, trans. by Hugh Tomlinson and Graham Burchell (New York: Columbia University Press, 1994)
Denson, Shane, and Julia Leyda, ‘Perspectives on Post-Cinema: An Introduction’, in Post-Cinema, ed. by Denson and Leyda, pp. 1–19
Derrida, Jacques, ‘Geschlecht: Sexual Difference, Ontological Difference’, Research in Phenomenology, 13 (1983), pp. 65–83
Derrida, Jacques‘Of an Apocalyptic Tone Recently Adopted in Philosophy’, Oxford Literary Review, 6.2 (1984), pp. 3–37
Derrida, JacquesRogues: Two Essays on Reason (Stanford, CA: Stanford University Press, 2005)
Deuber-Mankowsky, Astrid, ‘Einleitung’, in Hermann Cohen, Das Prinzip der Infinitesimal-Methode und seine Geschichte. Ein Kapitel zur Grundlegung der Erkenntniskritik (Wien: Turia+Kant, 2013), pp. 7–70
Deuber-Mankowsky, Astrid‘“Für eine Maschine gibt es kein echtes Virtuelles”: Zur Kritik des Smartness Mandate mit Felwine Sarrs Afrotopia und Gilbert Simondons Philosophie der Technik’, in
Digital/Rational, ed. by Dieter Mersch and Katerina Krtilova, special issue of
Internationales Jahrbuch für Medienphilosophie, 6 (
2020), pp. 131–45 <
https://doi.org/10.1515/jbmp-2020-0007>
Deuber-Mankowsky, AstridPraktiken der Illusion. Kant, Nietzsche, Cohen, Benjamin bis Donna J. Haraway (Berlin: Vorwerk 8, 2007)
Deuber-Mankowsky, AstridQueeres Post-Cinema: Yael Bartana, Su Friedrich, Todd Haynes, Sharon Hayes (Berlin: August Verlag, 2017)
Deuber-Mankowsky, Astrid‘Spiel und zweite Technik. Walter Benjamins Entwurf einer Medienanthropologie des Spiels’, in
Mediale Anthropologie, ed. by Christiane Voss and Lorenz Engell (Munich: Fink,
2015), pp. 35–62 <
https://doi.org/10.30965/9783846757994_004>
Deuber-Mankowsky, Astrid,
and Philipp Hanke, ‘“What?” — Prekäres Dokumentieren’, in
Queeres Kino/Queere Ästhetiken als Dokumentationen des Prekären, ed. by Astrid Deuber-Mankowsky and Philipp Hanke, Cultural Inquiry, 22 (Berlin: ICI Berlin Press,
2021), pp. 1–21 <
https://doi.org/10.37050/ci-22_01>
Esposito, Roberto, Immunitas: The Protection and Negation of Life (Cambridge: Polity Press, 2011)
Film London, ‘CHARLOTTE PRODGER – shortlisted artist profile – Film London Jarman Award 2017’, Vimeo, 23 August 2017 <
https://vimeo.com/230803422> [accessed 31 January 2023]
Freud, Sigmund, ‘Beyond the Pleasure Principle’, in The Standard Edition of the Complete Psychological Works of Sigmund Freud, ed. and trans. by James Strachey, 24 vols (London: Hogarth, 1953–74), xviii: Beyond the Pleasure Principle, Group Psychology, and Other Works (1920–22) (1955), pp. 1–64
Freud, Sigmund‘Instincts and their Vicissitudes’, in The Standard Edition of the Complete Psychological Works of Sigmund Freud, ed. and trans. by James Strachey, 24 vols (London: Hogarth, 1953–74), xiv: On the History of the Psycho-Analytic Movement, Papers on Metapsychology and Other Works (1914–16) (1957), pp. 109–40
Genet, Jean, The Miracle of the Rose (New York: Grove Press, 1971)
Genet, JeanOur Lady of the Flowers (New York: Grove Press, 1991)
Genet, JeanThe Thief’s Journal (New York: Grove Press, 1987)
Gröber, Karl, Children’s Toys of Bygone Days: A History of Playthings of all People from Prehistoric Times to the xixth Century, trans. by Philip Hereford (London: Batsford, 1928)
Gröber, KarlKinderspielzeug aus alter Zeit. Eine Geschichte des Spielzeugs (Berlin: Deutscher Kunstverlag, 1928)
Groos, KarlDie Spiele des Menschen (Jena: Verlag Gustav Fischer, 1899)
Grusin, Richard, ‘DVDs, Video Games, and the Cinema of Interaction’, in Post-Cinema, ed. by Denson and Leyda, pp. 65–87
Gunkel, Henriette,
‘Codes, Raster, Technologien queerer Erinnerungslandschaften: Charlotte Prodgers SaFO5’, in Queeres Kino/Queere Ästhetiken als Dokumentationen des Prekären, ed. by Astrid Deuber-Mankowsky and Philipp Hanke, Cultural Inquiry, 22 (Berlin: ICI Press,
2021), pp. 97–117 <
https://doi.org/10.37050/ci-22_05>
Hagener, Malte, Vinzenz Hediger, and Alena Strohmeier, eds, The State of Post-Cinema: Tracing the Moving Image in the Age of Digital Dissemination (London: Palgrave Macmillan, 2016)
Hagner, Michael, and Hans-Jörg Rheinberger, eds, Die Experimentalisierung des Lebens. Experimentalsysteme in den biologischen Wissenschaften. 1850/1950 (Berlin: Akademie Verlag, 1993)
