Book Section
Laurens Dhaenens
Franziska Koch
Anton Lee
Varda Nisar
Miriam Oesterreich
Tanya Talwar
Song Xiaoxia
Esra Yıldız
Franziska Koch
Anton Lee
Varda Nisar
Miriam Oesterreich
Tanya Talwar
Song Xiaoxia
Esra Yıldız
Questionnaire on Syllabi, 2023–2024
This questionnaire developed out of the workshop ‘Worlding Art History through Syllabi’ which we as WPC co-organized in October 2022 together with the ICI Berlin Institute for Cultural Inquiry. The workshop invited over twenty international scholars to present and discuss their approaches to designing and using syllabi to teach global art history. Over the course of two days, understandings of what a syllabus is and how it is used came to be questioned, shedding light not only on the role of personal teaching preferences, but also on departmental, institutional and even national agendas, language barriers, and the influence of collaborative approaches to teaching (particularly across higher education institutions, and museums). The questionnaire was developed in conjunction with the responses of participants, a number of whom agreed to continue the conversation and share personal insights into their use of syllabi.
| Title |
Questionnaire on Syllabi, 2023–2024
|
| Author(s) |
Laurens Dhaenens
Franziska Koch
Anton Lee
Varda Nisar
Miriam Oesterreich
Tanya Talwar
Song Xiaoxia
Esra Yıldız
|
| Identifier | |
| Description |
This questionnaire developed out of the workshop ‘Worlding Art History through Syllabi’ which we as WPC co-organized in October 2022 together with the ICI Berlin Institute for Cultural Inquiry. The workshop invited over twenty international scholars to present and discuss their approaches to designing and using syllabi to teach global art history. Over the course of two days, understandings of what a syllabus is and how it is used came to be questioned, shedding light not only on the role of personal teaching preferences, but also on departmental, institutional and even national agendas, language barriers, and the influence of collaborative approaches to teaching (particularly across higher education institutions, and museums). The questionnaire was developed in conjunction with the responses of participants, a number of whom agreed to continue the conversation and share personal insights into their use of syllabi.
|
| Is Part Of | |
| Place |
Berlin
|
| Publisher |
ICI Berlin Press
|
| Date |
July 7, 2026
|
| Subject |
teaching strategies
syllabi
global art history
institutions
museum-based teaching
|
| Rights |
© by the author(s)
Except for images or otherwise noted, this publication is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
|
| Language |
en-GB
|
| page start |
123
|
| page end |
146
|
| Source |
Worlding Global Art Histories through Teaching, ed. by Eva Bentcheva, et al., Worlding Public Cultures (Berlin: ICI Berlin Press, 2026), pp. 123–46
|
- Worlding Art History through Syllabi, workshop, ICI Berlin, 10–11 October 2022 <https://doi.org/10.25620/e221010>