Copy to Clipboard. Add italics as necessaryCite as: Stella do Patrocínio, ‘Caderno/Notebook’, in Stella do Patrocínio, Falatório/Chatter, ed. by Iracema Dulley and Marlon Miguel, Cultural Inquiry, 35 (Berlin: ICI Berlin Press, 2025), pp. 181–91 <https://doi.org/10.37050/ci-35_05>
Imagens do caderno de Do Patrocínio, que foi mantido pela psicóloga Mônica Ribeiro de Souza e fotografado por Anna Carolina Zacharias.
Images of Do Patrocínio’s notebook, which was kept by psychologist Mônica Ribeiro de Souza and photographed by Anna Carolina Zacharias.
Imagens do caderno de Do Patrocínio, que foi mantido pela psicóloga Mônica Ribeiro de Souza e fotografado por Anna Carolina Zacharias.
Images of Do Patrocínio’s notebook, which was kept by psychologist Mônica Ribeiro de Souza and photographed by Anna Carolina Zacharias.
‘This notebook belongs to the patient at Colônia Juliano Moreira — Teixeira Brandão pavilion — 2nd session, Stella do Patrocínio, assisted by Mônica Ribeiro de Souza, psychologist-in-training, and supervised by Denise Corrêa de Almeida, resocialization coordinator.’The page on the right contains the following words: laranja (orange), banana, café (coffee), leite condensado (condensed milk), chocolate, tódi (powder chocolate), and words that stand for kinds of cheese: queijo prato, queijo de minas, mussarela, catupiri.The drawings of hands are possibly of Do Patrocínio’s own hand.The page on the left contains the words laranja (orange) and banana.The drawings of hands are possibly of Do Patrocínio’s own hand.Other drawings by Do Patrocínio.The page shows words such as casa (house/home), mundo (world), and prédio (building), as well as a series of variations around terra (earth), including terreno (land, ground), and terreiro (a spiritual and communal space used in Afro-Brazilian religions such as Candomblé and Umbanda).Graphism in the form of waves.The numbers on these pages remind us of Do Patrocínio’s enumerations. In the audios, she mentions writing numbers (in this volume, p. 142/143).The drawings of hands are possibly of Do Patrocínio’s own hand.
