Book Section
This essay takes its cue from Barolini's metapoetic reading of the terrace of the proud. It analyses some of the ways in which Dante himself seeks to achieve a ‘visibile parlare’, in a kind of competition with the divine. The point of view is primarily that of reception, of how the pact that the poet creates with his readers is realized. The canto of the proud is thus inserted into that education of the gaze that is an important component of the poem.
Title
Dante and ‘visibile parlare’
Author(s)
Lina Bolzoni
Identifier
Description
This essay takes its cue from Barolini's metapoetic reading of the terrace of the proud. It analyses some of the ways in which Dante himself seeks to achieve a ‘visibile parlare’, in a kind of competition with the divine. The point of view is primarily that of reception, of how the pact that the poet creates with his readers is realized. The canto of the proud is thus inserted into that education of the gaze that is an important component of the poem.
Is Part Of
Place
Berlin
Publisher
ICI Berlin Press
Date
December 2025
Subject
synesthesia
memory
acrostic
competition
Rights
© by the author(s)
Except for images or otherwise noted, this publication is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Language
en-GB
page start
245
page end
259
Source
A World of Possibilities: The Legacy of The Undivine Comedy, ed. by Kristina M. Olson, Cultural Inquiry, 37 (Berlin: ICI Berlin Press, 2025), pp. 245–59
  • Alighieri, Dante, The Divine Comedy, trans. by Allen Mandelbaum, 3 vols (Berkeley: University of California Press, 1980–82)
  • Alighieri, Dante, Commedia, ed. with commentary by Anna Maria Chiavacci Leonardi, 3 vols (Milan: Mondadori, 1991–97)
  • Alighieri, Dante, La Commedia secondo l’antica vulgata, ed. by Giorgio Petrocchi, Società Dantesca Italiana, Edizione Nazionale, 2nd rev. edn, 4 vols (Florence: Le Lettere, 1994)
  • Barolini, Teodolinda, The Undivine Comedy: Detheologizing Dante (Princeton: Princeton University Press, 1992) <https://doi.org/10.1515/9781400820764>
  • Bolzoni, Lina, ‘Dante o della memoria appassionata’, Lettere Italiane, 60.2 (2008), pp. 169–93
  • Francesco da Buti, Commento di Francesco da Buti sopra La Divina Commedia di Dante Allighieri, ed. by Crescentino Giannini (Pisa: Fratelli Nistri, 1858–62)
  • Pozzi, Giovanni, La parola dipinta (Milan: Adelphi, 1981)