Haraway, Donna J., ‘The Biopolitics of Postmodern Bodies: Constitutions of the Self in Immune System Discourse’, differences: A Journal of Feminist Cultural Studies, 1.1 (1989), pp. 3–43
Haraway, Donna, ‘The Biopolitics of Postmodern Bodies: Constitutions of Self in Immune System Discourse’, in Haraway, Simians, Cyborgs, and Women (London: Free Association Books, 1991), pp. 203–30
Hay, Louise L., You Can Heal Your Life (Santa Monica, CA: Hay House, 1984)
Hayes, Sharon,
and Laurence Weiner, ‘A Conversation’,
BOMB live: In the Open: Art+Architecture in Public Spaces, Weiner Studio, Greenwich Village, 2010 <
https://www.youtube.com/watch?v=bviC4bfSAQw> [accessed 20 February 2024]
Haynes, Todd, Far from Heaven, Safe, and Superstar: The Karen Carpenter Story; Three Screenplays (New York: Grove Press, 2003)
Heidegger, Martin, ‘The Question Concerning Technology’, in The Question Concerning Technology and Other Essays, trans. by William Lovitt (New York: Harper Perennial Modern Thought, 2013)
Huizinga, Johan, Homo Ludens: A Study of the Play-Element in Culture (London: Routledge & Kegan Paul, 1980)
Ishii-Gonzales, Sam, ‘To Appear, to Disappear: Jean Genet and Poison’, in The Cinema of Todd Haynes: All that Heaven Allows, ed. by James Morrison (London: Wallflower Press, 2007), pp. 32–41
Ivakhiv, Adrian, ‘The Art of Morphogenesis: Cinema In and Beyond the Capitalocene’, in
Post-Cinema Theorizing 21st-Century Film, ed. by Shane Denson and Julia Leyda (Falmer: Reframe Books,
2016), pp. 724–49 <
https://reframe.sussex.ac.uk/post-cinema/> [accessed 24 May 2024]
Jenkins, Henry, Convergence Culture: Where Old and New Media Collide (New York: New York University Press, 2006)
Klawans, Stuart, ‘Midlife Fury, Glowing in Glorious Red’, The New York Times, 24 September 2006
Koch, Gertrud, Volker Pantenburg, and Simon Rothöhler, eds, Screen Dynamics: Mapping the Borders of Cinema (Vienna: Synema, 2012)
Krautkrämer, Florian, ‘Revolution Uploaded. Un/Sichtbares im Handy-Dokumentarfilm’, Zeitschrift für Medienwissenschaft, 6.2 (2014), pp. 113–26
Kulle, Daniel, ‘Innovation an den Rändern des Queer Cinema. Ästhetische Strategien des Queeren Experimentalfilms’, in Queer Cinema, ed. by Dagmar Brunow and Simon Dickel (Mainz: Ventil, 2018), pp. 226–44
Lazarus, Moritz, Über die Reize des Spiels (Berlin: Dümmler Verlag, 1883)
Lorey, Isabell, Figuren des Immunen: Elemente einer politischen Theorie (Zürich: Diaphanes 2011)
Morrison, Toni, Playing in the Dark: Whiteness and the Literary Imagination (Cambridge, MA: Harvard University Press, 1993)
Rothöhler, Simon, High Definition. Digitale Filmästhetik (Berlin: August Verlag, 2013)
Shaviro, Steven, Post-Cinematic Affect (Winchester: Zero Books, 2010)
Silverstein, Arthur M., ‘Autoimmunity versus Horror Autotoxicus: The Struggle for Recognition’, Nature Immunology, 2 (2001), pp. 279–81
Simondon, Gilbert, On the Mode of Existence of Technical Objects (Minneapolis, MN: Univocal, 2017)
Tarde, Gabriel, The Laws of Imitation, trans. by Elsie Clews Parsons (New York: Henry Holt and Company, 1903)
Treichler, Paula A., ‘AIDS, Homophobia and Biomedical Discourse: An Epidemic of Signification’, in AIDS: Cultural Analysis/Cultural Activism, ed. by Douglas Crimp (Cambridge, MA: MIT Press, 1988)
Türk, Johannes, ‘Zur Begriffsgeschichte von Immunität’, in
Kulturen der Epigenetik: Vererbt, codiert, übertragen, ed. by Vanessa Lux and Jörg Thomas Richter (Berlin: De Gruyter,
2014), pp. 107–16 <
https://doi.org/10.1515/9783110316032.107>
Tuschling, Anna, ‘The Age of Affect Computing’, in Timing of Affect: Epistemologies, Aesthetics, Politics, ed. by Marie-Luise Angerer, Bernd Bösel, and Michaela Ott (Berlin: Diaphanes, 2013), pp. 179–90
Weber, Samuel, Mass Mediauras: Form, Technics, Media (Stanford, CA: Stanford University Press, 1996)
Whitman, Walt, The Complete Poems (New York: Penguin Classics, 2005)
Wöhrer, Renate‘
Die Kunst des Dokumentierens. Zur Genealogie der Kategorie “dokumentarisch”’, in Beyond Evidence. Das Dokument in den Künsten, ed. by Daniela Hahn (Paderborn: Fink,
2016), pp. 5–17 <
https://doi.org/10.30965/9783846757475_004>