Book Section
Zygmunt G. Barański
Divining The Undivine Comedy
Reflections and Recollections
My chapter has three intertwined aims: (i) to assess the significance and originality of The Undivine Comedy and counter the (often) partial and erroneous ways in which Dantists have referred to and made use of the book; (ii) to demonstrate Barolini’s intellectually and critically independent standing as a scholar of Dante in international terms; and (iii) to give examples of how The Undivine Comedy has influenced my research and thinking on Dante, while reflecting on my friendship with Teo that now spans nearly forty years.
| Title |
Divining The Undivine Comedy
|
| Subtitle |
Reflections and Recollections
|
| Author(s) |
Zygmunt G. Barański
|
| Identifier | |
| Description |
My chapter has three intertwined aims: (i) to assess the significance and originality of The Undivine Comedy and counter the (often) partial and erroneous ways in which Dantists have referred to and made use of the book; (ii) to demonstrate Barolini’s intellectually and critically independent standing as a scholar of Dante in international terms; and (iii) to give examples of how The Undivine Comedy has influenced my research and thinking on Dante, while reflecting on my friendship with Teo that now spans nearly forty years.
|
| Is Part Of | |
| Place |
Berlin
|
| Publisher |
ICI Berlin Press
|
| Date |
December 2025
|
| Subject |
modern Dante studies
textuality
narrative
verisimilitude
Dante’s Poets
Singleton
Paradiso
religious poetry
|
| Rights |
© by the author(s)
Except for images or otherwise noted, this publication is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
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| Language |
en-GB
|
| page start |
223
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| page end |
242
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| Source |
A World of Possibilities: The Legacy of The Undivine Comedy, ed. by Kristina M. Olson, Cultural Inquiry, 37 (Berlin: ICI Berlin Press, 2025), pp. 223–42
|
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